Dirk imhof (63 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Rubenswandelboekje (German ed): La passion des livres This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Soft cover. Condizione: Fine. 1st Edition. 122 Pages Illus.

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: Very Good+. Laminate card cover bright and stiff; Pages crisp, no ownership marks, B&W and coloured plates, text in French; Binding tight.; 9.5 x 11.75"; 124 pages.

TEXT IN DUTCH. Super octavo hardcover (NF); significant archival repair to wrapper; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.…

Couverture souple. Condizione: Très bon état. In-4 broché 30,0 cm sur 24,0. Très bon état d'occasion.

Condizione: Good. Oorspronkelijk omslag, illustraties in kleur, 4to.; Leesvouw rug.

Condizione: Very Good.

4°, paperback. 122 pp New book. Sprache: Englisch Gewicht in Gramm: 0.

Soft cover. Condizione: Very Good. Well-illustrated catalogue of the bindings in the Musée Plantin-Moretus. Text in French. 312 p. : col. ill. ; 27 cm. Slight shelf wear to edges, couple of reading creases to spine, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Softcover, 76 pagina's, 25 x 16.5 cm, NL/EN. *Goede staat ISBN 9789080885509. Inhoud | Contents; Dirk Imhof 7 ? Het drukken en de verspreiding van de eerste edities van de zakatlas van Ortelius 19 ? The Printing and Selling of the First Editions of Ortelius?s Pocket Atlas Hubert Meeus 31 ? De Spieghel der Wereld als spiegel van Peeter Heyns 49 ? The Spieghel der Wereld as Mirror of Peeter Heyns 69 ? Literatuur | Literature 75 ? Beschrijving van de gebruikte exemplaren 76 ? Description of the Copies Used in this Facsimile Edition 0 g.…

8°. 189,(1) S., mit zahlreichen, teils farbbigen Abbildungen. Orig.-Karton. Ausstellungskatalog der Bibliothek des Antwerpener Bürgermeisters und Kunstsammlers Nicolaas Rockox (1560-1640) - im Titel das nette Wortspiel "Rockox Haus - vollge"bucht". - Einband etwas berieben; Ecken und Kanten etwas berieben und bestoßen.…

softcover, originele uitgeversomslag geillustreerd z/w, 23x28cm, 187pp, geillustreerd z/w. Publikaties van het Museum Plantin - Moretus en het Stedelijk Prentenkabinet nr. 31. Boek is als nieuw. 777 g.

Hardcover, 260 x 210 mm, 120 pages, ENGLISH / NL edition *New. ISBN 9789085867944. Eind vijftiende eeuw worden in Rome de ondergrondse ruïnes van het beroemde paleis van keizer Nero ontdekt: het Domus Aurea. De muren zijn beschilderd met weelderige symmetrische versieringen, waartussen het wemelt van de bizarre dieren en fabelwezens. Dat is het begin van een nieuwe beeldtaal, die de naam 'grotesken' krijgt naar de vindplaats in 'grotachtige' ruïnes. Hans Vredeman de Vries en Cornelis Floris verspreiden de grotesken via hun gedrukte ontwerpen met eindeloze variaties. De ornamentiek van de grotesken dringt in de zestiende eeuw niet alleen door tot de schilderkunst en de architectuur maar ook tot de glasschilderkunst, het edelsmeedwerk en de boekdrukkunst. Vandaag verbinden we het begrip 'grotesk' nog steeds aan het grillige, bizarre, monsterachtige maar ook aan het karikaturale en lachwekkende. Bosch en Bruegel waren met hun drollerieën de grote pioniers van het groteske in de prentkunst. James Ensor, Fred Bervoets, René De Coninck, Carll Cneut en anderen staan in een lange traditie van kunstenaars die zich lieten en nog steeds laten inspireren door het groteske en de grotesken. At the end of the fifteenth century, the underground ruins of the famous palace of Emperor Nero: the Domus Aurea were discovered in Rome. The walls are painted with lush symmetrical decorations, between which there are plenty of bizarre animals and fabulous creatures. That is the start of a new visual language, which is named 'grotesques' after the location in 'cave-like' ruins. Hans Vredeman de Vries and Cornelis Floris spread the grotesques through their printed designs with endless variations. In the sixteenth century, the ornamentation of grotesques penetrated not only to painting and architecture, but also to glass painting, goldsmith's work and book printing. Today we still connect the concept of 'grotesque' with the capricious, bizarre, monstrous but also with the caricatural and laughable. With their drollies, Bosch and Bruegel were the great pioneers of grotesque in printmaking. James Ensor, Fred Bervoets, René De Coninck, Carll Cneut and others are part of a long tradition of artists who were inspired by the grotesque and grotesque. 0 g.…

Geà llustreerd in zwart-wit. Prima exemplaar met lichte gebruikssporen.

Paperback, 86 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL ISBN 9789463883337. Phoebus Focus 13 - Perkamenten Biblia regia Christoffel Plantijns zestiende-eeuwse meesterwerk in een koninklijke verpakking 0 g.

softcover, 124 pages ill. 24,0 cm × 30,0 cm × 1,0 cm . ISBN 9076704805. La passion des livres : Rubens et sa bibliothèque : [exposition Anvers, Musée Plantin-Moretus, 6 mars-13 juin 2004] / [composition et rédaction définitive Marcus de Schepper] ; [traductions Elisabeth Cluzel] Musée Plantin-Moretus (Anvers, Belgique) 0 g.…

Hardcover. Condizione: New. 1st Edition. Brand new book. 458pp.

Condizione: New.

Hardcover, 87 pagina's, geïllustreerd in kleur, tekst in het Nederlands. Exemplaar als nieuw. Hardcover, 87 pages, illustrated in colour, text in Dutch. copy as new. Relié, 87 pages, illustré en couleur, texte en néerlandais. Exemplaire comme neuf.

Condizione: New. In English.

Hardback. Condizione: New. This is an interdisciplinary study of Christopher Plantin's pioneering role in the production and distribution of books with engraved and etched illustrations in sixteenth-century Europe. Using the rich archival sources at the Plantin-Moretus Museum in Belgium, Karen Bowen and Dirk Imhof examine the artists that worked on these illustrations, the types of illustrations that appealed to specific markets, and the technological, cultural and economic constraints under which Christopher Plantin operated as he ventured into this new area of publishing. They demonstrate how Plantin's innovations led to a revolutionary change in taste for book illustrations and place his work within the broader context of the European book trade of the late sixteenth-century and Antwerp's political, economic, cultural and religious history. This is a major contribution to the history of the book, art history and the economic and social history of early modern Europe.…

Condizione: New. pp. 474.

Hardback. Condizione: New. This is an interdisciplinary study of Christopher Plantin's pioneering role in the production and distribution of books with engraved and etched illustrations in sixteenth-century Europe. Using the rich archival sources at the Plantin-Moretus Museum in Belgium, Karen Bowen and Dirk Imhof examine the artists that worked on these illustrations, the types of illustrations that appealed to specific markets, and the technological, cultural and economic constraints under which Christopher Plantin operated as he ventured into this new area of publishing. They demonstrate how Plantin's innovations led to a revolutionary change in taste for book illustrations and place his work within the broader context of the European book trade of the late sixteenth-century and Antwerp's political, economic, cultural and religious history. This is a major contribution to the history of the book, art history and the economic and social history of early modern Europe.…