Dr gavin parkinson (32 risultati)

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Altre immaginiDali / Duchamp
Ades, Dawn; Jeffett, Dr. William; Parkinson, Dr. Gavin; Ruscha, Ed; Debray-Amar, Cecile; Parcerisas, Pilar; Teixidor, Montse Aguer
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Hardcover. Condizione: Fine. No Jacket. 1st Edition. A fine copy of this catalogue to accompany the exhibition held at the RAC October 2007 - January 2018, illustrated.

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Pappband. 280 S. Opp.OU. 1202 Gramm. Buch.

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Hardcover. Condizione: new. Hardcover. Dali / Duchamp examines in detail the often-overlooked relationship between two of the twentieth century's most famous artists. Though polar opposites at first glance, Duchamp, the father of conceptual art who rejected painting in 1918; and the more showmanlike Dali, the exceptional painter of fantastical landscapes; were united by a combination of humour and scepticism that led both to challenge conventional views of art and life. After meeting in the 1930s through mutual contacts within the Surrealist group, they maintained a firm friendship over the following decades, spending time together in Paris, New York and Catalonia, where Duchamp purchased a summer house in Cadaques, close to Dali's home in Port Lligat. Throughout the book, expert contributors explore themes common to both artists, chief among them eroticism and identity, and both men's surprising engagement with science, optics, religion and myth. Each section is sumptuously illustrated with key pieces from both artists' bodies of work, and features previously unpublished photographs, letters and ephemera that demonstrate the enduring warmth of their friendship. AUTHOR: Professor Dawn Ades CBE is Professor Emeritus of Art History at the University of Essex and Professor of the History of Art at the Royal Academy of Arts, London. SELLING POINTS: . The first publication to explore the friendship between Marcel Duchamp and Salvador Dali, two of the most important artists of the twentieth century . Featuring previously unpublished photographs, letters and ephemera, as well as Surrealist and conceptual paintings and sculptures by the two artists . Accompanies a groundbreaking exhibition at the Royal Academy of Arts, London . Chapters by leading experts explore the friendship between the artists and the common themes that united them 150 colour images The first publication to explore the friendship between Marcel Duchamp and Salvador Dali, two of the most important artists of the twentieth century. The book features previously unpublished material and accompanies a ground-breaking exhibition at the Royal Academy of Arts, London. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condizione: Gut bis sehr gut. 1. Auflage. Z : 224 pp, color illustrations - Throughout this volume, expert contributors explore themes common to both artists, chief among them eroticism and identity, and both men's engagement with science, optics, religion and myth. Each section of the book is sumptuously illustrated with key pieces from both artists' bodies of work and features previously unpublished photographs, letters and ephemera that testify to the enduring warmth of their friendship. Dalí/Duchamp offers a fresh understanding of the work of two seminal artists of the 20th century.…

Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-De-Siècle Painting
Parkinson, Dr Gavin (Professor of European Modernism, Courtauld Institute of Art, UK)
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Taschenbuch. Condizione: Neu. Neuware - Enchanted Ground is about the challenge to modernist criticism by Surrealist writers-mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others-who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism-Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh-became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic. …

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Hardcover. Condizione: new. Hardcover. Dali / Duchamp examines in detail the often-overlooked relationship between two of the twentieth century's most famous artists. Though polar opposites at first glance, Duchamp, the father of conceptual art who rejected painting in 1918; and the more showmanlike Dali, the exceptional painter of fantastical landscapes; were united by a combination of humour and scepticism that led both to challenge conventional views of art and life. After meeting in the 1930s through mutual contacts within the Surrealist group, they maintained a firm friendship over the following decades, spending time together in Paris, New York and Catalonia, where Duchamp purchased a summer house in Cadaques, close to Dali's home in Port Lligat. Throughout the book, expert contributors explore themes common to both artists, chief among them eroticism and identity, and both men's surprising engagement with science, optics, religion and myth. Each section is sumptuously illustrated with key pieces from both artists' bodies of work, and features previously unpublished photographs, letters and ephemera that demonstrate the enduring warmth of their friendship. AUTHOR: Professor Dawn Ades CBE is Professor Emeritus of Art History at the University of Essex and Professor of the History of Art at the Royal Academy of Arts, London. SELLING POINTS: . The first publication to explore the friendship between Marcel Duchamp and Salvador Dali, two of the most important artists of the twentieth century . Featuring previously unpublished photographs, letters and ephemera, as well as Surrealist and conceptual paintings and sculptures by the two artists . Accompanies a groundbreaking exhibition at the Royal Academy of Arts, London . Chapters by leading experts explore the friendship between the artists and the common themes that united them 150 colour images The first publication to explore the friendship between Marcel Duchamp and Salvador Dali, two of the most important artists of the twentieth century. The book features previously unpublished material and accompanies a ground-breaking exhibition at the Royal Academy of Arts, London. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Condizione: New. 2022. 1st Edition. Hardcover. . . . . .

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Lingua: Inglese
Editore: Routledge, 2016
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Buch. Condizione: Neu. Neuware - The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. By analysing Rauschenberg's art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.…

Lingua: Inglese
Editore: Routledge, 2016
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Paperback. Condizione: new. Paperback. Enchanted Ground is about the challenge to modernist criticism by Surrealist writersmainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and otherswho viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after ImpressionismPaul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Goghbecame canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Paperback. Condizione: new. Paperback. The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenbergs avowals of his own literalism and insistence on his art as facts, this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenbergs art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artists work was turned towards political interpretation. By analysing Rauschenbergs art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history. A re-reading of the art of Robert Rauschenberg in relation to Surrealist art and thought. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den Autor Gavin Parkinson is Professor of European Modernism, The Courtauld Institute of Art, UK.InhaltsverzeichnisIntroduction1. Poet: Allegory and Metaphor in US Art History and Criticism2.…

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Paperback. Condizione: new. Paperback. The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.In the face of Rauschenbergs avowals of his own literalism and insistence on his art as facts, this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenbergs art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artists work was turned towards political interpretation. By analysing Rauschenbergs art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history. A re-reading of the art of Robert Rauschenberg in relation to Surrealist art and thought. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Paperback. Condizione: new. Paperback. Enchanted Ground is about the challenge to modernist criticism by Surrealist writersmainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and otherswho viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after ImpressionismPaul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Goghbecame canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …