Fernand louis gottlob (4 risultati)

Soft cover. Condizione: Good. Original color lithograph from a 1902 Le Journal. Illustrated by Fernand Louis Gottlob. Measures W9 3/4 x H12 3/4 inches including border. Light browning/creases on margin. Bookseller since 1995 (LL-Sport-2-top-R) rareviewbooks.

Condizione: Good. Lithograph tipped onto support sheet. 245 x 240 x mm. Tissue guard with descriptive text attached at edge. 13 11/16 × 9 3/4 in. (34.8 × 24.8 cm)Fernand Louis Gottlob was born in Paris in 1873. He studied under the painter-decorator Armand Félix Marie Jobbé-Duval (1821-1889). He was also taught by Laporte and G. Fuchs. He became a painter, lithographer, caricaturist, commercial artist, illustrator and graphic designer for song scores. He created portraits, illustrations for books and caricatures that appeared in popular magazines in Paris including Le Rire, Le Journal Amusement and Le Sourire. His work began to be shown in the official salons in 1891.Gottlob was among the artists who contributed to L'Estampe Moderne, a limited edition series of portfolios of high-quality lithographs that was published monthly from May 1897 and April 1899. His work first appeared in L'Assiette au Beurre in the second issue, on 11 April 1901. He became a member of the Cornet Society in 1904 and, between then and his death designed twelve menus for the society. He died in Paris in 1935.Gottlob's 1900 poster for the 2nd Exposition of Painter-Lithographers on the Rue Drouot in Paris shows a strong influence of Henri de Toulouse-Lautrec in its composition. A woman is in front of a large illuminated window, and the dramatic back-lighting emphasizes the dark forms of her dress and hat. He created relatively few posters in his life, but this exposition of posters was one in which he participated. In addition to lithographs and portraits, he painted cityscapes of Paris and landscapes of Normandy and Brittany.In one of Gottlob's poignant images for the Assiette au Beurre he shows a mother with her children during a snowstorm, in front of the window of a bakery. The mother is explaining, "Ça, mon enfant, c'est du pain" ("That is bread, my child"). In 1916 he designed a poster for the Ligue Souvenez-vous! which they produced in large numbers and also used as a stamp.IL'Estampe Moderne was published monthly between 1897 and 1899 at the Imprimerie Champenois of Paris. Each edition cost 3.50 francs and contained four original lithographic prints in wrappers designed by Mucha. Around two thousand of each of the 24 fascicles were produced, bringing affordable prints, largely in an Art Nouveau style, to the masses.It is not to be confused with another publication of the same name which was published over five fascicles between November 1895 and March 1896 by Loÿs Delteil.…

Condizione: Good. Folio. 407 x 307. A rare presentation with the original pictorial portfolio with cloth ties and the title page with a portion of the William Nicholson image which is also present in its full size. An additional 35 color lithographs are included, each with the dry stamp of the publisher.References: The Art of the French Illustrated Book, 1700-1914. by Gordon, N. Ray, no. 362; OCLC Number50072763. A few plates with marginAL tears. L'Estampe Moderne was originally published in a series of 24 monthly parts, each with four lithographs. Four extra lithographs ("planches de prime") were offered by the publisher as an incentive to prospective subscribers. Rarely found as a complete work.L'Estampe Moderne. Portfolio cartonné à trois liens de tissu noir comprenant 36 planches coloriées dont Fernand Piet, Louise Breslau, Jeanne Jacquemin, A. Jank, Fernand Gottlob, Robert Engels, Hans Christiansen, Lucien Simon, Lovis Welden Hawkins, Charles Huard, Fantin-Latour, Firmin Bouisset, Eugène Trigoulet, Maximilien Guyon, Albert Laurens, J. Barcilhac, H-P Dillon, Manuel Robbe, Louis Bourgeois-Borgex, Henri Bellery-Desfontaines, Eugène Delatre, Roedel, Louis Rhead et William Nicholson. Toutes contrecollées sur papier, signées dans la planche et datées 1896, 1897, 1898, etc. Quelques déchirures. Timbre à sec en bas à droite. 40,5 x 30,5 cm.…

autre. Les Maîtres de l'Affiche - imprimerie Chaix | Paris 1900 | 29 x 39.90 cm | une affiche lithographiée sur vélin fin | Lithographie originale en couleurs tirée sur vélin fin. Timbre à sec de l'imprimeur en bas à droite de la planche. Superbe publication mensuelle française, les Maîtres de l'Affiche, parut entre 1895 et 1900 à l'initiative de Jules Chéret. Chaque numéro de la revue comprend quatre affiches reproduites au format cloche et en chromolithographie présentant pour chacune un timbre à sec d'authentification. Belle affiche en dépit d'un petit manque angulaire en marge basse gauche de la planche et d'une déchirure habilement comblée au verso en marge droite. | [ENGLISH DESCRIPTION FOLLOWS] Original lithograph in colors printed on fine laid paper. Printer's dry stamp at bottom right of the plate. Superb French monthly publication, Maîtres de l'Affiche, published between 1895 and 1900 on the initiative of Jules Chéret. Each issue of the magazine includes four posters reproduced in bell format and chromolithography, each with a dry stamp of authentication. Fine poster despite a small angular lack to lower left margin of the plate and a tear skillfully mended on verso to right margin. *.…