Erin barnett (42 risultati)

Condizione: good. Signs of wear and consistent use.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

Condizione: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.…

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Barnett, Annie (illustratore).

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condizione: New.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover without dustjacket as issued; 168 pages; new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this item.

Paperback. Erin Barnett, Murdoch Books. 'Endo and PCOS won't stay neatly contained within your body . . . No chance. They'll bleed into every area of your life: school, work, relationships, finances, self-esteem, mental health . . . There's no part of your life they won't touch, and that's exactly why I'm going to come at them from all angles in this book.' In this raw, powerful, medically reviewed insider's guide, Erin Barnett - influencer, women's health advocate and star of Beauty and the Geek Australia , Love Island Australia and I'm a Celebrity . . . - shares her experience of navigating her teens and twenties while living with endometriosis and polycystic ovary syndrome (PCOS). At fourteen, Erin had the first of many pelvic surgeries. With another fifteen surgeries behind her, she's a self-taught expert when it comes to dealing with endo drama - whether that's dismissive doctors, random bleeding, chronic pain, multiple medications or relationship drama (the list goes on). With her knack for cutting through BS and her trademark sense of humour, Erin is sharing her story and words of wisdom in the hopes of empowering fellow sufferers to take charge of their own health and wellbeing, no matter their age. Recently named an Ambassador for Endometriosis Australia, Erin is part of a growing movement of endo sufferers giving voice to this previously taboo topic that affects a vast group of people - too many of whom suffer in silence believing their pain and symptoms are 'normal'. Paperback.…

Paperback. Condizione: Brand New. 202 pages. 9.00x6.00x0.43 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Blue and b&w photo-illustrated boards with blue and black lettering; 165 pp.; richly illustrated. Published in conjunction with the exhibition of the same name organized by the International Center of Photography, New York. Exhibition dates: May 11 through September 9, 2007. -- WorldCat. VG (Ex art library with with stickers on the spine and on rear pastedown; boards are lightly bumped; interior is clean; binding is solid.). …

Hard Cover. Condizione: New. NEW, unopened in publisher's shrinkwrap. [No International shipping on this item] Size: Folio - over 12" - 15" tall.

Paperback. Condizione: Brand New. 1st edition. 221 pages. 9.00x5.75x0.75 inches. In Stock.

Paperback. Condizione: Sehr gut. 1. Auflage. 248 Seiten Sehr gut erhaltenes Exemplar 189 Sprache: Englisch Gewicht in Gramm: 1350.

1. ed. 32 cm 165 S. Opp. 4°. überw. Ill. Beim Verlag vergiffen, tadellos - KMEX Fotografie.

Taschenbuch. Condizione: Neu. Neuware - 'This Movement is Not About the Man Alone' Toward a Rastafari Woman's Studies Shamara Wyllie AlhassanTestimony: Charting the Matriarchal Shift in the Rastafari MovementDeena-Marie BeresfordShifting Models of Group Formation: Communes, Houses and Mansions of RastafariEnnis B. EdmondsThe Legacy of Charismatic Leadership in the Rastafari MovementMichael BarnettA Rastafari Cultural Institution: Herb Camps in the CityJahlani NiaahBob Marley, Emerging Rasta 1966-1970Dean MacNeilBlack Racial Identity Theory, Nigrescence, Rastafari: Propositions on Black and Rastafari IdentityCharles PriceLivity and LawRichard C. Salter'They took us by boat and we're coming back by plane' An Assessment of Rastafari and RepatriationGiulia BonacciRastafari Citizenship Strategies in Ethiopia: Ethnic Existence, Diaspora Claims, Resident IdentificationErin C. MacleodTestimony: Ivan Coore, a Rastafari in the Promised LandDerek BishtonCommentary: Reflections on 2020 through a Rastafari LensMichael Barnett.…

Paperback. First edition. As New paperback with French flaps in the publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Images of Hiroshima, made by military photographers days after the detonation of the atomic bomb; the catalogue for an exhibition held at the International Center of Photography, NYC, May 20 - August 28, 2011. Essays by John W. Dower, Adam Harrison Levy, and David Monteyne; edited by Erin Barnett and Philomena Mariani. 248 pages; 300 duo-toned b&w illustrations; 10 x 12 inches. Reference materials, index.…

Broschiert. First Edition. Quart. 247 S. Klappenbroschur. Sprache: Englisch, Mit zahlr. schw.-w. Abb. gutes Exemplar.

Condizione: New. Klappentext This Movement is Not About the Man Alone Toward a Rastafari Woman s Studies Shamara Wyllie AlhassanTestimony: Charting the Matriarchal Shift in the Rastafari MovementDeena-Marie Beresford.

hardcover. Condizione: As New. Prima edizione (First Edition). A cura di Kristen Lubben e Erin Barnett. Catalogo pubblicato in occasione della mostra tenutasi presso l'International Center of Photography, New York 11 maggio - 9 settembre 2007. Testi di Kristen Lubben, Susan Butler, Susan Ware. Fotografie in bianco e nero di fotografi anonimi. Bibliografia e catalogo delle immagini riprodotte . Cm 31,5x23,5. pp. 166. . Perfetto (Mint). . Prima edizione (First Edition). . Il catalogo della mostra esamina il ruolo della fotografia e dei media nella costruzione del personaggio pubblico di Amelia Earhart. L'immagine della famosa aviatrice è identificabile oggi come lo era nel 1937, l'anno in cui il suo aereo scomparve nel Pacifico. In un'epoca in cui gli aviatori erano simboli glamour di avventura e modernità, la Earhart raggiunse una celebrità istantanea, dopo essere stata scelta per essere la prima donna a volare attraverso l'Atlantico. Book. …

Gr.-4°. 247 S. mit zahlr. Abb. Broschur. - neuwertig.

Wraps. Condizione: Very good. 1st Edition. 248 pages. Erin Barnett is an art historian, curator, editor, and writer who played a dual role as both the catalog's co-editor and the exhibition's primary curator. Role at ICP: She spent nearly two decades at the International Center of Photography (ICP) in New York, eventually serving as the Director of Exhibitions and Collections from 2016 to 2020. Curatorial Contribution: For the Hiroshima project, Barnett spent extensive time working in the National Archives. She meticulously decoded historical notations and plotted blast locations to organize the photos based on geographical "zones of impact"-ultimately driving the "Ground Zero" thematic framing of the project. Background: She holds a degree from Oberlin College, where she first shifted her focus to how photography can simultaneously document and manipulate truth. She frequently serves as a jurist and writer across global photography competitions. Philomena Mariani is a veteran editor and cultural critic specializing in the intersection of politics, literature, and visual arts. Role at ICP: She served as the Director of Publications at the International Center of Photography, steering the museum's complex, high-profile catalog collaborations with international art publishers like Steidl. Other Work: Beyond photography, Mariani has a background in literary editing. She is recognized as the editor of Critical Fictions: The Politics of Imaginative Writing, a prominent collection of essays examining identity, culture, and political discourse featuring major writers like Margaret Atwood and James Baldwin. She co-edited The Weegee Guide to New York. On 6 August 1945, the US government dropped an atomic bomb on Hiroshima. This was the first wartime use of a nuclear weapon, and along with the bombing of Nagasaki three days later, heralded the surrender of Japan and the end of World War II. After the dust had settled, President Truman dispatched military personnel and civilians to photograph the destruction. Nearly seventy years later, Hiroshima: Ground Zero 1945 presents a selection of these once confidential images alongside critical texts. 1,100 photographs were taken, and 865 of them published in the classified report The Effects of the Atomic Bomb on Hiroshima, Japan (1947). Today, 700 of these images are part of the permanent collection at the International Center of Photography. Hiroshima: Ground Zero 1945 is testament to this shameful, haunting episode of the twentieth century and the role of documentary photography within it, and is the latest phase in ICP's ongoing investigation of the unacknowledged histories of photography. The International Center of Photography (ICP) is a photography museum and school at 84 Ludlow Street on the Lower East Side of Manhattan in New York City. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974. It is located at 84 Ludlow Street, within the Lower East Side. ICP is the host of the Infinity Awards, inaugurated in 1985 "to bring public attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and by identifying future luminaries." Since its founding in 1974 by Cornell Capa with help from Micha Bar-Am in Willard Straight House, on Fifth Avenue's Museum Mile, ICP has presented over 500 exhibitions, bringing the work of more than 3,000 photographers and other artists to the public in one-person and group exhibitions and provided various classes and workshops for students. ICP was founded to keep the legacy of "Concerned Photography" alive. After the untimely deaths of his brother Robert Capa and his colleagues Werner Bischof, Chim (David Seymour), and Dan Weiner in the 1950s, Capa saw the need to keep their humanitarian documentary work in the public eye. In 1966 he founded the International Fund for Concerned Photography. By 1974 the Fund needed a home, and the International Center of Photography was created. First Edition [stated] Presumed first printing. …

Trade paperback. Condizione: as new. First Edition. First Printing. Oversized, 248, wraps, illus., portfolio of reference materials, index. Wrapped in the original shrink wrap. If sent outside of the United States, additional shipping charges will be required. Exhibition catalogue published by the International Center of Photography in New York, NY; the exhibit dates were May 20 to August 28, 2011. The atomic bomb dropped on Hiroshima on August 6, 1945, was the first wartime use of a nuclear weapon, and along with the bombing of Nagasaki three days later, heralded the surrender of Japan and the end of World War II. After the dust had settled, President Truman dispatched military personnel and civilians to photograph the destruction. This exhibition catalogue includes essays by John W. Dower, Adam Harrison Levy, and David Monteyne. After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb's deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey's Physical Damage Division was to photograph and analyze the impact of the atomic bomb on various building materials surrounding the blast site, the first "Ground Zero." The haunting, once- classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The International Center of Photography (ICP) is a photography museum and school at 84 Ludlow Street on the Lower East Side of Manhattan in New York City. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974. It is located at 84 Ludlow Street, within the Lower East Side. ICP is the host of the Infinity Awards, inaugurated in 1985 "to bring public attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and by identifying future luminaries." Since its founding in 1974 by Cornell Capa with help from Micha Bar-Am in Willard Straight House, on Fifth Avenue's Museum Mile, ICP has presented over 500 exhibitions, bringing the work of more than 3,000 photographers and other artists to the public in one-person and group exhibitions and provided various classes and workshops for students. ICP was founded to keep the legacy of "Concerned Photography" alive. After the untimely deaths of his brother Robert Capa and his colleagues Werner Bischof, Chim (David Seymour), and Dan Weiner in the 1950s, Capa saw the need to keep their humanitarian documentary work in the public eye. In 1966 he founded the International Fund for Concerned Photography. By 1974 the Fund needed a home, and the International Center of Photography was created.…