Fleece press rogerson ian (15 risultati)

Soft cover. Condizione: Near Fine. Stiff white wrappers printed in black, slender landscape 8vo., xi, 12 pages, illustrated. Printer's statement by Simon Lawrence. A near fine copy.

Soft cover. Condizione: Fine. Sewn white printed wrappers, tall 8vo., (11) pages, wood engraving by Joan Hassall. One of 600 copies printed from Garamond type on Zerkall paper. Describes 18 Fleece Press books. A fine copy.

Soft cover. Condizione: Fine. 1st Edition. One of 600 copies printed in reddish-brown and black on Zerkall paper, using Garamond type. Sewn with white thread into semi-stiff hand-made paper wrappers titled in black on the front, with an engraving by Joan Hassall. A fine copy. An attractive and well-presented catalogue.…

One of an edition limited to 600 copies printed on Zerkall paper using Garamond type. Printed paper wrappers with a wood engraving by Joan Hassall, with text quire sewn in. Royal Octavo, 10¾" x 6½", pp. [12]. A booklet in Fine condition, now in a clear, archival-quality, protective display pocket.

Sole Edition. Publisher's illustrated glossy card covers with a cover illustration of a wood engraving by Agnes Miller Parker. Quarto. pp xi, 13. With 'The Printer's Statement' by Simon Lawrence and wood engraving illustrations. The bibliography includes 39 works. Together with, three TLS (1997 and 2000) signed by Simon Lawrence and addressed to a Mr McMillan. A booklet in only Good Plus condition.…

One of 250 copies. 64 pages printed letterpress, set in Arno and bound in quarter cloth and Claire Maziarczyk pastepaper over boards. Twenty truly charming small engravings from the 1922Sixe Idillia, and Keats'Odes(1923), printed from the blocks in a compact format, one to a page. 130mm x 95mm. A book in Fine condition.…

First Edition. Wood-engraved frontispiece and plates One of 250 copies. Set in Arno. Title printed in purple and black Oblong 24mo Fine copy, as new, in slipcase Rogerson 87 Red quarter cloth, paste paper boards by Claire Maziarczyk, spine with printed label.

One of 250 copies. 64 pages printed letterpress, bound in quarter cloth and Claire Maziarczyk pastepaper over boards. 20 truly charming small engravings from the 1922Sixe Idillia, and Keats'Odes(1923), printed from the blocks in a compact format, one to a page. 90mm x 130mm. A miniature book in Fine condition.…

One of 220 copies printed by Simon Lawrence and bound by Smith Settle in quarter cloth and paste paper made by David Esslemont. SIGNED and INSCRIBED to the author by the publisher: 'For Ian, with my thanks, Simon 27.9.99'. The paper used is Zerkall, and the type is Scotch Roman. Housed in the original slipcase, printed paper label to the book spine. Small Quarto. pp.[1-6] 7-54 [55-58 including an engraving and the limitation page]. Illustrated throughout, including two fold-outs. A book in Fine condition in a Fine slipcase.…

Hardcover. Condizione: Fine. 1st Edition. Set in Miller Display. One of 500 copies printed in black and mauve (the illustrations in many colours) on uncoated paper. 260 plates (many tipped-in, double-page or folding). Maroon cloth with printed spine label. A fine copy with prospectus and a letter from Simon Lawrence. First edition, includes a DVD of the film 'The King's Stamp'. The colour plates are not altogether satisfactory - something of the excitement of Barnett Freedman's unique palette has been lost during production.…

One of an edition limited to 500 copies, 50 of which were not for sale. Set in Miller Display, printed on Monadnock Dulcet paper and bound in full cloth, grey endpapers. With a DVD of the film 'The King's Stamp' housed inside the rear board. Freedman designed the set of stamps issued for King George V 's Silver Jubilee in 1935. Small Folio (10" x 13"), pp. [1-8] 9-253 [254-57]. A book in Fine condition, now housed in a slipcase by Christopher Shaw.…

One of an edition limited to 250 copies, set in Arno Pro on Stow Ivory Volume 13 and printed in green and black. Orange quarter cloth, patterned boards, spine with printed label, green endpapers. Folio, pp. [1-6] 7-191 [blank] [limitation page] [3 blank] with colour frontispiece, colour and black-and-white plates and illustrations, some tipped-in, some folding. Now with a custom-built slipcase by Christopher Shaw. A book in Fine condition.…

One of an edition limited to 300 copies, of which 241 (this being one) were bound in quarter blue cloth and paste paper over boards by Claire Maziarczyk, with orange endpapers; 50 copies were bound in quarter leather with six extra prints, and 9 copies were bound by Angela James, Fellow of Designer Bookbinders, to her own design. The engravings were printed by hand on an 1853 Albion handpress on dampened Zerkall mould made paper. Text was printed in 11 and 12 point Garamond on a Heidelberg cylinder press. Housed in a cloth over boards slipcase with a printed paper label to one edge as well as on the spine of the book. Oblong, 235 x 280 mm, pp. [2, blank] [1-6] 7-88 [2, blank] [colophon] [blank], fully illustrated throughout, including seven engravings other than book illustrations, twenty-four illustrations from books and five other illustrations. A book in Fine condition in a Very Good slipcase with slight edge wear.…

ONE OF 220 COPIES printed on Zerkall paper, titles printed in orange, 30 wood-engravings by Peter Reddick within the text and printed on two folding leaves, pp. 57, 4to, original quarter orange cloth, printed label, boards covered with striped orange paste-paper by David Esslemont, grey board and orange cloth slipcase, near fine. The wood-engravings include his literary portraits and the artist's evocative illustrations for several Hardy editions for the Folio Society.…

ONE OF 250 COPIES, set in Arno Pro, printed on Stow Ivory Volume 13, numerous colour illustrations throughout with a number tipped in, titles printed in green, pp. 191, folio, original quarter salmon cloth, boards with patterned Rutherston paper, backstrip with printed label, small mark at head of backstrip, near fine. Written with the encouragement and assistance of the artist's grandchildren, an intriguing survey of Rutherston's work in this field - hitherto undocumented.…