emilie clarkson (2 risultati)

Condizione: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .

Clarkson, Emilie V. (illustratore). Hand-pulled photogravure, 6 x 4 15/16 inches [15.2 x 12.5 cm]. Printed on copper plate paper and tipped to a woven art paper, 14 7/8 x 10 7/8 inches [37.79 x 27.62 cm]. Other than a tiny spot in the blank margin and a chip to the mount at the lower corner, a fine print. A full-tone photogravure, Plate 18, from the portfolio, AMERICAN PICTORIAL PHOTOGRAPHY, SERIES TWO, which was published for "Camera Notes" by the Publication Committee of the Camera Club, New York, 1900. Limited to only 150 copies. This image was also reproduced in Alfred Stieglitz's CAMERA NOTES in October 1898, under the same title. Emilie Clarkson was born to a wealthy family in Potsdam, New York. Initially, she studied art in Manhattan, and completed a course at the Chautauqua School of Photography in 1890. She was active in exhibiting her work and was the only woman to become a founding member of the Camera Club of New York. For a fuller biography, see Petersen, Christian A. ALFRED STIEGLITZ'S CAMERA NOTES. The Minneapolis Institute of Arts in association with W.W. Norton & Company, 1996. p. 162.