fiorillo luigi (11 risultati)

br.edit. XI + 240 p. in-8.

No Binding. Condizione: Collectible-Very Good. Text in French. Original black-and-white photograph with sepia tones mounted on beige board. Part of an unidentified torn photo also mounted on back. The photo on front shows two Arab men on a dirt path by a small body of water in an desert landscape with low hills. One of the men has a water-carrying vessel on his back and looks down at a small cup or bowl in his right hand. He holds a cup in his left hand. The other man faces him and holds out his hands expectantly while he waits. Title printed at bottom of photo. Undated, circa 1870s-1898. 4" x 6." Photo is very clean and intact overall but has slight surface rubbing, age toning, a small chip in lower-right corner of board not affecting image, and red ink, colored pencil, or crayon on back. A Very Good copy. The photographer is likely Luigi Fiorillo as the style of the photograph and other identifying qualities such as the title and subject matter are similar to those in photos confirmed to be by him. Luigi Fiorillo (1847-1898) was an Italian photographer who specialized in photographing portraits and scenery in the Middle East and North Africa in countries such as Algeria, Egypt, Eritrea, and Palestine. He exhibited internationally and had his own photography studio. Fiorillo also had some political involvement during his career. In 1881, he wrote a report about the revolt of the Egyptian Army led by Ahmed 'Urabi, and later, he photographed the aftermath of Britain's Bombardment of Alexandria during the Anglo-Egyptian War of 1882. From 1887-1888, Fiorillo joined an expedition led by the Italian lieutenant-general, Alessandro Asinari di San Marzano, to reclaim territory in Eritrea lost to Ethiopia after the Battle of Dogali (1887). Fiorillo and two other photographers, Edoardo Martinori and Francesco Nicotra, also documented scenes in what was known as the "firstborn colony" in Italian Eritrea. Beginning in 1890, Fiorillo had a business partner, A. Marques, and changed the name of his studio to "Marques & Fiorillo photographers & editors, Assuan." Fiorillo passed away in Alexandria, Egypt in 1898. His widow, Maria Fontanals, and sons continued to operate his studio until the 1920s. One of his sons, Federico Fiorillo (?-1957) went on to have a career in photography.

No Binding. Condizione: Collectible-Very Good. Text in French. Original black-and-white photograph with sepia tones mounted on beige board. Part of an unidentified torn photo also mounted on back. The photo on front shows a portrait of six boys, who work as "decrotteurs," posing with the tools of their trade near a wall or facade in an unnamed Middle Eastern country. The term, "decrotteur," refers to the occupation of a boot cleaner or shoeshiner who scrapes away mud and debris off of shoes. Each of the boys poses with a shoe scraping tool and a foot pedestal on which clients rest one of their feet, with shoe on, while their shoe is being cleaned. Title printed at bottom of photo. Photographer's watermark in lower-right corner of photo: "L. Fiorillo, Phot." Undated, circa 1870s-1898. 4" x 6." Photo is very clean and intact overall but has slight surface rubbing, age toning, a small chip affecting the upper-left corner of the image, and red ink, colored pencil, or crayon on back. A Very Good copy. Luigi Fiorillo (1847-1898) was an Italian photographer who specialized in photographing portraits and scenery in the Middle East and North Africa in countries such as Algeria, Egypt, Eritrea, and Palestine. He exhibited internationally and had his own photography studio. Fiorillo also had some political involvement during his career. In 1881, he wrote a report about the revolt of the Egyptian Army led by Ahmed 'Urabi, and later, he photographed the aftermath of Britain's Bombardment of Alexandria during the Anglo-Egyptian War of 1882. From 1887-1888, Fiorillo joined an expedition led by the Italian lieutenant-general, Alessandro Asinari di San Marzano, to reclaim territory in Eritrea lost to Ethiopia after the Battle of Dogali (1887). Fiorillo and two other photographers, Edoardo Martinori and Francesco Nicotra, also documented scenes in what was known as the "firstborn colony" in Italian Eritrea. Beginning in 1890, Fiorillo had a business partner, A. Marques, and changed the name of his studio to "Marques & Fiorillo photographers & editors, Assuan." Fiorillo passed away in Alexandria, Egypt in 1898. His widow, Maria Fontanals, and sons continued to operate his studio until the 1920s. One of his sons, Federico Fiorillo (?-1957) went on to have a career in photography.

Condizione: NEW.

Condizione: BUONO USATO. ITALIANO Discorso tenuto nel Duomo di Benevento il 25 febbraio 1903. Rilegatura spillata con titolo al piatto, copertina morbida lievemente ingiallita con segni di umidità, dedica dell'Autore al piatto anteriore, pagine brunite ben conservate con tracce sparse di fioritura Numero Pagine 22.

Brossura. Condizione: nuovo. Condizione sovraccoperta: ottimo. prima edizione. RARO. La globalizzazione mette in crisi i tradizionali strumenti della mediazione politica, rivelando nella saldatura di umanitarismo ed economicismo che si compie nel biopotere globale il volto segreto della modernità dispiegata. Attraverso alcune delle voci più rilevanti della filosofia politica contemporanea, una riflessione radicale sulla sovranità, i diritti e la biopolitica. Descrizione bibliografica Titolo: Politica della vita. Sovranità, Biopotere, Diritti. Autore: AA.VV. (Autori Vari): Luigi Alfieri, Adalgiso Amendola, Laura Bazzicalupo, Angelo Bolaffi, Rossella Bonito Oliva, Biagio De Giovanni, Giuseppe Duso, Roberto Escobar, Roberto Esposito, Alessandro Ferrara, Mariapaola Fimiani, Vanda Fiorillo, Francesco Fusillo, Roberto Gatti, Giuseppe Limone, Sebastiano Maffettone, Antonio Martone, Geminello Preterossi, Elena Pulcini, Salvatore Veca Curatori: Laura Bazzicalupo, Roberto Esposito Editore: Roma, Bari: Laterza 2003 Lunghezza: 254 pagine; 22 cm ISBN: 8842071102, 9788842071105 Collana: Volume 57 di Percorsi Soggetti: Filosofia politica, Identità, Potere, Lessico politico, Globalizzazione, Hannah Arendt, Hegel, Geopolitica, Scritti politici, Max Weber, Storia contemporanea, Guerre, Samuel Pufendorf, Giusnaturalismo, Liberalismo, W. von Humboldt, Democrazia, Diritti umani, Teoria democratica, Ideologia, Totalitarismo, Giansenismo, Diritto, Scienze sociali, Scienze giuridiche, Ronald Dworkin, Verità, Comunità, Maurice Merleau-Ponty, Camus, Pensiero politico, Biopotere, Biopolitica, Saggistica, Antologie, Raccolte, Umanitarismo, Economicismo, Teorie politiche, Diplomazia, Relazioni internazionali, Sovranità, Terra, Carl Schmitt, Individualismo, Giustizia, Platone, Aristotele, Machiavelli, Equilibrio, Sistema, Hans Kelsen, Nietzsche, Giacomo Marramao, Costituzione, Lowith, Legalità, Legittimità, Modernità, Stato, Secolarizzazione, Nichilismo, Critica, Tecnica, Controllo, Edgar Morin, Sacro, sacralità, Territorio, Terrorismo, Volontà, Potenza, Mito, Mimesis, Rappresentanza, Elias Canetti, Ambivalenza, Vita, Villaggio globale, Giorgio Agamben, Toni Negri, Imperialismo, Impero, Vita, Dibattiti filosofici, Produzione, Consumo, Complessità, Immunità, Corporazioni, Privilegi, Governance, Cittadinanza, Diseguaglianza, Habermas, Inclusione, Diritti naturali, Diritto positivo, Norme, Norma, Luoghi, Conflitti, Jacques Maritain, Michael Hart, Finnis, Kant, Wittgenstein, Heidegger, Thomas Hobbes, Sovrano Leviatano, Sudditi, Magna Charta, Habeas Corpus, Bill of Rights, Integrazione, Liberalismo, Borghesia, Marxismo, Pluralismo, Multipolarismo, Unilateralismo, Philippe Schmitter, Ordine mondiale, Caos, Disordine, Universalismo, Bodin, Eccezione, Teologia, Behemoth, Trilaterale, Popolo, Macht, Herrschaft, Status, Realismo, Realpolitik, Michel Foucault, Gebrauch, Begierde, Anerkennung, Hans Jonas, Genesi, Informazione, Paul Virilio, Antony Giddens, Bauman, Gehlen, U. Beck, J.L. Nancy, Fenomenologia, Usage des plaisirs, Oriana Fallaci, 11 Settembre, Libri Vintage fuori catalogo, Bene, Male, Decisione, Chantal Mouffe, America, Geo-diritto, Risorse energetiche, Jus publicum europaeum, Polizia, Etnografia, R. Kagan, Julien Freund, Giurisdizione, Coercibilità, Ermeneutica, Positivismo giuridico, Lex mercatoria, Norberto Bobbio, Zagrebelsky, Neocostituzionalismo, Politica immunitaria, Tirannia, Paradossi, Genealogia, Razza, Razzismo, Dispositivi, Crimini, Consenso, Nazionalismo, Maggioranza, Nemico, Violenza, Comportamenti, Genocidio, Riconoscimento, Bibliografia, Riferimento, Studi politici, Political philosophy, Identity, Power, Political lexicon, Globalization, Geopolitics, Political writings, Contemporary history, Wars, Natural law, Liberalism, Democracy, Human rights, Democratic theory, Ideology, Totalitarianism, Jansenism, Law, Social Legal sciences, Truth, Community, Political thought, Biopower, Biopolitics, Non-fiction, Anthologies, Collections, Humanitarianism, Economicism, Political theories, Diplomacy, International relations, Sovereignty, Earth, Individualism, Justice, Plato, Aristotle, Balance, System, Constitution, Legality, Legitimacy, Modernity, State, Secularization, Nihilism, Criticism, Technique, Control, Sacredness, Territory, Terrorism, Will, Power, Myth, Representation, Ambivalence, Life, Global Village, Imperialism, Empire, Life, Philosophical debates, Production, Consumption, Complexity, Immunity, Corporations, Privileges, Governance, Citizenship, Inequality, Inclusion, Natural rights, Positive law, Norms, Places, Conflicts, Sovereign, Leviathan, Subjects, Integration, Liberalism, Bourgeoisie, Pluralism, Multipolarism, Unilateralism, World order, Chaos, Disorder, Universalism, Exception, Theology, People, Realism, Genesis, Information, Phenomenology, September 11, Out of print books, Good, Evil, Decision, Geo-law, Energy resources, Police, Ethnography, Jurisdiction, Coercibility, Hermeneutics, Legal positivism, Neoconstitutionalism, Immune policy, Tyranny, Paradoxes, Genealogy, Race, Racism, Devices, Crimes, Consensus, Nationalism, Majority, Enemy, Violence, Behaviors, Genocide, Recognition, Bibliography, Reference, Political studies Indice. Premessa di Laura Bazzicalupo e Roberto Esposito Parte prima Logiche e aporie della sovranità Discutere la sovranità di Biagio De Giovanni Sovranità, morte e politica di Luigi Alfieri Esiste un nome nuovo del sacro? di Giuseppe Limone Tramonto del diritto moderno? di Geminello Preterossi Per una critica della democrazia di Giuseppe Duso Parte seconda I diritti alla prova della globalizzazione Vita buona e vita giusta di Salvatore Veca Il fondamento filosofico dei diritti umani di Angelo Bolaffi Il paradigma del giudizio e la filosofia politica contemporanea di Alessandro Ferrara Artificio e vita nel diritto post-sovrano di Adalgiso Amendola Il re è morto. Viva il re! (Saggio sulla «governance» della globalizzazione) di Sebastiano Maffettone Parte terza Biopolitica e biopotere Biopolitica, immunità, comunità di Roberto Esposito Ambivalenze dell.

Hardcover. Condizione: Very Good. Oblong folio (38 X 26 cm), 96 albumen prints 27.50 x 21.50 cm approx) & and 40 smaller prints (20 x 15 cm & 10 x 15 cm) including portraits of native types, most captioned and signed in the negative, original vellum gilt, slightly rubbed round the corners, titled "Oriente" on front upper cover, decorated endpapers, light browning to edges, otherwise photos in very good condition, [1890's]. Album of views in Egypt and Palestine, mostly by Zangaki and Arnoux. The majority of images are of Egypt, including Alexandra, Cairo, the Pyramids, the Egyptian museum, Egyptian antiquities, mosques, the Nile, Port Said, Heliopolis, and Suez Canal. In the Holy Land, the photographs taken by Zangaki brothers are rare. It is known that the majority of Zangaki's production was taken in Egypt, however these prints gives a new insight on the Holy Land by the very well known Greek photographers. The views of the Holy Land depict Jaffa, Jerusalem, Bethlehem, Bethany (total images 38). #30327.

Condizione: Gut. Zustand: Gut | Seiten: 347 | Sprache: Italienisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture rigide. Condizione: Bon. Album in plano (30,5 x 24,5cm) composé de 52 feuilles cartonnées. Pleine percaline noire d époque, muette, tranches dorées. Rares rousseurs, quelques photos au contraste faible, une photo avec une légère déchirure en marge, sinon très bon état de conservation. L album est composé de soixante photos, la plupart de grand format (24 x17 cm). _______ Une partie des photos sont signées dans les plaques : Fiorillo (Luigi Fiorillo, 1847-1898), photographe italien installé à Alexandrie. D autres Garzòn (Rafael Garzòn), Bonfils (Félix Bonfils, 1831-1885), Hippolyte Arnoux, Frères Rubellin (photographes installés à Smyrne). 10 photos de l Alhambra par Garzòn, 2 photos identifiées de Rubellin (tampons au verso). Vues du Caire, très belles photos de momies, photos du port de Beyrouth, de Port-Saïd, très belles photos des pyramides, photos animées ou posées de personnages de la rue, etc. Voici le détail de quelques photographies remarquables : _ Alexandrie, la place du Consuls, photographie animée, signée Fiorillo (Luigi Fiorillo, 1847-1898), photographe italien installé à Alexandrie. - un portrait en pied du souverain d Egypte, anonyme - Belle vue du Caire, signée Bonfils (Félix Bonfils, 1831-1885) - Très belle vue du vieux Caire, signée Zangaki (les frères Zangaki) - Vue générale des tombeaux des Mameluks - Mosquée Hassan Pacha - Les bords du Nil, signée Fiorillo - La cours du musée Boulak, signée Fiorillo - Très Belle photographie en pied de la momie de Sethi Ier, fils de Ramsès I, 1881 Découverte en 1881, et photographiée pour la première fois sous l autorité de Maspero - Portrait en buste de la momie de RAMSES II, 1881 Attribué à Félix Bonfils - Photographie de facies de momie anonyme, reproduite sur le site du Musée d Orsay décrite comme, « Anonyme, momie, vers 1850, Epreuve sur papier albuminé à partir d un négatif. », Cette photographie nous paraît plutôt contemporaine des deux précédentes c est à dire circa 1880. - Deux photographies sur papier albuminé, « statue de bois » et « sarcophage ». - « Arles, musée Lapidaire frise de l arc de triomphe » - «Le prince Rahotep et la dame Nefertiti », Anonyme - « Le Caire, la grande pyramide de Cheops ( sic) », Anonyme - « Pyramide de Cheops, les sphinx ensablés », Hippolyte Arnoux - Personnages disposés sur les pierres de la grande pyramide, signée Zangaki - « Port Saïd, groupe de baudets », Hippolyte Arnoux - scène de genre, femme voilée portant une potiche sur la tête, anonyme - scène de genre, les petits métiers de Caire, anonyme - Belle «Vue de port Saïd », Hippolyte Arnoux, circa 1880 - « Jaffa, vue générale prise de la mer. Palestine », signée Bonfils - « Vue de la ville de Haïfa, Palestine » , signée Bonfils - « Vue générale de Beyrouth, et du Mt Liban, Syrie » , signée Bonfils - 3 vues anonymes de Beyrouth et du mont Liban, timbre humide sur l une d entre elles, de l établissement « Rubellin, Photographie parisienne à Smyrne » - vue d un pont avec Chameaux, timbre humide « photographie parisienne », anonyme - Vue d un cimetière avec des cèdres en arrière plan, signature estampée illisible - Vue du Port de Galata, Constantinople, 1876, Christopher Oscanyan - Autre vue de Constantinople - Vue de l entrée d une Mosquée (Sebah ?) - Vue de la grande mosquée de Constantinople, anonyme, - 8 photographies probablement du Liban - Lyra (?) Grèce, Signé Bonfils - 10 photographies Grenade, Alhambra, vues de villes et bâtiments, signé Garzon.

FIORILLO, LUIGI. Original Photograph,"Le Serapeum." Fiorillo's halting image identifies this print as #345 on the lower right of the dark lower border followed by, "L. Fiorillo phot." This is an Albumen print unmounted and measures 10 x 7 3/4 inches. Very good condition.

None. Condizione: None. Seventy-five original albumen photos, including one large image ca. 26x36 cm (10x14 in), 57 photos from ca. 22,5x28,5 cm (8 ¾ x 11 ¼ in) to ca. 18x25 cm (7 ¼ x 9 ¾ in), 11 images from ca. 16x23 cm (6 ¼ x 9 in) to ca. 11x19,5 cm (4 ¼ x 7 ½ in), and six smaller photos ca. 5,5x9 cm (2 ¼ x 3 ½ in) or slightly smaller. Over fifty images with captions and/or numbers in negative; over forty with the photographers' credentials in negative; ca. twenty-five with period pencil captions on verso. Six images by Francis Frith mounted on period album leaves; all but one with his signatures in negative; four with later red pen captions on verso. Most photos slightly waved, minor creases or tears on extremities, several with remnants of old mounts on verso, one with two holes in the left upper corner, one with old repairs with tape on the margins, a few photos mildly faded, but overall a very good collection of interesting photos. Historically significant, extensive collection of seventy-five original albumen photos of Egypt and its people, taken by several prominent studios of the second half of the 19th century. The largest image is an early view of the Kiosk of Trajan (part of the Temple of Isis) on the island of Philae, looking north, with the Nile bank and a docked dahabiya on the right. Six early photos by Francis Frith (dating back to ca. 1857-1558), mounted on period album leaves, include three views of Cairo (a distant view of the Citadel and Muhammad Ali mosque taken from the Mokattam Hills, madrasa and mosque of Sultan Qaytbay, a street in the Old Cairo area), and three of the Near East - Baalbek temple complex (columns of the temple of Jupiter with the temple of Bacchus in the back), the north shore of the Dead Sea and Mount Horeb, Sinai. Over a dozen views of Cairo (including two early images by Wilhelm Hammerschidt) show the city with the Delta Barrage in the background, Citadel and Muhammad Ali mosque, Necropolis with the Citadel in the background, lion sculptures at the entrance to Qasr el Nil/El Gezira bridge, opening of the El-Gezira bridge for the water traffic, Gezira Palace, Ablution Fountain in the courtyard of Muhammad Ali mosque, interior of Sultan Barquq mosque, a street in old Cairo, garden in the courtyard of a hotel in Helwan, "village Com-el-Assuit," &c. Over a dozen views of Alexandria (mostly, by Luigi Fiorillo) show the city's harbour and port, general views, Pompey's Pillar, Cleopatra's Needle (moved to New York and installed in Central Park in 1881), the Hippodrome, abandoned palace of Said Pasha in the El Max neighbourhood, Muhammad Ali Square, Mahmudiyya Canal, and Ras El-Tin Palace. An early interesting photo depicts a street in Alexandria with trees on both sides and Pompey's Pillar in the background. Nine photos of the Pyramids of Giza include general and close-up views of the Pyramids and the Sphinx, featuring Arab villages, Nile channels, camel riders, a traveller in a horse-drawn cart, palm groves, Arab guides atop the Sphinx, &c. Fifteen views of the Suez Canal by Zangaki Brothers show Port Said (general views, Suez Canal Company's office, the Quay, the Lighthouse, Palais Hollandaise, Rue du Commerce, Eastern Exchange Hotel - including a rare photo when the terraces were not closed off with glass windows), Suez (new quay on reclaimed land/ "quai de terre plein", Port Tewfik), and several photos of steamers passing through the canal. There are also several portraits of Egyptians and Middle Eastern people ("Chech Arabe," a man wearing a turban, women wearing elaborate costumes, smoking "le nargile" (hookah), a boy with donkey, an adolescent girl, "Fille de Prince du Mt. Liban"), views of the fallen colossal statue of Ramses II near the ruins of Memphis in Bedrechen/Badrashim, an Arab village on the Nile, &c. Six smallest photos, evidently made to be sold as cartes-de-visite (but not yet mounted on card, which is a rare example), show the Pyramids of Giza, the Great Pyramid, Cairo Citadel and Muhammad Ali Mosque, dredges working on the excavation of the Suez Canal, and two portraits of Egyptian women with closed faces. Overall, an interesting, extensive collection of early original studio albumen photos of Egypt and its people in the second half of the 19th century.