eric g underwood (14 risultati)

Hardcover. Condizione: Very Good. G/-only, a working copy with good text and 50 illustr; wonderful for research and information only; bp of Elliot Eaves.

Cloth. Condizione: Very Good. No Jacket. Cloth. Very Good/No Jacket. 6x81/2. 356 pages, w/illust. Full blue cloth with title on spine in gold. Interior is unmarked, tight and clean.

Condizione: Fair. 1933. First Edition. 192 pages. No dust jacket. Grey cloth. Contains black and white illustrated plates. Pages remain bright and clear with minimal tanning and foxing. Binding remains firm. Pencil markings to front pastedown. Boards have noticeable edge wear with corner bumping and rubbing to surfaces. Mild crushing to spine ends. Book has a slight backward lean.

Hardcover. Condizione: Used - Very Good. Condizione sovraccoperta: None. 1st Edition. Robust black boards with strong gilt title on spine. Very clean contents throughout with no inscription; foxing on outer edges. 192 pages.

Hardcover. Condizione: Good. 1st Edition. 'A Short History of French Painting' by Eric G. Underwood. Oxford University Press 1931 first edition. Some rubbing. Good. No dust jacket.

Encuadernación de tapa dura. Condizione: Muy bueno. 1ª Edición. (Historia del arte. Escultura. Inglaterra). London, Faber and Faber, 1933. XIV p. 1 h. 192 p. 48 láminas f.t. con fotos b/n. 8º. Tela negra editorial con dorados en lomo. Muy buen ejemplar. En inglés. First edition. JL8250.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. 'A Short History of English Sculpture' by Eric Underwood. Faber and Faber 1933 first edition. Some foxing. VG in edge chipped dust jacket.

Hard Cover. Condizione: Good +. Map Endpapers, b&w Prints, Frontispiece (illustratore). First Edition. Blue cloth covers, gilt lettering to spine. Small nick to top of spine, slide fade. Lower corners bumped. Bibliography, indexed, 356 pages clean and tight. "PREFACE. THIS work has been planned to meet the need for a book, written in easy language, which shall deal with the whole of French painting from the earliest times to the present day. All technical terms have been excluded where possible and explained where not. I have tried to describe, in few and simple words, what French painting stands for, the main characteristics of the chief painters, and the aims of the 'schools' with which they are associated. Sainte-Beuve believed that, to understand the work of an artist, it was necessary 'to follow him as far as possible into his home, and to study his everyday domestic habits'. With this in view, in the case of more important painters I have told the story of their lives and careers at some length. I have consulted most of the works mentioned in the Bibliography and am indebted also to the following friends for various suggestions. To these I take this opportunity of expressing my gratitude: Anthony Butts, Anthony Crossley, Richard Davidson, Geoffrey Dearmer, Percy Dearmer, Frank Dobson, Michael Holroyd, Aldous Huxley, Margaret Konody, James Layer, John Mansbridge, Gustavus Mayer (of Messrs. P. and D. Colnaghi), Paul Nash, Ben Nicholson, Robert O'Brien, Vladimir Polunin, Edward Russell, Edward Sackville-West, Kathleen, John, and Jacynthe Underwood, Rebecca West, and Hartley Withers. E. G. U. SEMUR EN AUXOIS, Côte D'or. September, 1931." Size: 8vo.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. PO inscription to inside cover. DJ has sunning to spine. Top page edge red.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Wrapper is rubbed and marked with a small open tear to rear top edge and a darkened spine, boards lightly marked, prelims lightly foxed, pages lightly mellowed, and light foxing to some, otherwise clean. Good. Book.

Condizione: Fair. Signed Copy . No Dust Jacket 1937 reissue. Inscribed by author to Ethel Mary Crocker de Limur, granddaughter of California railroad builder Charles Crocker, on half title page verso. Unopened pages throughout. Rear endpage cracked. (French Paintings, Art History).

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Oxford Bookshelf Reissue. Hardcover. 356 pages. *** PUBLISHING DETAILS: Oxford University Press, UK, 1937. Oxford Bookshelf Reissue. *** CONDITION: This book is in good condition but dust jacket is not included. The spine and boards have darkened considerably. Page edges browned . *** Quantity Available: 1. Category: Art & Design; Inventory No: 21050172.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 126. A perfect gift for your loved ones. Reprinted from 1916 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Russian Pages: 126.