dexter t michael (54 risultati)

Condizione: New. McGuinness, Ed; Turner, Michael (illustratore).

Condizione: As New. McGuinness, Ed; Turner, Michael (illustratore). Unread book in perfect condition.

Hardcover. Condizione: Très bon. Ancien livre de bibliothèque. Edition 1996. Tome 99. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1996. Volume 99. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. No dust jacket. Hardcover. Several scores on boards. Spine ends are a little worn and bumped. Leading corners are worn and rubbed with a few nicks; lower leading corners are bumped. Page block and pages are a little tanned. Contents are clear throughout. AF. Used.

Condizione: New. McGuinness, Ed; Turner, Michael (illustratore).

Hardcover. Condizione: UsedVeryGood. Hardcover; light fading, light scuffing, and shelf wear to exterior; bump to side edge of back cover; former owner's stamping and publisher's label on front endpaper; light fade spots to page edges; otherwise in very good condition with clean text, firm binding.

Condizione: As New. McGuinness, Ed; Turner, Michael (illustratore). Unread book in perfect condition.

Hardcover. Condizione: Very Fine condition. Condizione sovraccoperta: Very Good dust jacket. First Edition. Lexington: The University Press of Kentucky, 1993. Appears unread. Very Fine condition in a Very Good dust jacket. The jacket is lightly rubbed but has NO chips. NO tears. NO fading. NOT a library discard. Sharp corners. Hinges are perfect. NO owner's name or bookplate. NOT a remainder. Pages are fresh, crisp and unmarked - apparently never read. Illustrations throughout, including a few full color plates. Graphs. Bibliographical references. Index. Bound in the original gilt-stamped green cloth. From the dust jacket: "Forty-seven experts in the field report current research and discuss novel issues facing future investigations." 8.5" wide by 11.25" tall. First Edition. Hardcover. Very Fine condition/Very Good dust jacket. (x), 238pp. Great Packaging, Fast Shipping.

Hardcover/Großformat. Condizione: Gut. VIII, 334 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 630.

Condizione: Gebraucht / Used. 1994. Or.cloth. xii,351pp. 8°. References. Index.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condizione: Brand New. 110 pages. 9.00x0.28x6.00 inches. This item is printed on demand.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New. pp. 384 1st Edition.

Condizione: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Condizione: New. pp. 384.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. Headpieces And Jacket By E. E. Thurston (illustratore). 1st Edition. Vii, 307 Pp. Dark Blue Cloth, Gilt. First Edition Stated. Near Fine, Gilt Brilliant, No Marks. Dust Jacket Priced $3.00, Wear, Small Losses At Corners, 2 3/4" X 1 1//2" Deep V-Chip At Top Of Rear Panel. Interesting Commentaries, Revealing About What Prominent Americans Thought Civilization Was (In 1930). However, The Beard Studies Omit Any Response From Any In The Great Masses Of The World Who Do Not Invent Or Manufacture, Nor Own Or Manage, The Technological Enterprises Which Are The Essence Of Technological Development, Which Is The Primary Concern Of These Respondents; Nor Has Any Study In The Succeeding 90 Years Attempted To Explore The Meaning Of Culture So Except In The Most Superficially Journalistic And Condescending Manner. But What Could Go Wrong? Aren't The Elites, After All, Elite? It Isn't Like Unprincipled Demagogues, Secure With All The Advantages Of Modern Technology, Would Incite Violence Amongst The Vast Majority, With Relatively Ever-Declining Options Ever-Declining Self-Esteem And Relatively Ever-Declining Standards Of Living. Why Bother Talking To Them To See Anything More Than Whether They Agree Or Not? And Who Will Ever Want To Read Ordinary People's Opinions When The Questions They're Asked Are Always Stupidly Closed-Ended And Never Followed Up By Why Etc.?

Hardcover. Condizione: Like New. Like NewLIKE NEW. book.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: New. pp. 384.

Brossura. Condizione: come nuovo. Condizione sovraccoperta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Condizione: New. pp. 696 2nd Edition.

Condizione: New. pp. 696.