Edward burne jones illustrator (18 risultati)

Soft cover. Condizione: Very Good. No Jacket. Dover Pub, New York, 1981. Pictorial soft cover. Book condition : Very good. A very clean copy. Superb illustrations. Book will be sent by UK postal service. Inventory #022104.

Paperback. Condizione: Brand New. 96 pages. 7.09x5.91x0.79 inches. In Stock. Edward Burne-Jones (illustratore).

Paperback. Condizione: Fine. None. A facsimile reissue of the very rare 1928 London edition, with a list of first editions of books illustrated by artists of the Sixties, including Walter Crane, Edward Burne-Jones and others. Indispensable to the scholar, with 91 full-page plates. A clean, bright, unmarked copy. …

Paperback. Condizione: Fine. None. First Edition. With important original essays by John Christian, Elisa Korb, and Tessa Sidey. A superb copy.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Folio, xxii + 554pp. Hardcover, bound in publisher's beige cloth with decorative blind tooled boards, in the original printed dustjacket. In very good condition. Firm binding and crisp, clean, interior. No markings or signs of prior ownership. Covers have minor shelf-wear or rubbing to extremities. The dustjacket is in very good condition with some light wear to edges and is now protected in a new clear Mylar wrapper. A great copy overall.…

Hardcover. Condizione: Brand New. 552 pages. 12.00x9.25x2.00 inches. In Stock. Burne-Jones, Edward (illustratore).

Hardcover. Condizione: Brand New. 552 pages. 12.00x9.25x2.00 inches. In Stock. Burne-Jones, Edward (illustratore).

Hardcover. Condizione: Brand New. 32 pages. 12.00x10.25x0.50 inches. In Stock. Burne-Jones, Edward (illustratore).

Hardcover. Condizione: Near Fine. 1st Edition. 1st edition. Large 16mo. 59 + (5)pp. Top edge gilt. Tip in frontis engraving by Edward Burne Jones. Original publisher's red leather covers, gilt embossed lettering on front & spine, blind band around edges, gilt cartouche on front. White eps. Silk page marker. Bright attractive copy. Attractive copy. ***. F-.…

Pappe. Condizione: Sehr gut. 231 S. : zahlr. Ill. ; 29 cm Zustand: Pappeinband, sehr guter Zustand mit Schutzumschlag --- Inhalt: Im Perseus-Zyklus, seinem großen Spätwerk, idealisiert der Präraffaelit Edward Burne-Jones (1833-1898) den Mythos auf eine für seine Ästhetik bezeichnende Weise: Seine Graien sind nicht hässlich, sondern jung und attraktiv, selbst das schreckliche Medusenhaupt zeigt klassisch schöne Züge. Inspiriert vom Gedichtband Das irdische Paradies (1868) seines Künstlerfreundes William Morris verknüpft Burne-Jones antike Themen mit vom Mittelalter inspirierten Formen und erschafft so ein ideales Zeitalter, das einen Gegenentwurf zum Alltag im spätviktorianischen England zu Zeiten der Industriellen Revolution bietet. Burne-Jones` Konzept eines ästhetisierten, von Kunst geprägten Lebens-Raums steht im Mittelpunkt der Monografie. Neben seinen Erzählzyklen Perseus und Amor und Psyche oder St. Georg stellt der Band auch Teppichentwürfe, Glasfenster, Buchillustrationen, Möbelstücke und andere Arts-and-Crafts-Objekte als Teile seines Gesamtentwurfs vor. 274 Abbildungen, darunter 247 in Farbe PU2-4 ISBN: 9783775725163 Sprache: Deutsch Gewicht in Gramm: 1500.…

29 cm 232 Seiten. Mit 274 Abbildungen, davon 247 in Farbe. Gebunden mit Schutzumschlag. Sehr guter Zustand. Gewicht über 1 kg. Sprache: Deutsch Gewicht in Gramm: 1450.

Full Leather. Condizione: Fine. Limited Edition. Two volume set. 23 x 14.5 cm. 1113pp. Bound into full green leather with gilt design, lettering and foredges. Moire endpapers, silk ribbons, 3 raised bands to spines. Chaucer's original text faces J. U. Nicolson's modern English version on opposing pages. Published as part of Franklin Library's the 25th Anniversary Edition of The Great Books of the Western World. Includes the Notes from the editors pamphlet. Edward Coley Burne-Jones (illustrator); William Morris (borders) (illustratore).…

Hardcover. Condizione: Fine. Edward Burne-Jones. Hardcover. This is a stunning and faithful facsimile of the famed Kelmscott Chaucer, first printed and published by William Morris in 1896. As William Peterson, the renowned scholar of the Kelmscott Press and its Chaucer wrote: "Only 425 copies of the Kelmscott Chaucer were printed, so it is not surprising that a number of facsimiles have been produced to satisfy the demand for this legendary work.It is thanks to the kindness of Mr. Bernard Roberts that the Folio Society facsimile has come into being.first published in 2002 in a limited edition of 1000 copies.and reprinted in 2008 in an unlimited edition." This 2008 reprint of the 2002 limited edition Folio Society facsimile reproduces in great detail and high quality the most ambitious and magnificent book to be produced by William Morris's legendary Kelmscott Press, described by W. B. Yeats as "the most beautiful of all printed books." Burne-Jones called it "a pocket cathedral it is so full of design" and the finest book ever printed. "If W. M. had done nothing else it would be enough." Burne-Jones devoted all his Sundays for almost three years to the work. As the artist worked he increased the number of proposed illustrations from 48 to 60 to 72 to 87 and Morris accepted each change. The process of adapting the drawings to the woodblock and engraving them, was entrusted to W. H. Hooper and R. Catterson-Smith, with Burne-Jones closely supervising every detail. This lovely reproduction of Morris's Kelmscott Chaucer has copies of all of the beautiful eighty-seven wood-engraved illustrations by Edward Burne-Jones. It includes an afterword essay on the Kelmscott Chaucer by William S. Peterson. "The most beautiful of all printed books" -- W.B. Yeats. Handsomely printed throughout in red & black on special heavy paper, commissioned from the James Cropper Mill; uncut edges, top edge gilt. Elephant folio, burgundy cloth with elaborate gilt-stamped designs by William Morris, protected in a printed maroon board slipcase. A fine copy in a near fine slipcase. 559 pages. Measures 12 x 16.5 x 3 inches. A heavy book that may require additional postage. PRI/101826. Edward Burne-Jones (illustratore).…

Condizione: Near Fine. First Edition. One of 300 paper copies. There were also eight vellum copies. This is one of the most desirable books to be printed at perhaps the most influential and famous of all private presses. A total of 52 books were produced during the several years it was active. In his definitive history of the Kelmscott Press, William Peterson describes this as "the penultimate book printed at the Kelmscott Press and an interesting example of how Cockerell (Sydney, who was the second Secretary of the Press.) was compelled to solve book-design difficulties on his own, as no work had been done before October 1896" (Morris died on October 3 of that year). Peterson continues to write that while the last books printed by the Kelmscott Press did not display a dramatic falling off of quality, they represent a reversion to the simpler of ornamentation of the very earliest Kelmscott books. For this edition, Burne-Jones redrew the full-page woodcut he originally prepared for the earlier print edition about 25 years prior. Frontispiece and full-page woodcut by W. H. Hooper after Edward Burne-Jones, decorative woodcut border to frontispiece and facing first page of contents, further woodcut borders in the text, three-, six-, and eight-line woodcut initials. Text printed in blue, red, and black in Troy type, stage directions mostly in Chaucer type. In the original limp vellum with yapp edges. The spine has title lettered in gilt. All six of the green silk ties are present. Light soiling to spine and covers and covers are a bit splayed. Interior pages are in beautiful condition. Housed in a custom box wiith dark green spine and page edges, with titling and press name in gilt to spine. A near fine copy of this stunning book, one of the two final works to be issued by the press. The other was a A Note by William Morris on his Aims in Founding the Kelmscott Press. Measures 11.5 x 8.25 inches. 90 pages. PRI/041726.…

Hardcover. Limited Edition, one of 300 copies. Quarto, [8], 141, [2] pages. In Very Good plus condition with slip case in Very Good minus condition. Housed in white cloth slip case with paper label bearing black titling. Slip case shows light plus wear and fraying, with moderate discoloration to cloth. Bound in full white pigskin with gilt titling to spine and gilt ornamentation to front board. Very light bumping and rubbing to corners of boards, head and tail of spine. Leather with light plus discoloration overall and moderate spotting to rear board. Text block with a few instances of very light foxing. Deckled fore edge; top edge gilt. Also included are two newspaper articles about the book and a letter from the Gregynog Press to E. Wilding regarding the purchase of a copy of this work. [Oversized book. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates.] Shelved in Case 9 3/4. Robert Bridges (1844-1930) became the British Poet Laureate in 1913. His own reputation is now largely eclipsed by that of Gerard Manley Hopkins, whose work he helped to popularize. Sir Edward Coley Burne-Jones (1833-1898) was an English painter and close collaborator with William Morris. The illustrations incorporated into this edition of Bridges' Eros and Psyche were originally created for Morris, but were deemed too difficult to print and thus were not published at the time. In 1935, Loyd Haberly, then employed at Gregynog Press, had twenty-four of the Burne-Jones illustrations reproduced as woodcuts to be used in this edition. Gregynog Press, located in Newtown, Wales, was established by sisters Margaret and Gwendolyn Davies in 1922. The press was noted for the quality of both its printing (under Herbert John Hodgson and, briefly, Loyd Haberly) and its binding, under George Fisher. 1388493. Shelved Dupont Bookstore.…

Leather Binding. Condizione: Near Fine. First Thus. Copy #310 of 425 numbered copies of this beautiful, massive facsimile edition, bound in full cream leather decorated in gilt, bevelled edges, marbled endpapers, all edges gilt (lacks the clamshell box; minor wear to leather, bottom edge has some dings to the gilt). Publisher's Certificate of Authenticity laid in loose (with matching #). Easton Press bookplate mounted on front free endpaper (no name). Illustrated by Sir Edward Burne-Jones.…

Condizione: gut. 2009. Edward Burne-Jones. Das irdische Paradies. Anlässlich der Ausstellung "Edward Burne-Jones. The Earthly Paradise", Staatsgalerie Stuttgart, 24. Oktober 2009 bis 7. Februar 2010 ; Kunstmuseum Bern, 18. März bis 25. Juli 2010 In deutscher Sprache. pages.

Condizione: Near Fine. Kelmscott Press Edition. Limited edition, one of 300 copies on Perch paper. Bound in publisher's limp vellum with spine lettered in gilt; three brown silk ties. 11.5 x 8.5", 4to. 91pp. 2 full-page illustrations designed by Burne-Jones; ornamental lettering in black and red with blue floriated initials. Near Fine with slight curling, light toning and rubbing to covers, wear at bottom spine end, fraying and wrinkling to silk ties; contents bright. Housed in a custom red cloth slipcase, spine lettered in gilt. An exceptionally beautiful Kelmscott production, this being one of only two books printed by the press in blue. Morris' morality play based on the Welsh Mabinogion was never a commercial success on initial publication in 1873, but regained appeal in the mid-1890's. Lemire A-8.05; A Note by William Morris 52; Franklin, Private Presses p. 193; Peterson A52; Ransom, Kelmscott 52.…