delank claudia (35 risultati)

hardcover. Condizione: Good.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Very good. No jacket. Faint yellowing along edges.

Hardcover. 127p., profusely illus., very good condition in pictorial boards. No dust jacket.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condizione: Very Good. Boards lightly rubbed with bumps to lower corners and foot of spine. Binding firm, unmarked copy.

Condizione: Sehr gut. 1. Aufl. 109 S. : überw. Ill. Leichte Lagerspuren. Sehr gutes Exemplar /H54 A-Z 44499 GRBK ISBN 3980926206 Sprache: Englisch Gewicht in Gramm: 2550 26.5 cm, Pappband mit Schutzumschlag.

Hardcover. Condizione: Fine. No jacket.

Condizione: Sehr gut. 1. Aufl. 109 S. : mit Fotografien mit signierter Fotografie Mit signiertem Foto von Nomura Koken / Sehr gutes Exemplar / H199. A-Z 44500 Fotogr / 199 ISBN 3980926206 Sprache: Englisch Gewicht in Gramm: 2450 27 cm, Ganzleinen mit Schutzumschlag und Leinenkassette 26.5 cm, Pappband mit Schutzumschlag.

Hardcover. Condizione: Near Fine Previous Owners Seal. 1st Edition. It was truly an adventure to travel to Japan in the second half of the 19th century, loaded with unwieldy and heavy photographic equipment. From their Yokohama studios, the pioneers of photography in Japan, Felice Beato and Adolpho Farsari, exported unfamiliar and remarkable pictures to Europe, giving the West an idea of what life was like in ancient Japan. Their Japanese pupils established a new professional Images of "ancient" Japan were produced specifically for the Western public, staged in studios, later hand-colored and compiled in richly ornamented lacquer albums.This book documents not only a unique chapter of the history of photography, but also provides insights about the way European and, later, Japanese photographers staged their image of Japan in accordance with Western expectations.The 90 photographs of the March Collection published in this volume, many of which are being made available to the public for the first time ever, depict the vanished feudal Japan in a way unique both in its historical meaning and in its aesthetic appearance. Book.

Hardcover. Condizione: Fine. First Edition. Demy folio, [27.75cm/11inches], full pictorial cloth sans dust jacket, pp. 127. Illustrated with sepia halftones, colour plates &tc. Please feel free to ask for particulars and/or additional photographs. . In 1848 (Edo era), a camera for daguerréotype was imported by a Dutch ship to Japan (Nagasaki, ). It is said that this was the first camera in Japan. During Edo era, the import and the export had been prohibited (sakoku, ) by the Edo Government (Edobakufu, ), except that only Dutch ships had been permitted to export and import various goods at Nagasaki Port. Therefore, the first camera was introduced at Nagasaki. This camera was imported by Ueno Toshinoj (17901851, ) and in 1849 passed toShimazu Nariakira(18091858, ), who later would become a feudal lord (daimy , ) ofSatsuma Domain( , nowKagoshima-ken). Trade with the West began in 1858 at Yokohama, Nagasaki and Hakodate. This is calledKaikoku( , to open the nation for foreign countries and trades) in Japanese language. Thanks toKaikoku, more and more cameras and other photography-related equipment and materials had been imported to Japan. Further some foreign photographers, such asFelix Beatocame to Japan and took many photographs of Japan. In 1862,Ueno Hikoma(18381904, ) opened his photo studio in Nagasaki andShimooka Renjo(18231914, ) opened his photo studio in Noge ( , soon later included within Yokohama), in the same year, but independently. The open of these two photo studios for portraits indicated the new era of Japanese photography.

1st. 4°. 127 pages. Hardcover, near new. Sprache: Englisch, many pictures.

Condizione: Gut. 127 S. : überw. Ill. ; 31 cm Sprache: Englisch Gewicht in Gramm: 970.

Hardcover. Condizione: Wie neu. Condizione sovraccoperta: Wie neu. 1. Auflage. Ohne Einschränkung wie neu. Gebundene Ausführung. Der Buchblock, Buchschnitte und Ecken sind perfekt. Innen ohne Namenseintrag, ohne Widmung, keine Anstreichungen. Ausstellung im Museum Kunstpalast, Düsseldorf. Alle Fotos des Angebots sind eigenhändig vom Anbieter. 316 Seiten im Fomat 285 x 248 mm. Auf Wunsch sende ich gern weitere Fotos. Kein Versand nach Österreich. Grenzüberschreitende Lieferung kann abweichende Versandkosten verursachen.

Hardcover. Condizione: New.

Gebundene Ausgabe. Condizione: Neu. 1. Auflage. 127 Seiten Buch ist neu, aus priv. Vorbesitz, ungelesen. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1001.

Softcover/Paperback; 30 cm. 261 Seiten; Zahlreiche farbige Abbildungen gut erhalten Sprache: Deutsch Gewicht in Gramm: 1311.

Gewebe, 26 cm. 1. Auflage. 64 S.: zahlr. Ill. (z.T. farb.) Schutzumschlag Folie berieben Sprache: Italienisch Gewicht in Gramm: 405.

Condizione: Very good.

Hardcover. Condizione: gut. 2012. Samurai : Stars of the Stage and Beautiful Women In deutscher Sprache. pages.

Hardcover. 4to. pp. 127. full-page photo illus. including some colour. pictorial boards. Photography Japan Japanese Beato Kinbei.

Softcover/Paperback. Condizione: Befriedigend. 317 Seiten. Einband angeschmutzt und bestoßen. Bleistiftanstreichungen im Text. Brauchbares Exemplar. 9783820458107 Sprache: Deutsch Gewicht in Gramm: 1200 (Europäische Hochschulschriften / Angelsächsische Sprache und Literatur, Reihe XIV, Band 104.).

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 316 Seiten, 354 Abb. Gebunden mit Schutzumschlag - Die Werkauswahl zeugt von der ambivalenten Faszination des Blickes auf den nackten Körper, also sowohl von der erotischen und erotisierenden Attraktion lustvollen Hinblickens auf den unverhüllten schönen Körper wie auch vom Entsetzen, welches der Anblick des schamlos exponierten Geschlechts beim Betrachter auslösen kann.

312 (1) pages, partly printed on yellow paper and mostly colour-illustrated throughout. / 48 Seiten, mit Abbildungen. - Publisher's typographic designed softcover-binding in publ. black cardboard-slipcase; large-8vo.(ca. 26 x 18 x 4 cm; ca. 1,6 kg.). *** FIRST EDITIONS, SOFTCOVER ORIGINALS WITH SLIPCASE. - Slipcase minimally rubbed; THE BOOKS IN BEST CONDITION, like new. --- CONTAINS THE MAIN CHAPTERS 'The Living Space of an Avant-garde Artist'; 'Rethinking Avant-garde in Japan - Abstraction, Climate, City'; 'Mixture of Avant-garde' and 'Unfinished Avant-garde - Struggle between Tradition and Renovation'; 'Die Rezeption japanischer Asthetik am Bauhaus'. / ARTISTS: Chikuha Odake, Chu Asai, Gentaro Komaki, Gyo Fumon, Harue Koga, Iwane Sumiya, Iwao Yamawaki, Iwata Nakayama, Jiro Yoshihara, Juzo Matsubara, Kakuzo Namba, Kambei Hanaya, Keisuke Yamamoto, Kichinosuke Benitani, Kikuji Ishimoto, Koshiro Onchi, Kotaro Migishi, Mamoru Yamada, Masahisa Kawabe, Masaki Yamaguchi, Masuji Hamada, Minoru Nakahara, Mofu Asano, Nakaji Yasui, Noboru Kitawaki, Renshichiro Kawakita, Ryobun Yamaoka, Saburo Hasegawa, Sadanosuke Nakata, Seitaro Utsunomiya, Shichiro Imatake, Shigeki Imai, Shizuo Fujimori, Shonan Mizukoshi, Sueo Kasagi, Tai Kambara, Takashi Yamazaki, Takehiko Mizutani, Takeo Yamaguchi, Tetsugoro Yorozu, Togo Murano, Toki Okamoto, Tomoo Wadachi, Tomoyoshi Murayama, Yumeji Takehisa, Zennosuke Tamamura; Marcel Breuer, Ludwig Mies van der Rohe, Eugene Samuel Grasset, Henri Thiriet, Alfons Maria Mucha, Pierre Bonnard, Koloman Moser, Albert Boue, Wassily Kandinsky, David Davidovich Burljuk, Viktor Nikanorovich Palimov, Johannes Itten, Wener Graeff, Rudolf Lutz, Friedl Dicker, Erich Brendel, Werner Burrim, Marguerite Friedlaender-Wildenhain, Theodor Bogler, Otto Lindig, Margarete Heymann-Marks, Kurt Kranz, Laszlo Moholy-Nagy, Werner David Feist, Lucia Moholy, Paul Citroen, Walter Peterhans, Lotte Stam-Beese, Herbert Bayer, Adolf Meyer, Alma Siedhoff-Buscher, Lyonel Feininger, Senta Baumeister, Bilda Heynold-von Graefe, Eva Neuner-Kayser.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Heidelberg, Kehrer Verlag, 2002, 4°, 127 S., mit zahlreichen Abbildungen, illustrierter Original-Pappeinband in schöner Erhaltung.

Cloth. Condizione: New. Condizione sovraccoperta: Fine Condition. 296 pages with 455 illustrations in color. Still in original shrinkwrap. Edited by Gunda Luyken, Beat Wismer. Published on the occasion of the exhibition from the Stiftung Museum Kunstpalast, Düsseldorf, September 10, 2011-January 15, 2012 and the Galerie Stihl, Waiblingen, June 23-September 9, 2012.

Heidelberg, Kehrer 2002. 127 S. mit zahlr. Abb. Orig.-Pappband / hardcover. Sehr gutes Exemplar.

4° Hardcover/Pappeinband. Condizione: Wie neu. 1. Auflage. 316 S. - gebraucht; wie neu - EA2476 ISBN: 9783775723572 Sprache: Deutsch Gewicht in Gramm: 1942.

kart. Condizione: Neu. 261 S. : zahlr. Ill. ; 30 cm NEUBUCH ! 9783932276392 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Deutsch Gewicht in Gramm: 550.