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Edith cooper as michael field (2 risultati)

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  • Altre immagini

    Lingua: Inglese

    Editore: George Bell & Sons., London, 1890

    • Rilegato
    • Prima edizione

    Da: Henry Pordes Books Ltd, London, Regno UnitoHenry Pordes Books Ltd

    Venditore con 5 stelle
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    Membro dell’associazione: PBFA

    Condizione: Usato - Molto buono

    EUR 432,59

    EUR 18,00 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibile

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    Hardcover. Condizione: Very Good. 1st Edition. Hardcover 8vo in paper covered boards, black illustrations in Art-Nouveau style by Selwyn Image. In very good condition, some bumping to foot of spine and lower corners, slight rubbing to head of spine, minimal foxing throughout. A very well-preserved copy. A verse drama by Michael Field, the pseudonym of Katherine Harris Bradley (1846-1914) and her niece, lover and lifelong companion Edith Emma Cooper (1862-1913).…

  • Altre immagini

    Editore: London: George Bell and Sons, 1890, 1890

    • Prima edizione

    Da: Peter Harrington. ABA/ ILAB., London, Regno UnitoPeter Harrington. ABA/ ILAB.

    Venditore con 5 stelle
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    Membro dell’associazione: ABAPBFAILAB

    Condizione: Usato

    EUR 926,97

    EUR 26,40 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibile

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    First edition, first impression, trade issue, in the scarce glassine jacket. The play, published under the pseudonym "Michael Field" by Edith Emma Cooper and her aunt and sometime lover Katharine Harris Bradley, tells of the reign and fall of Mary, Queen of Scots. There was also a limited issue of 60 copies bound in vellum. Selwyn Image (1849-1930) designed the binding for this title, and his regal blooming thistles are an entirely appropriate example of his fin-de-siècle decorative art. The borders incorporate Mary's motto, "En ma fin est mon commencement" ("In my end is my beginning"). An artist, designer, and poet, Image was published in The Savoy, and was the seventh Slade Professor of Fine Art at Oxford from 1910-16. Oscar Wilde considered The Tragic Mary one of the two most beautiful books of the nineteenth century "in appearance" (quoted in Hadjiafxendi p. 243), the other being Dante Gabriel Rossetti's Poems (1870). Cooper and Bradley acknowledge in their Preface both the necessity and futility of dramatizing Mary's life; "the Queen herself lies sculptured in Westminster Abbey, waiting with the serenity of patience a judgement other than that of men. Yet we are not permitted to withhold our human verdicts, if she is to live as a presence in our midst. [our] beliefs are but conjectures, and the real woman of magical nature must remain undiscovered and triumphant" (Preface). Kyriaki Hadjiafxendi & Patricia Zakreski, Crafting the Woman Professional in the Long Nineteenth Century, 2016. Octavo. Original brown paper-covered boards, spine and covers lettered in black, covers illustrated in black with blossoming thistles and crown motifs designed by Selwyn Image, edges uncut. With original glassine dust jacket and later handmade paper dust jacket. Two previous booksellers' notes loosely inserted. Small mark to spine, a little foxing and offsetting to endpapers. A near-fine copy, unopened, in sharp glassine, spine panel a little toned, trivial chips to head of spine panel and corners, a few marks to panels, flaps a touch creased.…