denise gimpel (30 risultati)

Condizione: New. 2001. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2001. paperback. . . . . .

Soft cover. Condizione: New. Very clean, sound, unread copy. 322 pgs.

Hardcover. Condizione: Near Fine. First printing. Remainder dot on spine, else fine in orange cloth. No dust jacket.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. 0.

Paperback. Condizione: new. Paperback. China is in flux but as argued by the contributors to this volume change is neither new to China nor is it unique to that country; similar patterns are found in other times and in other places. Indeed, on the basis of concrete case studies (ranging from Confucius to the Vagina Monologues, from Protestant missionaries to the Chinese avant-garde) and drawing on theoretical insights from different disciplines, the contributors assert that change may be planned but the outcome can never be predicted with any confidence. Rather, there exist creative spaces within which people, ideas and systems interact with uncertain outcomes.As such, by identifying a more sophisticated approach to the complex issues of change, cultural encounters and so-called globalization, this volume not only offers new insights to scholars of other geo-cultural regions; it also throws light on the workings of our 'global' and 'transnational' lives today, in the past and in the future. China is in flux but as argued by the contributors to this volume change is neither new to China nor is it unique to that country; similar patterns are found in other times and in other places. This volume throws light on the workings of our global and transnational lives today, in the past and in the future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

paperbound, 8vo xi+322 pp. four year in the life of a Shanghai fiction magazine before the events of May Fourth; very good condition.

x + 322pp, index, bibliography, notes, glossary, appendices, paperback. "Lost Voices of Modernity uncovers the story of the most popular and perhaps the most maligned modern Chinese literary journal, Xiaoshuo yuebao (The Short Story Magazine). First published in Shanghai in 1910, Xiaoshuo yuebao boasted a circulation of ten thousand within its first three years of publication. Scholars have long characterized the journal as little more than superficial popular entertainment (primarily action/adventure and love stories) and attributed its early popularity to an urban audience's need for distraction and escape. Now, however, Denise Gimpel's persuasive and effective study reveals a journal of serious appearance and intent." Publisher's description.

Condizione: New. 2012. paperback. . . . . .

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. illustrated edition. 272 pages. 9.00x6.00x0.75 inches. In Stock.

Condizione: New. 2012. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: New. pp. 368.

Black and white illustrations, x + 322pp, notes bibliography, index. Spine trifle sunned, a very good paperback copy.

Kartoniert / Broschiert. Condizione: New. &Uumlber den AutorDenise Gimpel is associate professor and deputy head of the Department of Cross-Cultural and Regional Studies at Copenhagen University, where she also lectures in Chinese studies. She has published widely in the fields.

Paperback. Condizione: new. Paperback. China is in flux but as argued by the contributors to this volume change is neither new to China nor is it unique to that country; similar patterns are found in other times and in other places. Indeed, on the basis of concrete case studies (ranging from Confucius to the Vagina Monologues, from Protestant missionaries to the Chinese avant-garde) and drawing on theoretical insights from different disciplines, the contributors assert that change may be planned but the outcome can never be predicted with any confidence. Rather, there exist creative spaces within which people, ideas and systems interact with uncertain outcomes.As such, by identifying a more sophisticated approach to the complex issues of change, cultural encounters and so-called globalization, this volume not only offers new insights to scholars of other geo-cultural regions; it also throws light on the workings of our 'global' and 'transnational' lives today, in the past and in the future. China is in flux but as argued by the contributors to this volume change is neither new to China nor is it unique to that country; similar patterns are found in other times and in other places. This volume throws light on the workings of our global and transnational lives today, in the past and in the future. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. In.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9788776940980.

Hardcover. Condizione: Brand New. 179 pages. 8.00x5.00x1.00 inches. In Stock.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. This book takes as its starting point the life, activities, and writings of Chen Hengzhe (1890-1976) in order to investigate the effects of transnational experience and in particular the manner in which different, foreign and Chinese, narratives of life were interwoven into activities and attitudes as well as literary and scholarly output at a time between orthodoxies (Jerome Grieder) and of eclectic borrowings in search of change in most areas of national life in China. Chen Hengzhe has been celebrated as Chinas first female professor, first professor of Western history, and first person to publish a history of the West that was not a translation into Chinese. She is moreover celebrated as one of the first to write fiction and poetry in the vernacular and to have been the first to write childrens literature. In 1914 she was among the first group of women to gain a Boxer Indemnity grant to study in America. The reiteration of these many firsts has led to a rather stereotypical portrait of Chen Hengzhe in Chinese sources and, as a result, in most Western references to her. To date we have no critical study of her work or activities in Chinese or any other language. Chen Hengzhes life and textual production, however, deserve and reward closer scholarly attention. They are not only pertinent to analysis of developments in early twentieth-century China; they speak to important questions in China today.This study, then, is not a biography of a person; it is an attempt to understand the way in which foreign influences (narratives of being, organizing, thinking, writing) seep into a persons life and work and meld with the home influences (narratives of being, organizing, thinking, writing) to produce a mix that cannot be predicted by any overarching isms or theories. This book investigates the life, activities, and writings of Chen Hengzhe (1890-1976) in order to understand the effects of the exposure to a foreign culture on a person's thinking, writing, and sense of self. In the case of Hengzhe, China's first female professor, the blendin. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. This book takes as its starting point the life, activities, and writings of Chen Hengzhe (1890-1976) in order to investigate the effects of transnational experience and in particular the manner in which different, foreign and Chinese, narratives of life were interwoven into activities and attitudes as well as literary and scholarly output at a time between orthodoxies (Jerome Grieder) and of eclectic borrowings in search of change in most areas of national life in China. Chen Hengzhe has been celebrated as Chinas first female professor, first professor of Western history, and first person to publish a history of the West that was not a translation into Chinese. She is moreover celebrated as one of the first to write fiction and poetry in the vernacular and to have been the first to write childrens literature. In 1914 she was among the first group of women to gain a Boxer Indemnity grant to study in America. The reiteration of these many firsts has led to a rather stereotypical portrait of Chen Hengzhe in Chinese sources and, as a result, in most Western references to her. To date we have no critical study of her work or activities in Chinese or any other language. Chen Hengzhes life and textual production, however, deserve and reward closer scholarly attention. They are not only pertinent to analysis of developments in early twentieth-century China; they speak to important questions in China today.This study, then, is not a biography of a person; it is an attempt to understand the way in which foreign influences (narratives of being, organizing, thinking, writing) seep into a persons life and work and meld with the home influences (narratives of being, organizing, thinking, writing) to produce a mix that cannot be predicted by any overarching isms or theories. This book investigates the life, activities, and writings of Chen Hengzhe (1890-1976) in order to understand the effects of the exposure to a foreign culture on a person's thinking, writing, and sense of self. In the case of Hengzhe, China's first female professor, the blendin. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorDenise Gimpel is associate professor of Chinese history and culture at Copenhagen University.KlappentextThis book takes as its starting point the life, activities, and writings of Chen Hengz.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book takes as its starting point the life, activities, and writings of Chen Hengzhe (1890-1976) in order to investigate the effects of transnational experience and in particular the manner in which different, foreign and Chinese, narratives of life were interwoven into activities and attitudes as well as literary and scholarly output at a time 'between orthodoxies' (Jerome Grieder) and of eclectic borrowings in search of change in most areas of national life in China.Chen Hengzhe has been celebrated as China's first female professor, first professor of Western history, and first person to publish a history of the West that was not a translation into Chinese. She is moreover celebrated as one of the first to write fiction and poetry in the vernacular and to have been the first to write children's literature. In 1914 she was among the first group of women to gain a Boxer Indemnity grant to study in America. The reiteration of these many 'firsts' has led to a rather stereotypical portrait of Chen Hengzhe in Chinese sources and, as a result, in most Western references to her. To date we have no critical study of her work or activities in Chinese or any other language. Chen Hengzhe's life and textual production, however, deserve and reward closer scholarly attention. They are not only pertinent to analysis of developments in early twentieth-century China; they speak to important questions in China today.This study, then, is not a biography of a person; it is an attempt to understand the way in which foreign influences (narratives of being, organizing, thinking, writing) seep into a person's life and work and meld with the 'home' influences (narratives of being, organizing, thinking, writing) to produce a mix that cannot be predicted by any overarching 'isms' or theories.