Ferrari luc (52 risultati)

Condizione: New.

Paperback. Condizione: New. What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.…

Paperback. Condizione: New. What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.…

Paperback. Condizione: Brand New. 1st edition. 136 pages. 8.25x5.50x0.50 inches. In Stock.

Condizione: New. In English.

Condizione: New. pp. 136 26 Illus.

Couverture souple. Condizione: Très bon.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2005. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2005. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Condizione: NEW.

Condizione: new.

soft cover. Condizione: fine. IN-8 broché, 128 pages. Sommaire : Michel Gresset: Publiée en juin 1932, quelques mois avant Lumière d'août, par le Club du Livre du Texas., Pages 1-1 --- William Faulkner: Miss Zilphia Gant, Pages 2-19 --- Marcel Jouhandeau: Paulo minus ab angelis, Pages 20-29 --- James Sacré: Le Goret, Pages 30-36 --- André Bay: Petite suite arachnéenne, Pages 37-42 --- Jean Mambrino: Quand passerons-nous - Le Cristal - Au bas du ciel, Pages 43-45 --- Jean-Claude Schneider: Les stases de la pensée. À propos des proses de Gottfried Benn, Pages 46-56 --- Gottfried Benn: Le jardin d'Arles (Extrait), Pages 57-63 --- Gottfried Benn: Vision primitive, Pages 64-75 --- Alain Bosquet: Franz Hellens, Pages 76-76 --- Alain Bosquet: Un mois de poèmes : Les lapidaires et les intempérants (Claude Esteban, Andrée Chedid, Jean Pache, Marc Cholodenko, Claude Pélie, Pages 77-80 --- José Cabanis: Jean Grenier, Pages 81-83 --- Jacques Lecarme: Sartre et son double, Pages 84-88 --- Jean Blot: Le roman et sa morale : Russes, Yougoslaves et Grecs (Constantin Paoustovski, Mikhaïl Zochtchenco, Vladimir Nabokov, Léonid Léon, Pages 89-95 --- Jean Grosjean: L'honorable Monsieur Jacques, par André Dhôtel (Gallimard), Pages 96-97 --- Lionel Mirisch: La vie brève, par Roger Vrigny (Gallimard), Pages 97-99 --- Angelo Rinaldi: La rade foraine, par Guy Rohou (Gallimard), Pages 99-100 --- Gilbert Chateau: Tu étais si gentil quand tu étais petit, de Jean Anouilh (Théâtre Antoine), Pages 101-102 --- Gilbert Chateau: Macbett, de Ionesco (Théâtre de la Rive Gauche), Pages 102-104 --- Gilbert Chateau: Un Horace historique (Comédie-Française), Pages 104-105 --- Michel Mohrt: Le Lien d'Ingmar Bergman, Pages 106-108 --- Renée Boullier: Peintres de l'imaginaire. Symbolistes et surréalistes belges (Grand Palais), Pages 109-110 --- Alain Bosquet: Man Ray (Musée d'Art moderne), Pages 110-110 --- Jean-Jacques Lévêque: Benrath (Galerie Daniel Gervis), Pages 110-111 --- Jean-Jacques Lévêque: Jacques Hérold (Galerie de Seine), Pages 111-111 --- Luc Ferrari, François-Bernard Mâche: Entretien, Pages 112-116 --- André Suarès: Deux lettres à Jean Denoël, Pages 116-121 --- Roger Judrin: Notes sans portée, Pages 122-125 --- Antoine Terrasse: Fumées, Pages 126-127. …

Paperback. Condizione: New. What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.…

Condizione: New.

brossura. Condizione: Ottimo (Fine). 69 p., ill.; 22,5 x 12 cm. Brossura editoriale. Ottimo. Ottimo (Fine).

Hardback. Condizione: New. What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.…

Condizione: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782718606644.

Softcover. Condizione: Gut. Paperback A4, (Text in Engl.) clean pages, Zeitschrift, Heft ist auf englisch, 82 pp., ill.; in stock, sofort lieferbar.

Paperback. Condizione: New. What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.…

Broschur. Condizione: Sehr gut. 99 S.: Ill. Ein sehr gutes und sauberes Exemplar. - »Nicht der Autor erzeugt sein Werk, sondern das Gegenteil ist wahr: Das Werk erzeugt seinen Autor.« Und dieser ist nicht schlichtweg eine Illusion oder ein unberechenbares Gespenst, das auf das Werk projiziert wird. Der Autor ist die Idiosynkrasie des Werkes, ja seine Ikonografie in einem ganz genauen Sinne: die Graphie des Werkes - seine »écriture«, seine Art und Weise, seine unverwechselbare Eigenheit. Er wird darin zur Ikone -er wird Figur, figurales Emblem, Hypostase, Gesicht. ISBN 9783985140176 Sprache: Deutsch Gewicht in Gramm: 550. …

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In English.

Klincksieck, 2006. In-12 broché sous jaquette de 152 pages illustrées et photos en fin. Très Bon état.

Hardcover. Condizione: Brand New. 1st edition. 136 pages. 8.50x5.75x0.50 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Sehr gut. 1. Auflage. 144 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden. Sprache: Deutsch Gewicht in Gramm: 211.

Condizione: Fine. Number of pages: 206p Size: 15cm.

Hardback. Condizione: New. What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.…

Paperback. Condizione: New. Critical Studies in Italian America (FUP.

Hardcover. Condizione: New. Critical Studies in Italian America (FUP.