Lingua: Inglese
Editore: Dodd, Mead, New York, 1904
Da: Trouve Books, Cincinnati, OH, U.S.A.
Decorative Cloth. Condizione: Very Good. No Jacket. Rudolph Eickemeyer Jr. (illustratore). Green decorated cloth on boards, all titling gold-stamped, top of page block gilt-edged, all other sides deckle-edged. Spine is tight and all hinges completely intact. Interior is clean, no foxing or writing. Front cover has a dime-sized ring stain, all corners slightly bumped, spine corners rubbed. Cover decoration in three colors. Illustrated throughout with charming woodcut nature scenes as text accents. Full page photo lithos of nature, all still with their protective slips printed with captions from the text for the photos. This is a very well presented book. A discussion of the nature of man in his relation and what he can learn from it.
Editore: Harper's Weekly, NY, 1904
Da: Dorley House Books, Inc., Hagerstown, MD, U.S.A.
Prima edizione
Unbound. Condizione: Very Good. B/w Photo By Rudolph Eickemeyer, Jr. (illustratore). 1st. full page photo of Isabelle Dorothea Cameron, compilier of the "Amerian Book of Beauty" , portraits of 87 beautiful Amerian women of the day. Very nice, and suitable for framing Size: 9" x 13".
Editore: Paris: Photo-Club de Paris, 1894
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Prima edizione
Condizione: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .
Eickemeyer Jr., Rudolph (illustratore). (Eickemeyer Jr., Rudolph). WINTER by Rudolph Eickemeyer Jr. R. H. Russell, NY, 1903. Folio, cloth-backed boards, 50pp., photos accompanied by quotations from poetry. An extraordinarily Fine copy of this scarce and delicate book, showing only a trace of wear at one of the corners.