First edition facsimile (9 risultati)

Condizione: Please see description. Original hardcover binding with gilt lettering, pocket format, cover somewhat discolored, bottom corner of the spine chafed, else in good condition.

Hard with Dust Jacket. Condizione: Very good in like dust jacket. LIMITED EDITION of 950 copies sold. Very good in like dust jacket. Dust jacket a touch nicked to edges. Foxed to outermost leaves and page edges. Uncut pages. Illustrated with 28 plates in collotype and a facsimile title of the first edition. (illustratore).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. A great FIRST EDITION copy of this important and fascinating facsimile. A considerable weight means this large sized book will need extra postage depending on destination. A slight 'pull' at the top of the spine is the only fault.…

Hardcover. Condizione: New. Limited Edition. This volume is the first-ever facsimile reproduction of the manuscript of OLIVER TWIST by Charles Dickens. Of all of Dickens s novels, Oliver Twist remains among the best loved and indeed most read, so insists famed actor and Dickens enthusiast Simon Callow. The original manuscript of the novel, which appeared in 33 monthly instalments between 1837 and 1839, has never before been reproduced in printed form. Here it is, with its corrections and marks, with every ink blot. With this manuscript, all 474 folios the only ones that survived after the author's death are finally presented to the public in a deluxe edition. In this work, the pages formerly worked on by Charles Dickens are reproduced in a graphically-restored version, accompanied by George Cruikshank s iconic illustrations and prefaced with a foreword by Simon Callow. More than mere relics, they are a living testimony to the development of the narrative and to Dickens s success. The serialised novel form imposes tight constraints on the writer, as it asks him to leave the reader in suspense at the end of every chapter while maintaining a coherent plot, all without the possibility of going back to make corrections. Is it possible that the creator of Oliver Twist, David Copperfield and Scrooge also pioneered the cliffhanger? This edition was produced in collaboration with the prestigious Victoria and Albert Museum (V&A) in London, where the original manuscripts are housed within the Forster collection. The Charles Dickens Museum, located at 48 Doughty Street, in the house where the writer lived during the two years he wrote Oliver Twist (1837-1839), also provided a handwritten page from Chapter 10 of the novel bearing the inscription original manuscript of Oliver Twist .Charles Dickens: I have thrown my whole heart and soul into Oliver Twist, and most confidently believe he will make a feature in the work, and be very popular . . . When Charles Dickens wrote these lines at the beginning of 1837, the first two chapters of Oliver Twist had just appeared in the pages of Bentley s Miscellany, a new literary magazine founded by Richard Bentley, of which Dickens had just been named editor. Aged only 25, the young writer had already tasted success with his first novel, The Posthumous Papers of the Pickwick Club. Likewise, it seemed he was already beginning to sense that his young orphaned hero, Oliver Twist, would become a star. From the moment the first two chapters were published, the adventures of Oliver Twist, illustrated with etchings by George Cruikshank, were met with great success: the February issue of Bentley s Miscellany had to be reprinted with an additional 1,000 copies. The following chapters, always accompanied by Cruikshank s illustrations, followed in monthly installments until April 1839, as the young boy s popularity the first boy in English literature to be cast as the hero in a novel soared rapidly. Dickens was on the verge of becoming one of England s most famous writers. Twenty-four illustrations by George Cruikshank are reproduced in colour from a rare edition published in 1911. Born in London in 1792, twenty years before Dickens was born in Portsmouth, the illustrator George Cruikshank found great success through his political cartoons. Following 1820 he began illustrating for books and magazines. In 1836, when the publisher Richard Bentley hired a young Dickens to be the editor-in-chief of his new periodical, he also enlisted Cruikshank to liven up the magazine s pages. The artist consequently became the illustrator of Dickens s first works: Sketches by Boz, The Mudfog Papers and Oliver Twist. From May 1837, he had to provide two etchings per month for Bentley s Miscellany: one of which was always to accompany the serialised novel Oliver Twist.…

First Edition. Facsimile of Edinburgh, 1705 first edition. Forbes, William. A Treatise of Church-Lands & Tithes: In Two Parts, Containing, An Historical Account of Ecclesiastical Revenues, Churches, Church-Yards, Church-Offices, Benefices, Glebes, Manses, Patronage, Monachism, Religious, And Some Military-Orders, With a Particular History of Tithes: And a Clear and Full Discusion of Points of Right and Controversy, Relating to These Matters; And Shewing How Far the Scots and Canon Laws do Agree; And Differ. A Distinct Explanation of Actions before the Commission, Concerning Ministers Stipends; Tithes; Erecting or Transplanting Churches; And the Inlarging or Restricting Parishes. And of Actions About Ministers Stipends, Tithes, &c. Falling Under the Cognisance of the Lords of Session. [Holmes Beach, Fla.]: Gaunt, 2001 facsimile of the Edinburgh, 1705 first edition. [xvi], 450, 1, [23] pp. With a final supplementary index leaf. Publisher's textured black cloth with gilt stamped spine. Light shelfwear. Black tape affixed to foot of spine. Ex-library with property stamps to page edges, pastedowns and endleaves. Internally clean and bright. A very good copy. $50. * Facsimile of the only edition, published two years before the Act of Union with England, Forbes's treatise offers an excellent overview of the fascinating legal Scots-canon structure that governed tithes, ecclesiastical obligations and church properties in Scotland. English Short-Title Catalogue T130854. Facsimile of Edinburgh, 1705 first edition. (illustratore).…

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Splendid facsimile first edition of the fourth in the New Naturalist series. Perfect, new, unread, unopened edition. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng.

4 volumes, including two of the DICTIONARY as originally issued, another being the facsimile of the first edition of THE PLAN OF THE DICTIONARY. and a volume containing essays concerning The Genesis of the Johnson's Dictionary and The Lexicographic Achievement of Johnson. First Edition of the Facsimile of the Original First Edition of each title. Title-pages printed in red and black, woodcut tailpieces. Royal folio (410 x 260 mm.), expertly bound to style in full red Cabra leather, the spines with raised bands gilt ruled creating compartments which are paneled in gilt, one compartment with green lettering label gilt, three other compartments with gilt lettering, the covers with gilt fillet rules at the borders, original end-leaves, the Essays and PLAN in original wrappers, the volumes all housed in the original slipcase. Original Collation: Vol. I [A]2, B-K2, a-c2, d1,2B-2K, 2L-13A2, one leaf signed 13B-14Z; Vol. II [-]1, 15A-16Z2, one leaf signed 17A-17Z, 18A-22E2, one leaf signed 22F-22Z, 23A-27D2, one leaf signed 27E-28Z, 29A-31C2 . A very handsome copy beautifully preserved. The bindings are in excellent condition. The text-blocks both clean and unpressed. This is a fine, handsome and clean set of the volumes. Both the PLAN and the Essays volumes also in fine condition as well THE FINE LONGMAN FACSIMILE OF THE HIGHLY IMPORTANT FIRST EDITION OF SAMUEL JOHNSON'S MASTERWORK AND THIS A HANDSOME AND CLEAN AND LARGE COPY. "The most amazing, enduring and endearing one-man feat in the field of lexicography (PMM). Begun in 1747 and printed over five years, Johnson's DICTIONARY set the standard for all subsequent lexicographical work. Its excellence was immediately recognized in all quarters and the first edition of two thousand copies sold quickly. What set Johnson's DICTIONARY apart from earlier efforts was his reliance on the examples of English literature rather than his own intuition or previous word lists or dictionaries, a method that has been the standard ever since, from Richardson and Webster to the Oxford English Dictionary. Johnson, in undertaking this vast work, set out to perform single-handed for the English language what the French Academy, a century before, had attempted for French. He hope to produce "a dictionary by which the pronunciation of our language may be fixed, and its attainment facilitated;" and though, of course, no language can be frozen in time, by aiming at fixing the language he succeeded in giving the standard of reputable use. As Noah Webster stated, his work "had, in philology, the effect which Newton's discoveries had in mathematics." Johnson presumed to finish the work for the Dictionary in three years by his own labor, but he underestimated the work required and it eventually took nine years to complete (though not all of his time was spent upon the Dictionary, as he was also the editor of The Rambler at this time) and required the assistance of six amanuenses--five of whom, to Boswell's satisfaction, were Scotsmen. "Johnson's achievement marked an epoch in the history of the language. The result of nine years labor, it did more than any other work before or since towards fixing the language. The preface ranks among Johnson's finest writings. The most amazing, enduring, and endearing one-man feat in the field of lexicography" (Printing and the Mind of Man). "The most important British cultural monument of the eighteenth century" (Hitchings); "the only dictionary [of the English language] compiled by a writer of the first rank " (Robert Burchfield) and first genuinely descriptive dictionary in any language. "Johnson's writings had, in philology, the effect which Newton's discoveries had in mathematics" (Webster). "It is the fate of those that toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be . punished for neglect, where success would have been without applause, and diligence without reward. Among these unhappy mortals is the writer of dictionaries . Every other author may aspire to praise; the lexicographer can only hope to escape reproach" (Johnson, preface to the present work). Samuel Johnson's monumental work, which drew on all the best ideas and aspects of earlier dictionaries, was published on April 15, 1755 in an edition of 2000 copies. The price was a high one £4 10s, or £3 10s to the trade. The group of publishers whose names appear in the imprint were joint proprietors, having paid Johnson £1575 in installments for copy which took him eight years to complete, although in the final months publication was held back for the granting of his Oxford M.A. (Feb. 20, 1755). Some of Johnson's advance was used to rent the well-known house in 17 Gough Square, where the garret became his "dictionary work-shop." He called on the assistance of six amanuenses, five of whom, Boswell proudly records, were Scotsmen, and who were almost derelict when he hired them. "With no real library at hand, Johnson wrote the definitions of over 40,000 words.illustrating the senses in which these words could be used by including about 114,000 quotations drawn from English writing in every field of learning during the two centuries from the middle of the Elizabethan period down to his own time" (W. Jackson Bate, Samuel Johnson (New York, 1977), p.247. "It is the dictionary itself which justifies Noah Webster's statement that Johnson's writings had, in philology, the effect which Newton's discoveries had in mathematics. Johnson introduced into English lexicography principles which had already been accepted in Europe but were quite novel in mid-eighteenth-century England. He codified the spelling of English words; he gave full and lucid definitions of their meanings (often entertainingly colored by his High Church and Tory propensities); and he adduced extensive and apt illustrations from a wide range of authoritative writers.but despite the progress made during the past two centuries in historical and com.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1906 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 40 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.…

First Edition. 1971 facsimile of the 1832 first edition. Murdoch, Beamish, (1800?-1876). Epitome of the Laws of Nova-Scotia. Holmes Beach, Fla.: Wm. W. Gaunt, 1971 reprint of the 1832 first edition. Four volumes. Octavo (8-1/4" x 5-1/2"). Publisher's black textured cloth, gilt-lettered spines. Light shelfwear; ex-library copies with paper shelf labels at the foot of each spine and property stamps to text block edges. Internally clean and tight. A very good facsimile reprint of a foundational Canadian legal text. $125. * First published in Halifax by Joseph Howe between 1832 and 1833, Murdoch's Epitome was consciously modeled after Blackstone's Commentaries, adapting English common law to the distinct colonial environment of early 19th-century Nova Scotia. In his preface to the first volume, Murdoch explicitly cites both Blackstone and James Kent's Commentaries on American Law as his primary structural and philosophical influences. Although Murdoch intended a fifth volume to address local legislative acts, it was never completed. 1971 facsimile of the 1832 first edition. (illustratore).…