efros abram (10 risultati)

Softcover/Paperback. Condizione: Fair. Abram Efros 1888-1954 poluchil izvestnost v 1909 godu kak perevodchik Pesni pesnej tsarya Solomona. Sbornik Eroticheskie sonety ne dostupen dazhe istovym bibliofilam vyshel v svet v 1922 g. tirazhom vsego 260 ekzemplyarov. My rady dat vtoruyu zhizn etim zamechatelnym stikham.

broschiert/Taschenbuch. 13 x 21 cm., 78 S. Broschur. Text. Russisch und deutsch. Min. angestaubt, ansonsten sehr gut erhalten.

Düsseldorf, Grupello 1. Auf. 1997. 78 S. OKart. 21,0 x 13,2 cm. (= Reihe: Chamäleon, Nr. 2 ). Mit vierzeiliger Widmung und voller Signatur von Alexander Nietzberg, datiert 2.4.1998. Beiliegend eine Visitenkarte von Nitzberg und die Einladung zur Lesung. Sehr gutes Exemplar.

Softcover. Condizione: Sehr gut. Einband mit leichten Gebrauchsspuren - ansonsten sauberes und wohlerhaltenes Exemplar. 1. Auflage 1997. Broschierter Einband. 78 Seiten. 113 Gramm. 21x13cm. Deutsch. Dem russischen Originaltext steht die deutsche Übersetzung gegenüber.

Paperback. Dva etyuda. 236pp ills. in text, 16mo, card covers, Moscow 1946. Covers sl.worn & mkd.

* Mit 63 Abbildungen. 77 Seiten, 1 Blatt. 25,5 x 20,5 cm. Original-Halbleinenband (minimal fleckig und bestoßen). *** Erste deutsche Ausgabe. - Frühe Monographie über Marc Chagall. - Vorsatz papierbedingt gebräunt und fleckig, ansonsten innen sauber und gut erhalten.

Soft cover. Condizione: Very Good. 1st Edition. Octavo 18.5x13.5 cm., original wrappers, 192pp. . The first full monograph on Natan Al tman (1889-1970). An original talent who emerged from the Pale of Settlement (where Jews were allowed to live, comprised of Belorus, Ukraine and part of Poland under the Russian Empire), Al tman excelled as an artist, book illustrator and stage designer in the Russian avant-garde era.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Quarto (12 1/8 x 8 7/8 inches; 307 x 220 mm), pp. [8], ix-xlvii, [1] [introduction], 195 [plates], [3], 199-211, [1] [appendix], in publisher's original brown cloth, lacking the rare dust jacket. A celebration of Alexander Tairov's pathbreaking Kamerny Theatre in Moscow, featuring set and costume designs as well as scenes from the theatre's first 20 years. Text entirely in Russian. Profusely illustrated in both color and black and white, the book showcases each production of the Kamerny, founded by Alexander Tairov (1885-1950 ) and his wife, the actress Alisa Koonen (1889-1974). Tairov brought many non-Russian productions to the Kamerny, including works by Shakespeare, Bertolt Brecht, Eugene O'Neill, George Bernard Shaw, and Oscar Wilde. Tairov's productions were known for their magnificent set and costume designs, and he collaborated with some of the most acclaimed avant-garde artists of the day, including Alexandra Exter and Natalia Goncharova. Indeed, it's possible to see the evolution of 20th-century Russian art through the set and costume designs, which reflected Cubist, Constructivist, Rayonist, and even Art Deco influences. It was an exciting time in Soviet theatre; this era featured some of the greatest directors of the 20th century, such as Stanislavsky, Meyerhold, Vakhtangov and, of course, Tairov. The Kamerny was the scene of one of the most significant plays of the Soviet theatre, according to Nick Worrall in his authoritative study, "Modernism to Realism on the Soviet Stage" (Cambridge University Press, 1989). Vsevolod Vishnevsky's Russian civil-war play, Optimistic Tragedy, opened at the Kamerny on December 18, 1933. "It concerns particular historical events associated with the civil war in the Soviet Union but, more generally, it is an article of faith -- in the triumph of Life over Death, of the Collective over the Individual, of faith in the necessary tragedy of revolution, of the necessary destruction of those who oppose revolution, of hostility to the spirit of anarchism, and faith in the leadership of the party." Indeed, the play, which is featured in this book, marked an important milestone in the development of "socialist realism." The Soviet government closed the Kamerny Theatre in 1949, and Tairov died a year later. The Kamerny's home at 23 Tverskoy Boulevard is now occupied by the Moscow Pushkin Drama Theatre. A stunning look at the first 20 years of the Kamerny Theatre, one of the most innovative theatres at an important moment in Soviet theatre history. SCARCE. CONDITION: Both boards rubbed, small scrape to rear paste down, a few scattered stains. Tissue guards separating each play, plate 36 not present but apparently never published, according to list of illustrations in the appendix, plate 41 detached but present, some small closed tears to a few pages, plate 175 improperly trimmed, not affecting the illustration. Overall, Very Good or better.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1921 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 94 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 94 Language: German.

Condizione: Befriedigend. Jahr: 1975. Einband: Heft. Beschreibung: VN/Pl. no. 9048. Mit eigenh. Widmung der Frau von Dmitri Schostakowitsch, Irina Antonovna Schostakowitsch an den Leipziger Musikwissenschaftler und -kritiker Werner Wolf: "Doktoru Werneru Wol'fu s lutschimych pozhelanijami ot I. Schostakowitsch 1 ijunija 1976 g. Moskva" [Doktor Werner Wolf mit besten Wünschen von I. Schostakowitsch. 1. Juni 1976, Moskau]. Das Irina Antonovna Schostakowitsch gewidmete Werk (gedruckte Widmung: Posvjaschaetsja Irine Antonovne Schostakowitsch) stammt aus dem Nachlass Wolfs, der dem Titelblatt die deutsche Übersetzung beifügte (Kuli) und am oberen Rand einer jeden Seite mit Büroklammern Papierstreifen mit der deutschen Übersetzung der Texte anheftete. Namensaufschrift Wolfs auf dem vorderen Umschlag, dieser lose. Außen mit deutlichen Gebrauchsspuren. Innen mit einzelnen Bleistifteintragungen, sonst sauber erhalten. Sprache: ru. 46 S.