Director richard brooks (48 risultati)

Vintage reference portrait of actor Richard Schaal to publicize the 1975 television film, originally aired January 7 on ABC. A housewife and a businesswoman decide to switch places, causing mayhem. Set and shot on location in the San Fernando Valley in Los Angeles. 8 x 10 inches. Near Fine.

Encuadernación de tapa dura. Condizione: Nuevo. Sin Sobrecubierta. DVD vídeo. Duración aprox. 116'. Protagonistas: Esizabeth Taylor. Van Johnson. Walter Pidgeon. Donna Reed. Idioma Castellano. Los gastos de envío son calculados para un peso inferior a 1kg, superándose este peso le informaremos de los gastos de envío adicionales.…

Trade Paperback. 20 pages. B/W illustrations. Film starring Peter O'Toole, James Mason, Curt Jurgens, Eli Wallach, Jack Hawkins and Paul Lukas. 11 x 17 inches. First edition (first printing). A near fine copy. With 4 page, 8.75 x 11 inches, 'Student Guide' by Howard Hurwitz.

Cartoné (Tapa dura). Condizione: Muy Bien. Sin cubierta. Materia: Peliculas. Características físicas: En muy buen estado. Ubicación: R19B2-45. LIBRO.

Vintage studio photograph of Glenn Ford from the 1955 film. Based on the 1954 novel "The Blackboard Jungle" by Ed McBain and starring Glenn Ford as Richard Dadier, a new teacher at a violent inner city school, determined to do right and make a difference, challenging both the staff and the students. A brilliant performance by a young Sidney Poitier as student Gregory Miller in an early breakout role. Nominated for 4 Academy Awards including Best Writing. 8 x 10 inches. Very Good, 2 small closed tears in margins and a large chip at the top right corner (see image). Vogel, Film as a Subversive Art. Scorsese, A Personal Journey Through American Movies. National Film Registry. …

Hard Cover. First Edition. Hard Cover. First Edition. HBDJ, 1951, 1st edition,2nd printing, cloth & Blue decorated Boards light wear, PC, NF/VG-, AS-IS, DJ light rub, wear , Tears & Small Chips here & There, top spine DJ & top back DJ small Chip, interior nice, tight Clean light Fox Wear, beautiful color illustrated DJ, 337 pages.…

Vintage studio still photograph from the 1950 film noir. During a trip south to visit her sister, a woman witnesses the murder of a Black reporter by the Ku Klux Klan, later helping the county prosecutor bring the killers to justice. Actress Doris Day's first non-singing role. Shot on location in Corona, California. 10 x 8 inches. Very Good plus, with pinholes at the corners, and some creasing at the right corners and along the top edge. Grant US. Selby US. Spicer US.…

Vintage reference photograph of actor Barry Fitzgerald from the 1956 film. With manuscript ink annotation on the verso identifying Fitzgerald. Based on the 1955 television play by Paddy Chayefsky. The daughter of a taxi driver is engaged to be married. Her mother wants to use the opportunity to have the big wedding she always dreamed of. Set in and shot on location in the Bronx, New York City. 8 x 10 inches. Very Good plus, with some slight creasing and wear to the finish.…

Vintage studio still photograph of Edmund Gwenn, Donald Crisp, and Pal (the dog performing as Lassie) from the television release of the 1949 film, circa 1970s. Based on the 1912 novel "Greyfriars Bobby" by Eleanor Stackhouse Atkinson, which is based on the true story of Greyfriars Bobby, a 19th century Edinburgh Terrier who spent 14 years guarding the grave of his owner. When Lassie's master is killed by robbers, the collie keeps a vigil besides her master's grave, in violation of local dog laws, and her late owner's friend struggle to keep the local police and town magistrate from euthanizing the dog. Set in 1860 Scotland, shot on location in Greyfriars Churchyard, Edinburgh, Scotland. 8 x 10 inches. Near Fine.…

Seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes, which are stored in a high-tech bank vault. Set and shot on location in Hamburg, West Germany. 10 x 8 inches. Near Fine. Lee, The Heist Film. …

Seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes, which are stored in a high-tech bank vault. Set and shot on location in Hamburg, West Germany. 10 x 8 inches. Near Fine. Lee, The Heist Film. …

Vintage pressbook for the first release of the groundbreaking 1968 film, based on the nonfiction book by Truman Capote. Laid in are all 4 of the original pressbook inserts, drawing equal attention to the best selling book and its filmed realization. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 11 x 17 inches. Unfolded. Fine.…

Draft script for the 1948 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the spine. Ten reference photographs from the film bound in variously among the script pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). In postwar Paris, an American black marketeer and war veteran falls in love with the wife of an imprisoned Nazi collaborator. Shot on location in Calvados and Paris. Bound in beige cloth with tan quarter leather binding, with five raised bands and gilt titles on the spine. Title page present, undated, with credit for screenwriter Richard Brooks. 159 leaves, with last page of text numbered 135. Mimeograph duplication, rectos only, with pink revision pages throughout, dated variously between 9/10/48 and 10/22/47. Pages Near Fine, binding Very Good plus, moderately foxed on the cloth.…

Draft rainbow script for the 1996 film. The second installment in "The Crow" (1994) film series, based on the comic book series by James O'Barr. A superhero resurrects a murder victim to help him avenge his own death and the death of his son. Pink titled self-wrappers, noted as Original Draft on the front wrapper, dated 11/17/95, with credits for screenwriter David S. Goyer and comic books writer James O'Barr. Title page integral with front self-wrapper. 101 leaves, with last page of text numbered 93. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 9/01/95 and 11/17/95. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Carlson and Connolly, Destroy All Movies. McPadden, Heavy Metal Movies.…

Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso, along with the stamp of still photographer James Johnson. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus, with light creasing and edgewear, one Very Good, with a tear to the top right corner, repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.…

Vintage photograph of actors Rock Hudson and Sidney Poitier getting their clothes fitted while in Nairobi for the production of the 1957 film. Mimeo snipe, manuscript annotations, and a rubber stamp on the verso. Based on the 1955 novel of the same name by Robert C. Ruark. Set amidst Kenya's Mau Mau uprising. Two childhood friends, Peter (Rock Hudson), the son of a British colonist and Kimani (Sidney Poitier), a native to Kenyan grow up to be on opposing sides of the conflict, each wishing for a more peaceful world while surrounded by extreme violence. Shot on location in Kenya. 10 x 8 inches. Near Fine.…

Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams, though without much of the homosexual themes and cultural critique of the original. Brick Pollitt (Paul Newman) is a troubled man, beat up from a drunken accident on his way to visit his dying father, Big Daddy (Burl Ives), and the rest of his family with his wife Maggie (Elizabeth Taylor). The gathering brings out the family's deeply buried tension, repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island, New York. 8 x 10 inches. Near Fine.…

Collection of 12 vintage color studio still photographs from the 1965 film. After being labeled a coward, Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake, he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia, China, Malaysia, and England. 8 x 10 inches. Fine.…

Vintage double weight photograph from the set of the 1960 film. Director Richard Brooks gets up close to direct Burt Lancaster as Lancaster holds Jean Simmons. Based on the 1927 novel by Sinclair Lewis. Nominated for five Academy Awards, including Best Picture, winning for Best Actor, Best Supporting Actress, and Best Adapted Screenplay. 8 x 10 inches. Near Fine. Rosenbaum 1000.…

Vintage borderless photograph of director Richard Brooks and actor Peter O'Toole on the set of the 1965 film. With manuscript annotations on the verso. After being labeled a coward, Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake, he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia, China, Malaysia, and England. 10 x 8 inches. Near Fine.…

Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101.…

Vintage borderless photograph from the set of the 1965 film. With manuscript annotations in pencil on the verso. Set amidst the cultural shifts of the 1960s. Colin (Michael Crawford), an awkward school teacher is desperately trying to have the kind of sexual experiences as his womanizing friend Tolen (Ray Brooks). When Nancy (Rita Tushingham) arrives in London from the countryside Tolen's macho disposition and Colin's trepidation's are brought to the surface. Shot on location in London. 9.5 x 7 inches. Fine.…

Condizione: Good. 3 vintage photographs. 8 x 10 inches .Nurse Lt. Ruth McGara is assigned to a Mobile Army Surgical Hospital (MASH) unit near the front lines of the Korean War. There she meets and is roughly romanced by Major Jed Webbe, one of the unit's surgeons. Webbe is pushy and seems to care only for momentary pleasures, but McGara falls for him just the same. Their romance blossoms in the midst of overwhelming numbers of casualties, threats from the enemy and from the weather, and emergency evacuations that test the mettle of even a unit whose very name suggests quick mobility.…

Two vintage publicity photographs from the 1947 film. Annotation in manuscript pencil on the versos. A group of prisoners at the strict Westgate Penitentiary plan an escape, but fear their plans will be ruined by sadistic, power-hungry guard Captain Munsey. Director Jules Dassin's important first film, a key noir followed by several others, notably "The Naked City" (1948), "Thieves' Highway" (1949), "Night and the City" (1950), and "Rififi" (1955). From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Small creases at the top left corners, else Near Fine. Criterion Collection 383. Godard, Histoire(s) du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir.…

Vintage double weight reference photograph from the 1950 film. With mimeo snipe and one provenance stamp on the verso. The skeleton of a woman is found on a beach in Cape Cod. Using only her bones, detectives and forensic scientists have to figure out who she is and what happened to her. Set in Cape Cod, shot on location in Massachusetts. 10 x 8 inches. Very Good plus, with some creasing at the corners and small emulsion defect along the top of the photograph. Selby US Canon. Spicer US. Silver and Ward Classic Noir. Grant US.…

Collection of 16 vintage oversize French color photographs from the 1966 film. Based on the 1964 novel "A Mule for the Marquesa" by Frank O'Rourke, about four men hired to by a wealthy Texan to rescue his wife from a Mexican revolutionary, only to discover the job in not exactly what it seems. A sometimes overlooked and underrated entry into the Western canon, despite being nominated for three Academy Awards, including Best Director and Best Adapted Screenplay. Set in Mexico and Texas, shot on location in Mexico, Arizona, Nevada, and California. 9.5 x 11.5 inches. Near Fine.…

Vintage borderless reference photograph, with a thin bottom margin, from the 1947 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. A group of prisoners at the strict Westgate Penitentiary plan an escape, but fear their plans will be ruined by sadistic, power-hungry guard Captain Munsey. Director Jules Dassin's important first film, a key noir followed by several others, notably "The Naked City" (1948), "Thieves' Highway" (1949), "Night and the City" (1950), and "Rififi" (1955). 9.25 x 7.5 inches. Light even toning, else Near Fine. Criterion Collection 383. Godard, Histoire(s) du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir.…

Vintage reference photograph from the set of the 1966 Western film, showing French composer Maurice Jarre conducting an orchestra for the recording of the film's soundtrack. Dutch stamps on the verso, along with annotations in manuscript ink. Based on Frank O'Rourke's 1964 novel "A Mule for the Marquesa," about four men hired by a wealthy Texan to rescue his wife from a Mexican revolutionary, only to discover the job is not exactly what it seems. A sometimes overlooked and underrated entry into the Western canon, despite being nominated for three Academy Awards, including Best Director and Best Adapted Screenplay. Shot on location in Mexico, and throughout Arizona, Nevada, and California. 10 x 8 inches. Nick at top edge, else Near Fine. Pitts 3180.…

Vintage reference photograph of actors Howard Duff, Ella Raines, and Burt Lancaster, director Jules Dassin, and producer Mark Hellinger on a lunch break on the set of the 1947 film. With a printed mimeo snipe affixed to the verso. Led by Burt Lancaster, a group of prisoners at the strict Westgate Penitentiary plan an escape, but fear their plans will be ruined by sadistic, power-hungry guard Hume Croyn. 10 x 8 inches. Very Good plus, with three hole punch impressions along the left side. Criterion Collection 383. Godard, Histoire(s) du cinema. Grant US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir.…

Vintage reference photograph of Cleavon Little talking with director Mel Brooks on the set of the 1974 film. Brooks' slapstick homage to the Western, in which an escaped African American railroad construction worker becomes the sheriff in an all-white town, and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West, among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge, shot on location in California. 9.5 x 7 inches. Near Fine. National Film Registry.…