Elliot antokoletz (27 risultati)

Original brochure, 21 cm. Condizione: Wie neu. 458 S. : Ill., Kt., Noten. Leicht berieben. - Contents: Elliott Antokoletz, The University of Texas at Austin, Preface -- Mark Camann, The University of Texas at Austin, The Cheremis Song -- Donna A Buchanan, University of Illinois, Champaign Urbana Bartóks -- Raina Katsarova Kukudova, translated by Donna A Buchanan, Univer -- Michael von Albrecht, The University of Heidelberg, Béla Bartók -- Georg Bálint, Sárosi Institute for Musicology Budapest, Investigation of Folk -- David E Schneider, Amherst College, Gypsies Verbunkos -- Kevin Clifton, Colby College Maine, Bartóks Ironic Response to -- Alan Anbari, The University of Texas at Austin, Between Folk Music -- László Vikárius, Budapest Bartók Archives, Bartók and the Ideal of Bartók -- Malcolm Gillies, The University of Adelaide, Music for Strings Percus -- Elliott Antokoletz, The University of Texas at Austin, Diatonic Extension -- Terry Klefstad, The University of Texas at Austin, The Structural Func. ISBN 9783631525081 Sprache: Englisch Gewicht in Gramm: 500.…

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condizione: New. Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Béla Balázs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.…

Buch. Condizione: Neu. Neuware -This book provides not only an understanding and appreciation of Georg von Albrecht's musical art, but also links his compositional approach to a broader historical and theoretical context. The significance of the study lies in the discovery of a 'missing historical link' in the evolution of principles that range from the pentatonic formations and modalities of folk music and polymodal combination to the more abstract realm of serial procedures. These principles often unfold in contexts based on complex metric/rhythmic formulizations. Albrecht, whose folkloristic activities and compositional inclinations invoke the creative spirit of Béla Bartók, is an exemplar of a composer who has synthesized traditional and contemporary elements from both Eastern and Western European sources. He was inspired by many cultures, his music imbued with Byzantine and ancient Greek elements, Hebrew folklore, and Gregorian elements, as well as the pentatonicism of Eastern Asia. Russian and Lithuanian folklore underlies virtually all of his works. Albrecht's profound reflections on music as well as the remarkable range of his compositional aesthetics and techniques still provide the music historian with a new level of insight into some essential links in the evolution of twentieth-century music and thought. 314 pp. Englisch.…

476 S. OKart. Sprache: Englisch Gewicht in Gramm: 900.

Condizione: Bueno. 60110 ANTOKOLETZ, ELLIOT 1900 música.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book provides not only an understanding and appreciation of Georg von Albrecht's musical art, but also links his compositional approach to a broader historical and theoretical context. The significance of the study lies in the discovery of a 'missing historical link' in the evolution of principles that range from the pentatonic formations and modalities of folk music and polymodal combination to the more abstract realm of serial procedures. These principles often unfold in contexts based on complex metric/rhythmic formulizations. Albrecht, whose folkloristic activities and compositional inclinations invoke the creative spirit of Béla Bartók, is an exemplar of a composer who has synthesized traditional and contemporary elements from both Eastern and Western European sources. He was inspired by many cultures, his music imbued with Byzantine and ancient Greek elements, Hebrew folklore, and Gregorian elements, as well as the pentatonicism of Eastern Asia. Russian and Lithuanian folklore underlies virtually all of his works. Albrecht's profound reflections on music as well as the remarkable range of his compositional aesthetics and techniques still provide the music historian with a new level of insight into some essential links in the evolution of twentieth-century music and thought.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Kartoniert / Broschiert. Condizione: New.

Condizione: New. 2021. New. hardcover. . . . . .

Paperback. Condizione: New. Musical Symbolism in the Operas of Debussy and Bartók explores the means by which two early 20th century operas - Debussy's Pelléas et Mélisande (1902) and Bartók's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Béla Balázs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.…

Condizione: New. 2021. New. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This revised, enhanced edition of the life and works of composer and Admiral Jean Cras traces, through new research, the remarkable career of this celebrated composer, decorated war hero, scientist and inventor. As Henri Duparc's only protégé, his 'spiritual son' enjoyed the same level of esteem during the 1920s as his friends Ravel and Roussel. This edition sustains the renaissance of Jean Cras and includes a new chapter devoted to the composer's early songs, to be released concurrently.« Le Canadien Paul-André Bempéchat, est parfaitement francophone mais c'est en anglais qu'il rédige cette somme dédiée à Jean Cras . Tout y est, . sa carrière marine, . l'inventeur brilliant, l'esthète pétri d'humanisme, le musicien dans son oeuvre. . Le portrait est vivant, Jean Cras se tient devant vous et tous les secrets de son art subtil sont démontrés. » - Diapason'There is no doubt that, in subsequent studies of Jean Cras's life and works, this book will be the first source to which the researcher turns. Bempéchat's deft and skilful blending of a beautifully written and engaging biography with lucid and erudite musical analysis, interspersed with tales of military history and scientific discovery, has resulted in a book that is absolutely engaging on its own, as it tells the life story of a most extraordinary man.'- Nineteenth-Century Music Review.…

Hardback. Condizione: New. This book explores the means by which the operas of Debussy and Bartók transform the structures of the traditional harmonic system into a new musical language. Antokoletz formulates new theoretic-analytic principles and describes how these principles link various historical and cultural as well as philosophical and psychological issues of the early twentieth century within the operatic milieu. The new musical language described here is based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations.…

Hardback. Condizione: New. This book explores the means by which the operas of Debussy and Bartók transform the structures of the traditional harmonic system into a new musical language. Antokoletz formulates new theoretic-analytic principles and describes how these principles link various historical and cultural as well as philosophical and psychological issues of the early twentieth century within the operatic milieu. The new musical language described here is based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations.…

Condizione: new. Questo è un articolo print on demand.

PF. Condizione: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: new. Paperback. Musical Symbolism in the Operas of Debussy and Bartok explores the means by which two early 20th century operas - Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, MauriceMaeterlinck, and his Hungarian disciple, Bela Balazs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle isbased almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical,social psychological, philosophical, and aesthetic contexts. Musical Symbolism in the Operas of Debussy and Bartok explores the means by which two early 20th century operas - Debussy's Pelleas et MelisandeR (1902) and Bartok's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, Bela Balazs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Provides an understanding and appreciation of Georg von Albrecht s musical art, and also links his compositional approach to historical and theoretical context. In this study, the significance lies in the discovery of a missing historical link in the evolut. …

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book provides not only an understanding and appreciation of Georg von Albrecht¿s musical art, but also links his compositional approach to a broader historical and theoretical context. The significance of the study lies in the discovery of a «missing historical link» in the evolution of principles that range from the pentatonic formations and modalities of folk music and polymodal combination to the more abstract realm of serial procedures. These principles often unfold in contexts based on complex metric/rhythmic formulizations. Albrecht, whose folkloristic activities and compositional inclinations invoke the creative spirit of Béla Bartók, is an exemplar of a composer who has synthesized traditional and contemporary elements from both Eastern and Western European sources. He was inspired by many cultures, his music imbued with Byzantine and ancient Greek elements, Hebrew folklore, and Gregorian elements, as well as the pentatonicism of Eastern Asia. Russian and Lithuanian folklore underlies virtually all of his works. Albrecht¿s profound reflections on music as well as the remarkable range of his compositional aesthetics and techniques still provide the music historian with a new level of insight into some essential links in the evolution of twentieth-century music and thought.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 314 pp. Englisch.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This revised, enhanced edition of the life and works of composer and Admiral Jean Cras traces, through new research, the remarkable career of this celebrated composer, decorated war hero, scientist and inventor. As Henri Duparc's only protégé, his 'spiritual son' enjoyed the same level of esteem during the 1920s as his friends Ravel and Roussel. This edition sustains the renaissance of Jean Cras and includes a new chapter devoted to the composer's early songs, to be released concurrently.« Le Canadien Paul-André Bempéchat, est parfaitement francophone mais c'est en anglais qu'il rédige cette somme dédiée à Jean Cras . Tout y est, . sa carrière marine, . l'inventeur brilliant, l'esthète pétri d'humanisme, le musicien dans son oeuvre. . Le portrait est vivant, Jean Cras se tient devant vous et tous les secrets de son art subtil sont démontrés. » - Diapason'There is no doubt that, in subsequent studies of Jean Cras's life and works, this book will be the first source to which the researcher turns. Bempéchat's deft and skilful blending of a beautifully written and engaging biography with lucid and erudite musical analysis, interspersed with tales of military history and scientific discovery, has resulted in a book that is absolutely engaging on its own, as it tells the life story of a most extraordinary man.'- Nineteenth-Century Music Review 626 pp. Englisch.…

Buch. Condizione: Neu. The Musical Language of the Twentieth Century | The Discovery of a Missing Link- The Music of Georg von Albrecht | Elliot Antokoletz | Buch | Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart. Sources and Studies in Music History from Antiquity to the Present | Englisch | 2012 | Peter Lang | EAN 9783631632444 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu Print on Demand.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This enhanced edition of the life and works of the eclectic Breton polymath Jean Cras sustains his renaissance as one of France s most remarkable composers, scientists, inventors, admirals and ecumenists. As Henri Duparc s only protege, his spiritual son . …

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This revised, enhanced edition of the life and works of composer and Admiral Jean Cras traces, through new research, the remarkable career of this celebrated composer, decorated war hero, scientist and inventor. As Henri Duparc¿s only protégé, his ¿spiritual son¿ enjoyed the same level of esteem during the 1920s as his friends Ravel and Roussel. This edition sustains the renaissance of Jean Cras and includes a new chapter devoted to the composer¿s early songs, to be released concurrently.« Le Canadien Paul-André Bempéchat, est parfaitement francophone mais c¿est en anglais qüil rédige cette somme dédiée à Jean Cras ¿ Tout y est, ¿ sa carrière marine, ¿ l¿inventeur brilliant, l¿esthète pétri d¿humanisme, le musicien dans son oeuvre. ¿ Le portrait est vivant, Jean Cras se tient devant vous et tous les secrets de son art subtil sont démontrés. »¿ Diapason¿There is no doubt that, in subsequent studies of Jean Cras¿s life and works, this book will be the first source to which the researcher turns. Bempéchat¿s deft and skilful blending of a beautifully written and engaging biography with lucid and erudite musical analysis, interspersed with tales of military history and scientific discovery, has resulted in a book that is absolutely engaging on its own, as it tells the life story of a most extraordinary man.¿¿ Nineteenth-Century Music Review 626 pp. Englisch. …

Buch. Condizione: Neu. Jean Cras, Polymath of Music and Letters | Second Edition | Paul-André Bempéchat | Buch | Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart. Sources and Studies in Music History from Antiquity to the Present | Gebunden | Englisch | 2021 | Peter Lang | EAN 9783631742518 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu Print on Demand.…

Hardcover. Condizione: new. Hardcover. Two early twentieth-century operas -- Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) -- transformed the traditional major/minor scale system into a new musical language. This new language was based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations. Elliott Antokoletz reveals not only the new musical language of these operas, but also the way in whichthey share a profound correspondence with the growing symbolist literary movement as reflected in their libretti. In the symbolist literary movement, authors reacted to the realism of nineteenth-century theatre byconveying meaning by suggestion, rather than direct statement. The symbolist conception included a new interest in psychological motivation and consciousness manifested itself in metaphor, ambiguity, and symbol.In this groundbreaking study, Antokoletz links the new musical language of these two operas with this symbolist conception and reveals a direct connection between the Debussy and Bartok operas. He shows how the opposing harmonic extremes serve as a basis for thedramatic polarity between real-life beings and symbols of fate. He also explores how the libretti by Franco-Belgian poet Maurice Maeterlinck (Pelleas et Melisande) and his Hungarian disciple Bela Balazs(Duke Bluebeard's Castle) transform the internal concept of subconscious motivation into an external one, one in which fate controls human emotions and actions.Using a pioneering approach to theoretical analysis, Antokoletz, explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts. Explores the means by which the operas of Debussy and Bartok transform the structures of the traditional harmonic system into a new musical language. The new musical language described here is based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…