Zangaki george (17 risultati)

Hardcover. Condizione: Very Good. Oblong folio (38 X 26 cm), 96 albumen prints 27.50 x 21.50 cm approx) & and 40 smaller prints (20 x 15 cm & 10 x 15 cm) including portraits of native types, most captioned and signed in the negative, original vellum gilt, slightly rubbed round the corners, titled "Oriente" on front upper cover, decorated endpapers, light browning to edges, otherwise photos in very good condition, [1890's]. Album of views in Egypt and Palestine, mostly by Zangaki and Arnoux. The majority of images are of Egypt, including Alexandra, Cairo, the Pyramids, the Egyptian museum, Egyptian antiquities, mosques, the Nile, Port Said, Heliopolis, and Suez Canal. In the Holy Land, the photographs taken by Zangaki brothers are rare. It is known that the majority of Zangaki's production was taken in Egypt, however these prints gives a new insight on the Holy Land by the very well known Greek photographers. The views of the Holy Land depict Jaffa, Jerusalem, Bethlehem, Bethany (total images 38). #30327.…

No Binding. Condizione: Good. A procession of drummers mounted on richly dressed camels passes through Cairo in celebration of a marriage. Local children look on. Undated, c1890s. Sheet and image size 276 x 208mm. Titled in French in the print. The photographer and publisher are not identified, but this well known image is generally credited to the Zangaki Brothers, who were active in Cairo c1860s-90s, possibly with a branch in Port Said. Good only, with a little loss to the corners, some light creasing and short closed tears.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1134 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Thebes (Ancient Greek: ?????, Th?bai), known to the ancient Egyptians as Waset, was an ancient Egyptian city located along the Nile about 800 kilometers (500 mi) south of the Mediterranean. Its ruins lie within the modern Egyptian city of LuxorLittle is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1109 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1109 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled in ink on the mount. From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home. …

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home. …

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1109 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Giloh, or Gilo ??? is doubtlessly the large village Beth-Djalah, 1 English mile west of Bethlehem; the G, as usual with the Arabs, being changed into Dj, thus Galah, Djalah.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered 1134 and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Bethany has traditionally been identified with the present-day West Bank city of al-Eizariya (Arabic ???????? "place of Lazarus"), site of the reputed Tomb of Lazarus, about 1.5 miles (2.4 km) to the east of Jerusalem on the south-eastern slope of the Mount of Olives. The oldest house in present-day al-Eizariya, a 2,000-year-old dwelling reputed to have been (or which at least serves as a reminder of) the House of Martha and Mary, is also a popular pilgrimage site.[2]Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home. …

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Bethany has traditionally been identified with the present-day West Bank city of al-Eizariya (Arabic ???????? "place of Lazarus"), site of the reputed Tomb of Lazarus, about 1.5 miles (2.4 km) to the east of Jerusalem on the south-eastern slope of the Mount of Olives. The oldest house in present-day al-Eizariya, a 2,000-year-old dwelling reputed to have been (or which at least serves as a reminder of) the House of Martha and Mary, is also a popular pilgrimage site.[2]Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.…

Condizione: Good. Albumen-Silver print. 22 x 28 cm. Mounted on card 31 x 38 cm. Titled, numbered and signed in the image and on the mount in ink From a collection of photographs of the Middle East by the Adelphoi Zangaki = Zangaki Brothers.Little is known about the Zangaki brothers, except their initials, C. and G., and that they worked out of Port Said and Cairo from around the 1860s through to at least the 1890s.]Many of the Zangaki photographs are signed with a brother's initial and/or a place of business, e.g., "C. Zangaki" or "Zangaki, Cairo" or occasionally "A.Zangaki".Until relatively recently it was believed that "A.Zangaki" was a single photographer. However, with the discovery of a signboard with the name "Adelphoi Zangaki", it was recognised that these were brothers.Ibn al Haithan Many scholars also believe that their names were George and Constantinos (or Costas). Some scholars believe that they were born on the island of Milos, while others have suggested that they were Cypriot. However, no definitive evidence pertaining to their place and date of birth is extant. How they came to learn photography is also unclear. However, shortly after their arrival in Egypt they had become established photographers with a studios in Cairo and Port Said.By the 1850s, tourist travel to Egypt created strong demand for photographs as souvenirs. A small group of early photographers, mostly of French origin, made their way to Cairo and the Nile Valley to capitalise on this demand. These pioneering photographers included Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884), brothers Henri and Emile Bechard (active 1860-1890); the British-Italian brothers Antonio Beato (c. 1832-1906) and Felice Beato (1832-1909) and Hippolyte Arnoux (active between 1860 and 1890).[6]Photographs taken by the Zangaki brothers are commonly found in tourists' albums assembled in the Middle East in the second half of the 19th-century. From their Port Said studio, they were ideally situated to sell to Europeans visiting Egypt as part of a Grand Tour The Zangaki brothers traveled along the Nile accompanied by a horse-drawn darkroom wagon to document the Egyptian scenery, architecture and events. Images included views of the pyramids, e.g., Cheops or the Sphinx and the cities, e.g., Suez or Alexandria, as well of Egyptians going about their daily lives, e.g., a teacher and pupils, men by the Nile, or women at home.…

Mostly signed and titled within the plate. There are at least 12 by Gabriel Leaegian, including 4 of female dancers,two of Whirling Dervishers & two fine photographs of the Sphinx. There are several by Hippolyte Arnoux including "Favorite d'Abd-ul-Medjid". she reclining on a couch. There are at least 10 by the Zangaki Brothers. About 15 have some fading but overall very good. There is a full plate print of a steamship both front and rear presumably of the vessel the compiler arrived & departed Egypt on, and at end a number of smaller amateur photographs, the compiler's domestic scenes whilst in Egypt, posing with staff etc. The album 14 1/4 x 10 1/4 inches; weight 4.1 kg thus extra overseas shipping will be requested.…

Albumen print. Good tonal range and in good condition, photographer's credit and title in negative.

Silwan is a predominantly Palestinian neighbourhood on the outskirts of the Old City of Jerusalem, which also includes a small Jewish minority among it's residents. Silwan began as a farming village, dating back to the 7th century, while the earliest mention of the village is from the year 985, when it was first mentioned in the writings of the medieval Arab geographer Al-MuqaddasÄ«. Silwan is located southwest of the Old City Walls and constitutes part of the Jerusalem's 'Holy Basin' (the geographical area of Jerusalem that includes the Old City and its adjacent territories). In the beginning of the 20th century it's population was about 500 people. Albumen print. 220 x 280 mm. Good tonal range and in good condition. Photographer's number, title and credit in negative; Dimensions: 220 x 280mm. (8.5 x 11 inches).…

Albumen print. Very good tonal range and in good condition, loose.