Day jay (31 risultati)

Condizione: Good. A sound copy with only light wear. Overall a solid copy at a great price.

Paperback. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good+. Good+ paperback. Light shelfwear, gentle creasing to spine. Binding remains strong and sturdy, text also very good.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: new.

paperback. Condizione: Softcover. Softcover. New, unused. For any additional information or pictures, please inquire.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Soft cover. Condizione: Very Good. 170 pages. Hugh Allyn Hunt "Acme Rooms and sweet Marjorie Russell" / Edward Franklin "All that Sunday madness" / Giles Gordon "Two women, two eyes" / , Victor Manne Joshua's day" / , Paul Thompson "The last laugh" / J C Oates "Dying" / Jay Neugeboren The Zodiacs" / Sally Griffiths "Ferrets for friends" / , B E Evans "The answer obviously is no" / , P Allison "The fulfilling of the law" / Natalia Ginzburg "My job" / James Hurst "The summer of two figs" / , John E Dineen "The Gods of Rome". …

Condizione: New. pp. 304.

Condizione: New. pp. 304.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condizione: Near Fine. wraps are touch rubbed. clean. well bound. near fine copy.[S.K]. Our orders are shipped using tracked courier delivery services.

1/2 leather. First edition. 768 p. Includes illustrations. Contains: "Gravelotte to Sedan" by General Philip Sheridan, seven pieces from Robert Louis Stevenson, Henry James on London Life, Augustine Birrell on Matthew Arnold, "Fair Day" by Sarah Orne Jewett, John Bogart of Railway Engineering, N.S. Shaler on Yellowstone, poetry by Percival Lowell, George Parsons Lathrop, and much more. Many engraved illustrations. Spine and corners are leather on pebbled boards. Leather is scuffed up. Decorative mottling on page edges. Sticker on inside cover from Auburn Community College Library. Pages clean and unmarked. One page is loose. Very good. No dust jacket as issued. Ex-library. JCharles Stevens, Alfred Kappes, Robert Blum, Francis Day, C. Jay Taylor etc. (illustratore). …

Book, Hardcover. Condizione: Used. Fork In The Road, A - Hardback 1. These are USED books. Please only purchase if you are happy with that. Images & Editions We use stock images and database descriptions based on the ISBN. The image shown may NOT be the actual book cover you will receive. Covers, editions, printings, and publishers may differ. If you need a specific cover, edition, or printing, please contact us before purchasing. What ?Used? Means Because these books are pre-owned: Colouring books may be coloured in Textbooks may have answers filled in, highlighting, notes, or underlining Workbooks may have writing inside Access codes, download codes, CDs, DVDs, or online content are usually missing or already used Books that originally came with toys, inserts, maps, cards, or bonus items will usually NOT include them Pages may be folded, marked, or show normal signs of use If you are buying a book for anything other than reading (e.g. colouring, study use, collecting, gifts, specific covers, bonus items, or digital access), used books may not be suitable. Condition All books are listed as Used ? Good Books are clean and readable but not new Some books may have: Writing, highlighting, or markings Folded pages or minor wear A small warehouse or inventory sticker on the spine Original retailer stickers (we do not remove them) Our Process We purchase books by the pallet and scan thousands at a time. For this reason, we cannot photograph or individually inspect every book. Acknowledgement By purchasing, you acknowledge that: You understand the book is used You accept the condition and limitations described above Stock images and descriptions may not exactly match the item received Thank you for supporting Oak Books and helping give books a second life. …

Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Brand New. 352 pages. 7.25x4.50x1.21 inches. In Stock.

Soft cover. Condizione: Near Fine. 65pp. illus. saddle-stitched.

Condizione: New. Print on Demand.

leatherbound hardcovers. Condizione: As New. 50th anniversary edition. Set of 3 Volumes. Brown leather hardcovers with gilt page edges. Fine or As New condition. No visible defects. Bindings tight, pages clean. Pictures available upon request.? dw. Tirion, Wil; Day, Christy E.; (illustratore).

Paper wrappers. Condizione: Fine. FIRST EDITION. Tall side-sewn booklet (25.3 x 16cm), pp. [2 blank], 27, [3, incl. 'Marks used on Ruskin Pottery, 1898-1935)'] + 2 plates, incl. 1 colour. Cream paper wrappers, front wrapper lettered in orange, cord-sewn. Gentle edgewear. Faint, fine spotting to verso of rear wrapper, else, clean, bright and tight. Birmingham Post clipping (10.02.1978) 'The family fired with enthusiasm,' about the Ruskin Pottery, laid in. Fine. A gorgeous first edition copy of L. B. Powell's illustrated memoir (and memorial) of Ruskin Pottery's master potter, Howson Taylor, printed under the direction of master printer Leonard Jay at the City of Birmingham School of Printing, Central School of Arts and Crafts, with student and staff collaboration, including "Compositors' work by boys in the pre-apprentice classes"; from the library of Jay's friends, the Birmingham-based artists Ernest and Catherine Hill, with their supplied cream paper dust jacket (nicked). The Ruskin Pottery was founded in 1898 by William Howson Taylor's father, Edward R. Taylor, who was headmaster of Birmingham School of Art. Howson Taylor (1876-1935), and the pottery, were renowned for their "remarkable glazes". The pottery closed in July 1935, when Taylor retired (and died in the September); the formulae for the glazes and all the pottery documentation were destroyed to prevent reproductions. Master printer-craftsman and pioneer of printing education, Leonard Jay (1888-1963) came from a family "steeped in printing". An Artisan Art Scholarship allowed Jay to attend the London County Council Central School of Arts and Crafts, Holborn from 1909, where "he enrolled on the newly established typography evening classes run by the printer-scholar John Henry Mason" and in 1912 was appointed Mason's first assistant instructor. Diverging from his mentor's focus on traditional hand-processes, Jay "understood if technical education was to succeed it had to work with existing trade practices," and introduced students to commercial printing, demonstrating "that quality bookwork could be produced using modern machinery" (ODNB). In 1925 Jay was appointed the first head of the Birmingham School of Printing, "the largest centre of printing outside London," where he would remain until his retirement in 1953. "Through an innovative publishing programme, Jay provided all students with the opportunity to produce at least one piece of work of great distinction of which they could be justly proud" and under his direction around 150 (the number varies) finely printed books and pamphlets, including this one, were produced by the Department's students and staff. A friend of Jay's, Ernest F. Hill, RBSA (1873-1960) was a British painter, arts educator and Vice President of the Royal Birmingham Society of Artists (RSBA). An early Newlyn group member, he worked primarily in watercolour, favouring British landscape and coastal scenes; he exhibited at the Royal Academy until 1946, Royal Institute of Oil Painters, but his paintings were most often hung in Birmingham (CAI, 2021). Hill was Headmaster of the prestigious Bournville School of Art and Crafts, and was well-connected in regional cultural networks, as well as with the Cadbury family. Less in known of Catherine Hill, who was a watercolour artist, print maker and book binder. Their library reflected these interests, featuring numerous arts and crafts, typographical and fine press books, often in excellent condition, thanks to the addition of hand-marbled, clear or paper wrappers (as here).…

Condizione: Very good. First Edition. 15-times signed limited first edition of this anthology of modern poetry written in response to Pre-Columbian sculpture, with leaves autographed by every contributing poet. For this project, Ashton selected and sent an individual photograph to each participant, soliciting a wide variety of poetic responses limited only by the title of the collection. The full list of contributors includes: Barbara Howes, James Wright, Louise Bogan, Theodore Roethke, John Malcolm Brinnin, I.A. Richards, William Carlos Williams, W.S. Merwin, Stanley Kunitz, C. Day Lewis, St.-John Perse, William Jay Smith, Richard Wilbur, Jean Garrigue, and Octavio Paz. Rare. 9.5'' x 6.5''. Original half green leather with marbled boards. Green topstain. Edition of 1500, of which 50 copies, containing autographs of contributing poets, have been especially bound and numbered; this copy no. 41. Black and white photographs by Boltin. [30], 63, [5] pages. First 15 leaves signed in pen, each by a different contributor. Moderate wear to boards, with some chipping to spine ends. Interior bright and unmarked. Signed. …

Crown 8vo. 6 volumes. First editions. Original navy wrappers (1925) and parchment backed navy boards (1926-30) with printed paper labels to the spine and front cover. 1925: Wrapper edges curled with a little rubbing to the spine head and a short tear to the front joint. 1926-30: Parchment tanned as usual. Contents clean and fresh. Near fine. 1925 includes three poems by Harold Acton and two by Graham Greene (the same year as his 'Babbling April') but this group was clearly collected by the former owner to contain all the contributions by 'MACSPAUNDAY' and begins with two poems by Cecil Day-Lewis in this issue. W. H. Auden appears as co-editor the following year and allowed himself three poems (C.D.L. scores four). They share the editing in 1927 and wrote a Preface together but this year marks the first appearance of Louis MacNeice with three poems. Day-Lewis has gone by 1928 but Auden and MacNeice are joined by Stephen Spender and the latter two are co-editors in 1929 after Auden has moved on. Spender co-edits again in 1930 and that year brings the contributions of these four poets to an end. Uncommon individually and scarce as a set and in this condition.…