De lucca valeria (52 risultati)

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Hardcover. Condizione: Brand New. 389 pages. 9.50x6.50x1.00 inches. In Stock.

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Brossura. Condizione: new. A cura di Émilie Corswarem e Aldo Roma. Roma, 2026; br., pp. 308, cm 15,1x21. (I Libri di Viella. 577). Questo volume indaga le pratiche mecenatistiche dei cardinali protettori delle corone in età moderna per esplorare come committenza, protezione e clientelismo interagissero con le specificità del loro status e delle loro funzioni, operando all'intersezione tra corte pontificia e monarchie nazionali. Attraverso casi di studio esemplari e un approccio interdisciplinare che combina storia sociale e culturale, storia dell'arte e dello spettacolo, i contributi offrono una prospettiva inedita sul mecenatismo dei cardinali protettori delle corone in relazione alla complessa stratificazione identitaria che li definiva, con le loro dignità cardinalizie e nobiliari e il loro ruolo nelle reti politiche, culturali e sociali romane ed europee. Superando la categoria storiografica del "cardinale amante dell'arte", emerge una lettura del mecenatismo come arte della mediazione tra diverse fedeltà e strumento di costruzione del potere, capace di agire su spazi urbani, istituzioni, pratiche rituali e reti di relazioni. Libro.…

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Paperback. Condizione: New.

Hardcover. Condizione: new. Hardcover. Throughout early modern Europe, patronage became a means for the dominant classes to highlight their wealth, intellectual finesse, and cultural and political agendas, particularly within the court and religious institutions. Musical events like operas and carnival parades were an especially essential component of this patronage. However, the ways in which music patronage changed during the second half of the seventeenth century have largely remained underexplored.At the time, profound social and cultural transformations influenced the production and consumption of music in radical and permanent ways, not least through the influence of the Colonna family - PrinceLorenzo Onofrio Colonna and his wife Maria Mancini. Two of the most active patrons of seventeenth-century Italy, they were particularly active in the musical life of Rome. Through their sponsorship of an unprecedented number of operas, serenatas, and oratorios, they supported the careers of the most prominent composers, librettists, and musicians of the period.A new exploration of this period of music patronage, The Politics of Princely Entertainment followsLorenzo Onofrio and Maria beyond the borders of Rome and through their far-reaching personal and institutional travels - to Venice, Naples, and the Kingdom of Aragon. Author Valeria De Lucca traces the journeys ofnot only scores and librettos, but also the singers, composers, and librettists whose art reached these distant corners of Europe through the Colonna family's patronage activities. The Politics of Princely Entertainment is a welcome addition to scholarly understanding of music patronage beyond traditional boundaries of gender, geography, and institutions. The Politics of Princely Entertainment follows the travels of Lorenzo Onofrio Colonna and Maria Mancini, two of the most active music patrons of seventeenth-century Italy, tracing their influence on music across a rapidly transforming Europe through the singers, composers, and librettists they supported. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardback. Condizione: New. Throughout early modern Europe, patronage became a means for the dominant classes to highlight their wealth, intellectual finesse, and cultural and political agendas, particularly within the court and religious institutions. Musical events like operas and carnival parades were an especially essential component of this patronage. However, the ways in which music patronage changed during the second half of the seventeenth century have largely remained underexplored. At the time, profound social and cultural transformations influenced the production and consumption of music in radical and permanent ways, not least through the influence of the Colonna family - Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. Two of the most active patrons of seventeenth-century Italy, they were particularly active in the musical life of Rome. Through their sponsorship of an unprecedented number of operas, serenatas, and oratorios, they supported the careers of the most prominent composers, librettists, and musicians of the period.A new exploration of this period of music patronage, The Politics of Princely Entertainment follows Lorenzo Onofrio and Maria beyond the borders of Rome and through their far-reaching personal and institutional travels - to Venice, Naples, and the Kingdom of Aragon. Author Valeria De Lucca traces the journeys of not only scores and librettos, but also the singers, composers, and librettists whose art reached these distant corners of Europe through the Colonna family's patronage activities. The Politics of Princely Entertainment is a welcome addition to scholarly understanding of music patronage beyond traditional boundaries of gender, geography, and institutions.…

Condizione: New. 2020. hardcover. . . . . .

Hardcover. Condizione: Brand New. 389 pages. 9.50x6.50x1.00 inches. In Stock.

Condizione: New. 2020. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Condizione: New. Throughout early modern Europe, patronage became a means for the dominant classes to highlight their wealth, intellectual finesse, and cultural and political agendas, particularly within the court and religious institutions. Musical events like operas and carnival parades were an especially essential component of this patronage. However, the ways in which music patronage changed during the second half of the seventeenth century have largely remained underexplored. At the time, profound social and cultural transformations influenced the production and consumption of music in radical and permanent ways, not least through the influence of the Colonna family - Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. Two of the most active patrons of seventeenth-century Italy, they were particularly active in the musical life of Rome. Through their sponsorship of an unprecedented number of operas, serenatas, and oratorios, they supported the careers of the most prominent composers, librettists, and musicians of the period.A new exploration of this period of music patronage, The Politics of Princely Entertainment follows Lorenzo Onofrio and Maria beyond the borders of Rome and through their far-reaching personal and institutional travels - to Venice, Naples, and the Kingdom of Aragon. Author Valeria De Lucca traces the journeys of not only scores and librettos, but also the singers, composers, and librettists whose art reached these distant corners of Europe through the Colonna family's patronage activities. The Politics of Princely Entertainment is a welcome addition to scholarly understanding of music patronage beyond traditional boundaries of gender, geography, and institutions.…