E luanne mckinnon (37 risultati)

Lingua: Inglese
Editore: Yale University Press (edition First Edition), 2010
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- Prima edizione
Da: BooksRun, Philadelphia, PA, U.S.A.BooksRun
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EUR 15,07
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Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Da: Wonder Book, Frederick, MD, U.S.A.Wonder Book
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Condizione: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

- Rilegato
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
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Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
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Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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- Prima edizione
Da: Webster's Bookstore Cafe, Inc., State College, PA, U.S.A.Webster's Bookstore Cafe, Inc.
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EUR 19,26
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hardcover. Condizione: Very Good. Condizione sovraccoperta: very good. First Edition. Binding sound. Corners square and sharp. Pages clean and crisp. Corners sharp. Dust jacket clean, bright and intact.

- Rilegato
Da: Sequitur Books, Boonsboro, MD, U.S.A.Sequitur Books
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Hardcover. Condizione: As New. Hardcover and dust jacket. Good binding and cover. Light edge wear. Clean, unmarked pages. In 1960, Eva Hesse created an unusual group of oil paintings that foretell her desire to embody emotional states in abstract form. This book seeks to consider these 'spectre' paintings as manifestations of a…private, haunted interiority in the context of the artist's burgeoning maturity.

- Brossura
Da: Snowden's Books, Santa Fe, NM, U.S.A.Snowden's Books
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Soft cover. Condizione: Very Good. Large paperback, 111 pages, much of the book is color plates; introduction and biographical background of artist at beginning. Very solid and bright with light wear along edges and corners; some rubbing to the covers. Very nice.

- Rilegato
Da: The Old Print Shop, Inc., New York, NY, U.S.A.The Old Print Shop, Inc.
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Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Edited by E. Luanne McKinnon, with contributions by Elisabeth Bronfen, Louise S. Milne, Helen A. Molesworth, and E. Luanne McKinnon. 88 pages, 35 illustrations (32 color), biog., octavo (8vo) (10 x 7 1/2"). Hardcover tan cloth with embossed cover with grey text on…cover and spine, dust jacket. Very good condition, unsold old bookseller inventory. Bookseller inventory #71313-1.

Lingua: Inglese
Editore: University of New Mexico Art Museum and Yale University Press, 2010
- Rilegato
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 26,94
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Hardcover with dustjacket, 92 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Editore: Yale University Press, 2010
- Rilegato
Da: Snowden's Books, Santa Fe, NM, U.S.A.Snowden's Books
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EUR 17,96
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Original hardcover in jacket, 90 pages, over 30 color plates with b + w photograph. Just light wear along edges. Minimal reference wear. Solid and bright.

Lingua: Inglese
Editore: Fresco Fine Art Publications, Albuquerque, NM, 2006
- Brossura
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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Softbound. Condizione: As New. Black wraps. 112 pp., profusely illustrated with 60 color plates. Celebrates in the form of an artistic retrospective the past twenty-plus years of paintings of Michael Von Helms. A non-figurative abstractionist, Von Helms describes his paintings as dialogs between his inner self and a higher power…. Upon entering his studio, Von Helms forgets everything but that which is before him and draws no references from anything but the canvases on which he paints. He surrenders himself to the journey for he says, "In the end it is not about attaining, but more about attempting. In my attempt I come face to face with the old realities of myself, and then, through 'hard payment,' rearrange and reconfigure simultaneously my inner self and the two dimensional surface of the work in progress." The evolution of Von Helms's work has moved from the straight, simple yet dramatic petroglyph-like images of the '80s into the sophisticated, energetic bold-colour canvasses of the '90s. Today he may repaint a single canvas as many as five times, giving his paintings a surface of thick and thin overlays with a palpable sense of edge and energy. Von Helms says, "When my process is pushed hard enough, long enough, the work and I seem to turn around a point and slip into a state of resolution. The curtain comes down, the play is finished. For the moment, all confusion, unknowing, and tension has been exhausted. Darkness is made visible. The emotions within me, the world outside, and the painting are all, at last, united. There is communication. It becomes a kind of salvation.".

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Da: medimops, Berlin, Germaniamedimops
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Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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Softcover with metal spiral binding, unpaginated; as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

- Brossura
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 35,92
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Trade Paperback. Condizione: Used - Very Good. 'Painted Dialogue' celebrates in the form of an artistic retrospective the past twenty-plus years of paintings of Michael Von Helms. A non-figurative abstractionist, Von Helms describes his paintings as dialogs between his inner self and a higher power. Upon entering his studio, Von… Helms forgets everything but that which is before him and draws no references from anything but the canvases on which he paints. He surrenders himself to the journey for he says, 'In the end it is not about attaining, but more about attempting. In my attempt I come face to face with the old realities of myself, and then, through 'hard payment, ' rearrange and reconfigure simultaneously my inner self and the two dimensional surface of the work in progress.' The evolution of Von Helms's work has moved from the straight, simple yet dramatic petroglyph-like images of the '80s into the sophisticated, energetic bold-color canvasses of the '90s. Today he may repaint a single canvas as many as five times, giving his paintings a surface of thick and thin overlays with a palpable sense of edge and energy. Von Helms says, 'When my process is pushed hard enough, long enough, the work and I seem to turn around a point and slip into a state of resolution. The curtain comes down, the play is finished. For the moment, all confusion, unknowing, and tension has been exhausted. Darkness is made visible. The emotions within me, the world outside, and the painting are all, at last, united. There is communication. It becomes a kind of salvation.' A celebration of the art of Michael Von Helms.

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- Prima edizione
Da: Henry Pordes Books Ltd, London, Regno UnitoHenry Pordes Books Ltd
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: PBFA
Condizione: Usato - Come nuovo
EUR 24,32
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Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. 4to, Hardback with original Dust Jacket, pp. 88. Sold As New. In original shrink wrap.

Editore: New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Rilegato
- Prima edizione
Da: MW Books, New York, NY, U.S.A.MW Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 29,92
Spedizione gratuitaSpedito in U.S.A.Quantità: 3 disponibili
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective wrapping. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connect…ion with an exhibition held Sept. 25, 2010-Jan. 3, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 3 Kg.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Rilegato
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.

- Rilegato
Da: Kloof Booksellers & Scientia Verlag, Amsterdam, Paesi BassiKloof Booksellers & Scientia Verlag
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EUR 16,95
EUR 30,00 spedizioneSpedito da Paesi Bassi a U.S.A.Quantità: 1 disponibili
Condizione: as new. New Haven : Yale University Press, 2010. Hardcover. Dustjacket. 88 pp. Condition : as new. English text. - In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states i…n abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Condition : as new copy. ISBN 9780300164152. Keywords : ART, Hesse, Eva, 1936-1970.

- Rilegato
Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 43,94
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Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Editore: New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Rilegato
- Prima edizione
Da: MW Books, New York, NY, U.S.A.MW Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 33,58
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connection with an exhibition held Sept. 25, 2010-Jan. 3…, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 3 Kg.

Editore: New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Rilegato
- Prima edizione
Da: MW Books Ltd., Galway, IrlandaMW Books Ltd.
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 21,00
EUR 13,95 spedizioneSpedito da Irlanda a U.S.A.Quantità: 3 disponibili
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective wrapping. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connect…ion with an exhibition held Sept. 25, 2010-Jan. 3, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 1 Kg.

Frederick Hammersley: Organics and Cut-Ups, 1963-1965
Hammersley, Frederick and E. Luanne McKinnon, Elizabeth East
Editore: L. A. Louver, Venice, 2014
- Brossura
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 31,43
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Softcover, 40 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Rilegato
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Rilegato
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.

Editore: New Haven, CT; London Albuquerque: Yale University Press; University of New Mexico Art Museum, 2010
- Rilegato
- Prima edizione
Da: MW Books Ltd., Galway, IrlandaMW Books Ltd.
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 25,00
EUR 13,95 spedizioneSpedito da Irlanda a U.S.A.Quantità: 1 disponibili
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 88 p.: ill.; 26 cm. Includes bibliographical references. Notes; Issued in connection with an exhibition held Sept. 25, 2010-Jan. 3…, 2011, Hammer Museum, Los Angeles, Jan. 28-May 22, 2011, University of New Mexico Art Museum, Albuquerque, and Sept. 16, 2011-Jan. 8, 2012, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York. Contents; Me, you, us: Eva Hesse's early paintings / Helen Molesworth -- Eva's Eva / E. Luanne Mckinnon -- The spectral bride and her uncanny double / Elisabeth Bronfen -- An instrument in the shape of a woman: the real nonsense of Eva Hesse / Louise S. Milne. Summary; In 1960 Eva Hesse (1936-1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these "spectre" paintings as manifestations of a private, haunted interiority in the context of the artist's burgeoning maturity. The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse's oeuvre. Review: "Provide(s) valuable new insights into the work of Eva Hesse." -Woman's Art Journal Woman's Art Journal. Subject; Hesse, Eva 1936-1970. Individual artists ; Painting & paintings ; Sculpture. ART / Individual Artists / Monographs. ART / History / Contemporary (1945-). ART / Collections, Catalogs, Exhibitions / General. 1 Kg.

Cady Wells and Southwestern Modernism
Wells, Cady; Rudnick, Lois P. (EDT); McKinnon, E. Luanne (INT); Gavin, Robin Farwell (CON); Udall, Sharyn R. (CON)
- Rilegato
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 43,96
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Condizione: As New. Unread book in perfect condition.

Editore: L. A. Louver, Venice, California, 2014
- Brossura
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 31,43
EUR 11,33 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Softcover. Condizione: VG. Siena and lavender illus. wraps, 40 pp., color illus. Issued in conjunction with a 2014 exhibition of these specific works by American abstract artist Frederick Hammersley (1919-2009). With an illustrated essay by E. Luanne McKinnon and a foreword by Elizabeth East. Includes a brief bio, a collections…list, and many full-color examples of Hammersley's creativity.

- Rilegato
- Prima edizione
Da: Glands of Destiny First Edition Books, Sedro Woolley, WA, U.S.A.Glands of Destiny First Edition Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 67,35
EUR 6,97 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: Like New. Like New. First Edition. Publisher: Yale University Press, 2010. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Unread. Pristine.
Altre immaginiDesire for Magic: Patrick Naganti 1978-2008
Nagatani, Patrick (Photographer); Penhall, Michele M. (Editor); McKinnon, E. Luanne (Foreword)
Lingua: Inglese
Editore: University of New Mexico Art Museum, Albuquerque, NM, 2010
- Rilegato
- Prima edizione
- Firmato
Da: Old Professor's Bookshop, Belfast, ME, U.S.A.Old Professor's Bookshop
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 80,82
EUR 8,72 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. First Edition. 253 pp. Folio. Clear plastic dust jacket with title blind embossed. Red cloth boards with raise circle in center that nestles into same circle on dust jacket. Minor sunning to spine, clean and crisp within. Inscribed by Patrick Nagatani on the blank… page facing the title page. Nagatani, Patrick (illustratore).

- Brossura
Da: ThriftBooksVintage, Tukwila, WA, U.S.A.ThriftBooksVintage
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 89,80
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.