eva forgacs (112 risultati)

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softbound. Condizione: Very Good. Octavo, glossy paper covers, lxxii, 438 pp. Translated by various hands.

Soft cover. Condizione: Good. Uncorrected Proof. Good+. Uncorrected Proof. 433 pp. 8vo. Trade paperback. General wear. Publisher's press release laid in.

one of an edition of 5, 000. Turn of the 20th century Hungary, particularly Budapest, was Europe's crossroads for the avant-garde in the arts. Its cutting edge art gallery was Ma, whose initial exhibition featured Janos Mattis Teutsch, 127 pages, illustrated. Fine paperback exhibition catalog in decorative wrappers (soft cover book in original shrinkwrap)/ no dust jacket.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Corners and top edge of front cover lightly worn; otherwise very good condition (no dust jacket). ]. 735p. Illus.

Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Paperback. Condizione: Good. Good. Used with wear but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.

Paperback. Condizione: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by University Of Nebraska Press, 2003. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

This is a clean copy with a T stamped on the bottom side. Otherwise, this is an unmarked, undamaged copy.

Paperback. Condizione: New.

Paperback. Condizione: Fine. 1st. 127 pages, illustrations (chiefly colour); 29 cm. Catalogue of an exhibition held at Louis Stern Fine Arts. Firm binding, clean inside copy. *** "Janos Mattis Teutsch: Born 1884 in Breslau. Attended the carpentry school in Kronstadt, and the art school in Budapest 1901-02. Studied sculpture at the Bayerische Akademie der bildenden Kunste in Munich, 1902-05. Became a teacher at the Industrial Gymnasium in Kronstadt in 1908. Between 1908 and 1915 he gradually shifted from naturalistic painting with religious and ethical themes to an abstract form of representation. In 1913, he exhibited in the Sturm show in Budapest, and had his first MA exhibition in 1917. Some of his pictures were printed in MA. In 1917, MA published an album of prints featuring twelve of his linocuts. His second show, in 1918, also took place in the MA building in Budapest. He had shows in Berlin and Vienna in 1921. After World War I, he returned to his hometown, in 1918 he joined Der Sturm. Began working with sculpture in 1920. Took part in the 1921 Der Sturm exhibition. Shows in Paris, Chicago, Rome, and Berlin. Visited the Bauhaus in 1925. Editor of Integral magazine. His theoretical writings were published in 1931. From 1944 to 1949, taught at the Kronstadt Section of the Romanian Society of Visual Artists, where he was also director from 1957-59. Died in 1960 in Brasov. Teutsch was a painter of landscape. His experiments, gleaned from the vaious guises of the European avant garde, never diluted his love of the Hungarian countryside. The rigor of his compositional filter kept the sentimental at bay and exalts the power of color. The subtle pleasure of viewing this artist derives from the way he mediates between the imperatives of his own sentiments about his native landscape, and the broader imperatives of historical avant garde art making." - Publisher. *** CONTENTS: Janos Mattis Teutsch and the Hungarian avant-garde, by Eva Forgacs; Janos Mattis Teutsch as a printmaker, by Eva Bajkay; Currents in the Hungarian avant-garde, by Eva Forgacs. Size: 4to. Collectible.

Wrappers. Condizione: Fine Condition. 127 pages. Paperback exhibition catalogue, bound in stiff illustrated paper covers. Some faint shelfwear to the edges, but still essentially a tightly bound, clean and crisp condition copy, with an uncreased spine and an unmarked interior. Text in English, with many illustrations, most in color. Published on the occasion of the exhibition from April 20-July 20, 2002. Book.

2 books: Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910 - 1930. MIT Press, 2002. 736p. hardcover no dust jacket, boards lightly bumped/scuffed, binding tight, text clean/unmarked, NOT xlib ?ISBN 10: 0262025302 / ISBN 13: 9780262025300-15.00 + Janos Mattis Teutsch and the Hungarian Avant-Garde, 1910-1935. Forgacs, Eva & Eva Bajkay. Louis Stern Fine Arts, 2002. 128p. Oversized ex-library trade paperback, but only xlib stamps are on top and bottom of text block, very good/near fine condition otherwise ? 25.00.

Paperback. Condizione: VG. White & teal & color illus. wraps, French flaps, 128 pp. Numerous bw and color plates. Issued in conjunction with a 2002 exhibition of artwork by Hungarian and Romanian painter Janos Mattis Teutsch (1884-1960). With illustrated essays by Eva Forgacs and Eva Bajkay. The exhibition checklist addresses 79 pieces, and all appear to be pictured here. Includes a selected bibliography. A solid introduction to this artist.

Hardcover. Condizione: Very Good. 736 pp. Tightly bound. Text is free of markings. No ownership markings. Published without dust jacket. Remainder mark on the bottom fore-edge. Book still in original publisher shrink wrap. NOTE: Even though the book is in the original publisher shrink wrap, and does not appear read, just the very tips of the corners appear to have a light ding.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: New.

Softcover exhibition catalog, 32 pages, in Italian and English, very good condition except white sticker on corner of white cover, no internal marks, clean and crisp, with color reproductions.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. B0OK: Fine/, (illustratore). B0OK: Fine/, $55.14. Reduced From. 9637792007 LASZLO FEHER, MONOGRAPH TRANSLATED FORGACS, Eva; ROZSNYAI, Christina UJ MUVEZET KONYVEK 2 Tall D/j + H/c. Black Spine With Title In White, Letters, Dust Jacket: Very Good/, Shelf, Edge And Corner Wear. Hard Cover Book: Fine/, Slight Shelf, Edge And Corner Wear. 24 Numbered Pages, Printed On Pale Yellow Paper, Balance Of Pages Are Printed On Off-White Paper, In Fine/ Condition, That Are Clean And Tight To The Spine, Slightest Wear/Use. Inside Front Cover Is A Free Hand Pencil Drawing Of A Head Inside A Square, Signed By Possibly The Author/Artist, Dated 22 May, 1996. Description Applies To This B0K, Only, Which Is Hard To Find, And Will Be = Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift For The Collector / Reader. WORLD WIDE SHIPPING, AVAILABLE.

Hardcover. Condizione: Near Fine. 1st. 735 pages, illustrations; 26 cm. Published in conjunction with the exhibition: Central European Avant-Gardes: Exchange and Transformation, 1910-1930. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Stated First MIT Press edition. *** "This exhibition sought to explore the mysteries of artistic influence and its dependence on communication and the exchange of perspectives throughout the region that is the subject of the present volume. Apart from the works of art themselves, the 'little magazines' of the avant-garde provide the primary documentation of this exchange . . ." - Publisher. *** CONTENTS: SECTION 1. ART AS THE CRUCIBLE OF PAST AND FUTURE. Chapter 1. National traditions; chapter 2. New alternatives; SECTION 2. ART AND SOCIAL CHANGE. chapter 3. The activation of the avant-garde; chapter 4. Art and revolution; chapter 5. Form as the agent of social change; SECTION 3. INTERNATIONALISM. chapter 6. International dada; chapter 7. International constructivism in Germany and Austria; chapter 8. International Constructivism in Central Europe; SECTION 4. THE TWILIGHT OF IDEOLOGIES. chapter 9. Hungarians in Exile; chapter 10. Bauhaus resonances; chapter 11. Poland; chapter 12. Prague; chapter 13. Amsterdam and Stuttgart; chapter 14. Bucharest; chapter 15. Germany. Size: 4to. Collectible.

Paperback. Condizione: Very Good. Card covers are bright and unmarked, front cover slightly curled, notable crease to rear upper left corner; binding is tight; pages are unmarked. ; Jewish Writing In The Contemporary World; 5.5 X 1.25 X 8.75 inches; 433 pages.

Hardback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardcover. Condizione: Fine. First Edition. A crisp , clean Fine copy protected by a plastic cover. 447 pp. exhibition catalog, profusely illustrated, presented by regions: Prague, Budapest, Vienna, Berlin, Weimar, Dessau, Bucharest, Belgrade, Ljubljana, Poznan, Cracow, Warsaw, and Lodz. Includes 14 essays, checklist and artist's biographies, selected bibliography and list of lenders to the exhibition. Laid in is a Los Angeles Times review of the exhition. As New without DJ as issued.

Paperback or Softback. Condizione: New. Contemporary Jewish Writing in Hungary: An Anthology. Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968.

Hardcover. Condizione: New. Drawing on recently found documents that shed new light on the history of the progressive arts during the interwar years, Forgács' study focuses on the motif of the square as the sole form occupying the picture space, as introduced by Malevich and, independently, by Mondrian.