ernst edward (220 risultati)

Soft cover. Condizione: Very Good. Large softcover with excellent, unmarked pages and VG+ exterior (slight to light handling, no particular blemishes, Marilyn Monroe on the cover). 216 pages, with color illustrations. The text is dual German and English. [3.4 lbs]. Book.

Soft cover. Condizione: Very Good. A ground-breaking early set of essays addressing new directions in music just after WWII. CONTENTS: Introduction; The Princeton Seminar; Composer Problems and Issues; Analysis Today; American Composer Shop Talk; Piece for Tape Recorder; Serial Techniques; Bartok's "Serial" Composition; Twelve-Tone Invariants. 121 pages. CONDITION: A solid, square, unmarked VERY GOOD PLUS copy with light shelf-wear and a single small cover-corner-crease. This attractive copy is now in a clear, protective polypropylene bag for safe storage and transport.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First American Edition. 301pp. Blue and tan hardback, DJ VG, price clipped, upper corner tips slightly bumped, translated from the German, The autobiography of a Revolutionary, The political turmoil in Germany during and after World War I,

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Book in good condition; moderate to heavy foxing top and fore-edge, slight foxing bottom edge; light toning to clean interior; slight page separation at gutter pages 84-5; binding sound. Dust jacket in fair condition; light to moderate toning; fading to spine; moderate scuffing; several tears and creases top and bottom edge; not clipped. 299 numbered pages. Black papered boards with red cloth spine and black and gold stamped lettering on spine. 8.5 x 5 3/4 in. Inv. SL019.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

paperback. Condizione: Very Good. Plassman, Ernst (illustratore). Fast Shipping - Safe and Secure 7 days a week!

Paperback. Condizione: New.

Trade Paperback. Condizione: Fine. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 268 pages, with articles by Howard Boatwright, Dennis Marshall, Edgard Varese, Gunther Schuller, Milton Babbit, Chou Wen-chung, Andres Imbrie, Roger Sessions, Ernst Krenek on such things as Quarter-tone impressions, Liberation of sound, a composer's influences, Aaron copland, an analysis of Connotations, etc. Keywords: Howard Boatwright, Dennis Marshall, Edgard Varese, Gunther Schuller, Milton Babbit, Chou Wen-chung, Andres Imbrie, Rioger Sessions, Ernst Krenek, Quarter-tone impressions, Liberation of sound, A composer's influences, Aaron copland, An analysis of Connotations.

Soft cover. Condizione: Good. 1st Edition. 159 pp. NAP. Contents divided into 23 chapters and 4 Parts: PART I : "The Origins of the Special Theory of Relativity" [Contributors: Sir Isaac Newton, Ernst Mach, Albert A. Michelson and Edward M. Morley, H.A. Lorentz, Jules Henri Poincare, Albert Einstein]; PART II : "The Nature of Relativity Theory" [Albert Einstein]; PART III : "How Was Relativity Theory Born?" [Albert Einstein, Sir Edmund Whittaker, Gerald Holton, Adolf Grunbaum]; PART IV : [1] "The Scientific Reaction to Einstein" [William F. Magie, Louis Trenchard More, Sir Arthur Stanley Eddington]; [2] "The Lay Reaction" [The New York Times Editorial, "A Mystic Universe" (January 28, 1928), H. Wildon Carr, Hugh Elliot, Thomas Jewell Craven, Pau; Chatham Squires, Jose Ortega yGasset]. Shiny black wrappers with Title lettering at top center front cover above abstract art object, an arc composed of many adjacent sets of parallel curved lines; Editor name lettering in light gray across middle front cover; Series name lettering in smaller white letters across bottom front cover. Rubbing wear down spine edges and at spine and cover corners; 1" soft creases at front cover corners; many white mini-creases and some white speckles on front cover (NOT in evidence on inside covers), just general useage signs; 21 pp. (of 159 pp.) have small amounts of ink underlining or margin lines; 4 pp. were once dog-eared; previous owner phone number and extension at top right half-title page/ffep: describes worse than it is, but there you have it. For a paperback 55 years old, it is still in good shape: the way to read a Science and Society Classic collection of essays.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: As New. Crisp, clean, fresh, bright. Small inventory control stamp on top or bottom edge. Otherwise a new copy.

Soft Cover. Condizione: Very Good. Charlene Sieg (Art Direction) (illustratore). Issue 33 Spring-Summer 1996. 157 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Bottom right corner of front cover is creased.

Full Leatherette. Condizione: Fine. Condizione sovraccoperta: Fair. Ernst A. Heiniger (illustratore). First American Edition. Full-Leatherette. Very Good. First U.S. Edition. Trade Edition. 4to - over 9¾" - 12" tall. 9 3/4" X 12" Hard bound in white leatherette boards with title in gold on the front and spine. Glossy pictorial DJ shows shelf wear and chipping and tears at the creases. Book is fine except for corner bumps and small PO inscription on ffep. Map of the Grand Canyon on the end papers. 240 numbered pages illustrated with 157 color photos. Also includes: An Anaglyphic Map of the Grand Canyon in 3D with viewing glasses, a relief map of the U.S.A., two survey maps, and eight sketches and diagrams. This book is the companion to the Walt Disney movie Grand Canyon.

Condizione: New.

Hardcover with dust jacket. Browning and wear on all edges of text. Else good. 191 pp.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good. No Jacket. First Edition. Very good clean tight copy. Text free of marks. Previous owner's personal library marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Quarto. Hardcover. Yellow paper bound boards with red lettering, in a pictorial jacket. 216 pages : color illustrations ; 31 cm. "Thirteen years after his death, Andy Warhol's art is more dominant and omnipresent than ever before. In particular, his serial works - the Campbell's Soup Can, Jackie, Marilyn, Mao, and others - have been reproduced everywhere and have profoundly influenced our perception and thinking about mass culture. This striking book is a highly original survey of Warhol's entire creative output." "The book begins with an overview of Warhol's work by Ernst Beyeler and Georg Frei that ranges over the Campbell's Soup Can pictures, Warhol's first attempt at using a succession of images based on the same motif in various paintings; the early silk screen prints (portraits of such teenage idols as Elvis Presley, Warren Beatty, and Natalie Wood); the Disaster pictures, which reveal the dark side of American consumer positivism; and the later works, including the Last Supper in which Warhol celebrates his own immortality. Peter Gidal then discusses two of Warhol's single works, the monumental Saturday's Disaster and the thirty-minute film Blow Job, and Edward Sanders examines some of Warhol's images in the context of his life and times. Together the text and copious illustrations are a magnificent testimony to Warhol's contributions to the world of art."--Jacket. G. Ex-lib with typical markings. Jacket in sleeve, shows signs of soiling and wear. Binding still strong. Boards have wear and soiling along the bottom edge. Primary text block is clean. Good reference copy.

Hardcover. Condizione: New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Ships daily.

Condizione: New. In.

Soft cover. Condizione: As New. Condizione sovraccoperta: Near Fine. First Trade Paperback Edition. INVALUABLE: INDISPENSABLE, ENTRALLING, AMBITIOUS: AS-NEW First Trade Paperback Edition (Orig. 1995) Fifth Printing (c. 2010): Volume 3 in the series "Weimar and Now: German Cultural Criticism" edited by Anton Kaes w/ Martin Jay & Edward Dimendberg * 6.48" x 9.74" x 1.86", 1.54 kg, xx+810 (830) pp * ABOUT THE BOOK: A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the 20th century. Its political & cultural lessons retain uncanny relevance for all who seek to understand the tensions & possibilities of our age. "The Weimar Republic Sourcebook" represents the most comprehensive documentation of Weimar culture, history, & politics assembled in any language. It invites a wide community of readers to discover the richness & complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestos, & official documents (many unknown even to specialists & most never before available in English), this book challenges the traditional boundaries between politics, culture, & social life. Its 30 chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret & urban entertainment, & the situation of Jews, intellectuals, & workers before & during the emergence of fascism. While devoting much attention to the Republic's varied artistic & intellectual achievements (the Frankfurt School, political theater, 12-tone music, cultural criticism, photo-montage, & urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, & sexuality; it also contains a timetable of major political events, an extensive bibliography, & capsule biographies. This will be a major resource & reference work for students & scholars in history; art; architecture; literature; social & political thought; & cultural, film, German, & women's studies. * HIGHEST PRAISE: "'The Weimar Republic Sourcebook' is an INVALUABLE resource for understanding one of the most important & resonant eras of the 20th century. SInce the Weimar debate has continued to repeat itself, albeit w/ less intellectual brilliance, this book is as much about the present as about the past. Here is the Weimar era in all its many-voiced & eloquent complexity: most of these texts, even those by the most famous names of the period, appear for the first time in English. This is an INDISPENSABLE, ENTRALLING, properly AMBITIOUS book." -Susan Sontag * ABOUT THE AUTHORS-EDITORS: ANTON KAES is Professor of German & Director of Film Studies at the University of California, Berkeley. He is author most recently of "From Hitler to Heimat: The Return of History as Film" (1989). MARTIN JAY is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. His books include "Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought" (California, 1993). EDWARD DIMENBERG is Assistant Professor of German Studies, Film & Video Studies, & Architecture at the University of Michigan.

Hardcover. Quarto. Hardcover. Yellow paper bound boards with red lettering, in a pictorial jacket. 216 pages : color illustrations ; 31 cm. "Thirteen years after his death, Andy Warhol's art is more dominant and omnipresent than ever before. In particular, his serial works - the Campbell's Soup Can, Jackie, Marilyn, Mao, and others - have been reproduced everywhere and have profoundly influenced our perception and thinking about mass culture. This striking book is a highly original survey of Warhol's entire creative output." "The book begins with an overview of Warhol's work by Ernst Beyeler and Georg Frei that ranges over the Campbell's Soup Can pictures, Warhol's first attempt at using a succession of images based on the same motif in various paintings; the early silk screen prints (portraits of such teenage idols as Elvis Presley, Warren Beatty, and Natalie Wood); the Disaster pictures, which reveal the dark side of American consumer positivism; and the later works, including the Last Supper in which Warhol celebrates his own immortality. Peter Gidal then discusses two of Warhol's single works, the monumental Saturday's Disaster and the thirty-minute film Blow Job, and Edward Sanders examines some of Warhol's images in the context of his life and times. Together the text and copious illustrations are a magnificent testimony to Warhol's contributions to the world of art."--Jacket. VG. Only light touches of shelf wear.

Condizione: New.

Softcover, 216 pages, in German, good condition,1-inch crease to upper right corner of last 50 pages, no internal marks. Foreign shipping may be extra.

Illustrated Boards. Condizione: Very Good. No Jacket. Nerman (illustratore). First Edition. Wear to spine ends, and corners. Book has a couple of small marks on back panel. Nice copy.

Broschiert. Condizione: Gut. 168 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Leichte altersbedingte Anbräunung des Papiers. Sprache: Deutsch Gewicht in Gramm: 280.

Hardcover in dust jacket. First American edition, first printing. Fine in fine dust jacket, in mylar cover.