Du bos abbe (9 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condizione: Brand New. 726 pages. French language. 6.22x4.65x1.18 inches. In Stock.

Couverture rigide. Condizione: Bon. In-12 (165x95 mm) plein veau fauve marbré, dos à 5 nerfs, fleurons dorés dans les caissons encadrés de filets dorés avec petits fers en écoinçons. Titre doré sur pièce de maroquin rouge. Guirlande en queue avec la Lettre B dorée. Roulette sur les coupes, tranches rouges. Pièce de tomaison absente. 336 pages suivies de 74 pages de Table des Matières. ATTENTION : Tome III seul. Troisième partie : Dissertation sur les représentations théâtrales des Anciens.…

Hardcover. Condizione: Acceptable. Book has been rebound.

Première partie seule. 1 feuillet blanc. 6 feuillets. 488 pages. 2 feuillets. (17x10 Cm). Plein veau. Manques au dos. Dos à nerfs orné. Charnières très frottées. Coins et coiffes émoussés. Réflexions critiques sur la Poësie et la Peinture Les Réflexions critiques sur la poésie et sur la peinture de l'Abbé Du bos ont marqué un tournant dans la pensée esthétique et exerceront une influence considérable sur le développement de l art théâtral et de la musique tout au long du siècle des Lumières. Papier un peu bruni, sinon, exemplaire bien conservé.…

VOLUME ONE ONLY of a two volume comprehensive historical monograph on the League of Cambrai by an influential French author whose work was commended by Voltaire - Jean-Baptiste Dubos (1670-1742), also referred to as l`Abbé Du Bos. 165x100mm. LXXIV+4+436 pages. Brown leather Hardcover with gilt ribbed spine. Text block edges dyed red. Cover and cover edges rubbed and scratched. Front cover upper edge and cover corners bumped and peeling. Deep scratch-mark on rear cover. Spine and spine hinges rubbed. Spine bottom edge bumped, upper edge peeled. Spine front hinge bottom edge cracked. Several last pages dog-eared. Several extreme page edges browning. Few pages slightly age-stained. Pages yellowing and slightly wavy. [SUMMARY]: This extremely rare book is in good condition for its age. The book is in : French.…

Couverture rigide. Condizione: bon. RO80080552: 1770. In-16. Relié plein cuir. Bon état, Couv. convenable, Dos à nerfs, Intérieur acceptable. 594 pages. Relié plein veau. Pièces de titre et de tomaison. Titre, tomaison et caissons dorés sur le dos à 5 nerfs. Tranches marbrées. Ex-Libris manuscrit. . . . Classification Dewey : 841-Poésie. …

Three vols, 12mo; woodcut device to titles, woodcut headpieces and initials; a little browned and foxed, closed tears to vol.II G12 and T2; else a very good copy in contemporary British speckled calf, gilt lettering-pieces lost from spines, spines numbered directly in gilt, edges speckled red, marbled endpapers, green silk placemarkers; rather rubbed with superficial splits to joints, endcaps chipped; early nineteenth-century ownership inscriptions of Dorothy Ayre Brown and J.T.Coleridge to front flyleaf of vol.I (seebelow).Fourth edition, expanded and corrected, of this key work in aesthetic and sentimental theory, with Coleridge family provenance. 'An influential figure in the development of aesthetics, Du Bos [16701742] acted as a French diplomat before devoting himself to history (Histoire critique de l'établissement de la monarchie française dans les Gaules, 1734) and to discussions of the arts. His major work, the Réflexions critiques sur la poésies et la peinture (1719), locates the enjoyment of art in feeling rather than reason, explaining the appeal of tragedy by the pleasure of experiencing strong emotion in safety. The power of poetry resides not in its ability to instruct, but in the way poetic language affects the senses, the imagination, and the passions. Painting, with its direct representation of objects, is even more affecting. And since pleasure is the criterion of judgement, public taste is a more reliable guide than the experts' (New Oxford Companion to Literature in French). The work 'influenced almost all eighteenth-century contributors to aesthetics' (SEP), including Diderot, d'Alembert, James Harris, Herder, Hume, Lessing, Moses Mendelssohn, Rousseau, Voltaire, and Winckelmann, almost all of whom Coleridge later read, was influenced by, or reacted against. Provenance:1. Dorothy Ayre Brown (née Taylor, d.1831), sister-in-law of Col.James Coleridge (17591836), the brother of the poet Samuel Taylor. 2. Sir John Taylor Coleridge (17901876), son of James Coleridge and nephew of both Dorothy Ayre Brown and Samuel Taylor Coleridge. After a sterling undergraduate career at Oxford, John was called to the bar by the Middle Temple and rose through the legal profession, being appointed to the King's Bench in 1835. 'In civil cases his judgments were learned and elegant: for example,Stockdalev.Hansard(1839) in constitutional law; theBishop of Hereford's case(1848) in ecclesiastical law; andLumleyv.Gye(1853) in the law of contract, a dissenting judgment which was praised byHoldsworth. He was involved in unfortunate controversy arising out ofPooley's caseatBodmin assizesin 1857. Pooleywas convicted of a very offensive blasphemy and sentenced byColeridgeto twenty-one months in prison, but subsequently received a free pardon on grounds of insanity. The case was used inJ.S.Mill'sOn Libertyto show that penalties for opinion still existed' (ODNB). Cioranescu 25556. Language: French. …

Couverture rigide. Condizione: bon. R300260112: 1740. in-12. Relié plein cuir. Etat d'usage, Coins frottés, Dos à nerfs, Intérieur frais. Paris, Pierre-Jean Mariette, 1740, 2 volumes in 12, reliure plein veau marbré de l'époque, dos à nerfs ornés, accroc au Tome 1, 488 et 339 pp. et table générale des matières. (Manque le Tome 2). . . . Classification Dewey : 841-Poésie.…