First performance (13 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Good.

Condizione: Like New. In unused condition, may show some slight shelf wear, but otherwise unread. This title was digitally scanned from a rare, out of print edition, and will have some visual artifacts from that process.

Soft cover. Condizione: Very Good. 52 pages. Illustrated. Leila S Mackinlay "'First Public Performance in Great Britain'" / Roy Stacey "London Theatre Survey" / New Play Reviews / The Story of the Westwood Theatre, Scarborough / "Is the Amateur Theatre in a State of Stasis?" (SL#19).

Soft cover. Condizione: Very Good. 180 pages. Illustrated. Lully's First Opera: A Rediscovered Poster for "Les fêtes de l'Amour et de Bacchus" (pp. 308-314) Jérôme de La Gorce For and against the Order of Nature: Who Sang the Soprano? (pp. 315-324) Lionel Sawkins Performing a Choral Dialogue by Lully (pp. 325-335) Lois Rosow More Faces than Proteus: Lully's "Ballet des muses" (pp. 336-344) James R. Anthony A Sweet Servitude: A Musician's Life at the Court of Mlle de Guise (pp. 346-360) Patricia Ranum Grimarest's "Traité du Récitatif": Glimpses of Performance Practice in Lully's Operas (pp. 361-364) David Tunley Reinterpreting the Capital of the Fourth Tone at St Lazare, Autun (pp. 365-374+376) Hélène Setlak-Garrison Folding Harpsichords (pp. 378-383) Laurence Libin More on Triplets and Inequality (pp. 384-385) David Fuller Monteverdi's Vespers of 1610: 'Della Beata Vergine'? (pp. 386-389) Graham Dixon.…

Soft cover. Condizione: Very Good. 184 pages. Illustrated. David Dolata "Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti" / Timothy R McKinney "Point/counterpoint: Vicentino's musical rebuttal to Lusitano" / Jonathan Drennan "Attributions to Giovanni Rovetta" / Rob C Wegman "Musical offerings in the Renaissance" / Michael J Levin and Steven Zohn "Don Juan de Austria and the Venetian music trade" / Erik Albertyn "The Hanover orchestral repertory, 1762-1714: significant source discoveries" / Dieter Gutknecht "Performance practice of recitativo secco in the first half of the 18th century" / Peter Phillips "Treble or soprano? Performing Tallis".…

Condizione: Very Good. 4 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 14 x 22 cms. Category: Scrutiny: A Quarterly Review; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Soft cover. Condizione: Very Good. 172 pages. Illustrated. Performance and 'Authenticity' (pp. 501-506+508) Lewis Lockwood The Old and New Mozart Editions (pp. 513-532) Cliff Eisen The Neue Mozart-Ausgabe: A Retrospect (pp. 533-537) Marius Flothuis Mozart Performance in the 19th Century (pp. 538-555) George Barth Mozart's Belmonte (pp. 556-563) Thomas Bauman 'Ich bin die erste Sängerin': Vocal Profiles of Two Mozart Sopranos (pp. 565-576+579) Patricia Lewy Gidwitz Mozart's Italian buffo Singers (pp. 580-583) Alessandra Campana Susanna's Hat (pp. 585-589) Daniel Heartz Subjectivity and Objectivity in Mozart Performance (pp. 593-600) William Kinderman Mozart's First Thoughts: The Two Versions of the Sonata in D Major, K284 (pp. 601-613) László Somfai Topical Content in Mozart's Keyboard Sonatas (pp. 615-619) Leonard G. Ratner 20th-Century Analysis and Mozart Performance (pp. 620-626) Carl Schachter. …

Condizione: Fine. KOS01206884.

Farbige Fotoporträtpostkarte, eigenhändig signiert.

On piece of paper roughly 2 x 3.5 cm. Discoloured, and with traces of glue from previous mounting on reverse. Slight loss to one corner and tiny closed tear at head. Attractive calligraphic signature, with tall, closely-spaced, vertically elongated letters. Top loops of initial 'J' trimmed. See Image.…

Hardcover. Condizione: Near Fine. he birds of Aristophanes, as performed by members of the university at the theatre royal Cambridge, November 1883, drawn and etched by Robert Farren, large oblong folio (46 x 32 cm). format, red cloth boards, somewhat faded, with embossed gilt title, cast list to endpaper, tissue guarded etched title page, eleven further tissue guarded etched plates, all with visible plate marks. All engravings with Greek captions.The university of Cambridge has a Greek play tradition dating back to 1882. These were performed in their original language and were independent of either the ADC or the Marlowe Society. JK Stephen (KC 1878: poet and tutor to Edward, Prince of Wales, Duke of Clarence) took the starring role in their ABrst performance, Sophocles Ajax. Their second play was Aristophanes The Birds, staged in 1883 and reported to be the ABrst full performance of any comedy by Aristophanes since antiquity.Robert Farren (1832-1912) was a topographical etcher and illustrator. Farren exhibited 1880 to 1890 lived and worked in Cambridge where he owned a print business, moved to Scarborough in 1889 for his health. With very large etching plates, depicting, a presentation of the play from November 27 through December 1, 1883. The costumed players were all members of Cambridge University Classic Arts Department.…

Großes Original-Kabinettphoto (Kniestück mit Hut und Mantel, 16,5 x 10,5 cm, Photo H. Rocher Chicago), rückseitig in Tinte eigenhändig signiert.