fleur john (33 risultati)

Paperback. Condizione: Very Good. Best British Poetry 2012, The This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: New.

No Binding. Condizione: Very Good. ORIGINAL articles, disbound from journal; no covers; light creasing of lower corner of leaves; o/w in very good condition. Journal.

paperback, Condizione: Very Good, Verse, St. Andrews & Williamsburg, c.1995, trade paperbk., 229pp., NF $.

Soft cover. Condizione: Near Fine. Softcover, 368 pgs. Near fine.

Condizione: New. In.

Soft cover. Condizione: Very Good. 96 pages. Sidney Hook "The Case Of Alger Hiss" / Vilas Sarang "Musk Deer (story)" / Golo Mann / Robert Conquest / Max Black / Roger Sandall "On The Way To The Pig Festival" / Freda Downie / Olivier Todd "Proudhon Is Dead" / Hermann Lubbe / Peter Porter / John Hargreaves / Fleur Adcock / Jean-Francois Revel "On Political Decomposition".

Soft cover. Condizione: Very Good. 106 pages. Jennifer Gay "Changing Roles for Botanic Gardens" / John Sandham "A Mediterranean Climate Garden for the Adelaide Botanic Garden" / Arisne Condellis ",A Mediterranean Garden in Athens" / Gian Lupo Osti "Some Thoughts on Mediterranean Peonies" / Pierre Broussalis " The Gesneriaceae in Greece" / Derrick Donnison-Morgan "Tri-national Expedition to North West Morocco" / Fleur Pavlodis "Learning to Love Stinging Nettles and Thistles" (BT#38).

PF. Condizione: New.

First Edition. First edition. Softcover. Includes poems by Fleur Adcock, Susannah Amoore, Elizabeth Bartlett, Alan Brownjohn, D.J. Enright, Vicki Feaver, John Fuller, Roy Fuller, W.S. Graham, Thom Gunn, Michael Hamburger, Molly Holden, Ted Hughes, Andrew Motion, Barry Palmer, Tom Paulin, Peter Reading, Anne Stevenson, and Hugo Williams. A very near fine copy in wrappers.

Soft cover. Condizione: Very Good. No Jacket. When possible, includes comments on their work by each poet. Faint vertical crease on front near spine, crease along spine, faint corner crease; very small, very light stain on spine; interior pages are clean and tight but darkened with age.159 pages.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Very good condition. Corners have some minor bends. Very thin streak down middle of front cover. Model Roxanne on front cover. Articles about John Sparkman, Donald O'Connor, and Notre Dame Football. 140 pages.

Softcover. Condizione: Very Good. First Corgi edition. Mass market paperback. Edited by Dannie Abse. 159pp. Pages age-toned, bottom front cover creased, very good. Signed by Thom Gunn on the title page. Contributions by Ezra Pound, Gunn, Bernard Spencer, Sylvia Plath, Fleur Adcock and John Ormond.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First edition. 223pp. Near fine in a lightly rubbed near fine dust jacket with a slightly sunned spine. Contains "Yeats Revisited" by Basil Bunting, "Pound in Venice" by Carlos Baker; additional contributions by Fleur Adcock, John Betjeman, Iain Crichton Smith, Philip Larkin, Jon Stallworthy, Charles Tomlinson, Stephen Spender, Patricia Beer, Ted Hughes, Edward Lucie Smith and more.

Hardcover. Condizione: Very Good. NORRIS FONTENOT, PHOTOGRAPHER (illustratore). REVISED EDITION. INSCRIBED BY AUTHOR ON BACK OF FEP. REVISED EDITION.HARDCOVER EDITION ISSUED WITHOUT DUSTJACKET .binding is solid. NOT EX-LIBRARY COPY .text unmarked. Inscribed by Author(s).

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 45 Pp. Red Cloth, Orange Boards. First Printing Indicated. Signed By Vavra And The Designer, Fulton, On The First Illustrated Page After The Title Page. Fine In Near Fine Price Clipped Dust Jacket, 1" Closed Tear At Top Of Front Panel, Two Minute Losses At Top Of Spine Panel. Signed by Author(s).

Condizione: New. Print on Demand pp. 82.

Condizione: New. Print on Demand pp. 82.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | God, The Devil, The most intelligent human being ever born to the human race. What do they all have in common? They star in this groundbreaking book series: The Christ-Edge: The Creation of a New Universe. It is the year 3000 and most of the human beings have chosen atheism and Satanism, giving the Devil the power to create the Death Waltz-the murderous inter-dimensional storm that allows the death-spawn to materialize in the 3-D universe and decimate human beings. The Devil's goal is to re-create the universe in his image and only those who pledge allegiance to him- the ones who have taken his mark on their souls, supplying him with the majority of the sin-energy to power the Death Waltz-are allowed to live in it for eternity on the condition that they worship him and only him. Oh yeah, another thing that has been imposed-by far the most important condition,-the condition known as All or Nothing-whoever wins, the other one is automatically destroyed for all eternity, all or nothing. This means that if the Devil wins Jehovah God Almighty is eternally destroyed and vice-versa. The Devil has been praying for this situation with all his being; God's feelings are unknown concerning this manner. Why did Jehovah God Almighty allow this situation? How did this wager begin? How did the Devil get his hands on eternity? Who is the Christ-Edge warrior and how will he to save humanity? How did the Devil get his hands on the power to create a new universe and what would God do to stop it? All of these questions and many more will be answered in this literary masterpiece saga- The Christ-Edge Saga: All or Nothing, The Creator's Fire.

Audio Book (CD). Condizione: New. Brand new. Sealed. 69 of the English-speaking world's most acclaimed poets each perform a short piece selected from their own repertoire. They have donated their time, and waived all publishing & performance rights for this CD. Running time 74 mins approx. (8/3).

Condizione: New. PRINT ON DEMAND pp. 82.

Condizione: New. In.

Paperback. Condizione: New. Legal services providers today need to innovate in their business models, delivery methods, and moreover in their value propositions in order to compete against competition coming in all shapes and sizes (and from unexpected quarters).New Directions in Legal Services examines the fast pace of change in the legal services sector, driven in part by new technologies, and considers what the future holds. We also look at some examples of new business models and service delivery methods that are disrupting the market, and the new approaches to pricing and profitability that are necessary to support new ways of working and delivering legal services. With research, insight and real world case studies from law firm leaders, NewLaw pioneers, in-house counsels, academics, consultants, and legal futurists New Directions in Legal Services covers:The impact of technology on the traditional law firm business model New business models altering the legal services landscape, driven by AI and emerging technologiesMoving beyond AI and CC, what is the next big thing for legal services?How Design Thinking can be applied to legal service designThe evolving legal talent poolRethinking pricing and profitability to support new ways of delivering legal servicesUmbrella models for law firmsUnbundling legal services and new options for in-house teamsLaw firm-client collaboration through the managed legal networkBusiness model innovation - Implementing and sustaining changeThe message to the legal sector could not be clearer: innovate or die. New Directions in Legal Services clearly outlines how individuals, law firms, and legal departments are accepting the challenge and are innovating alongside the New Law service providers that have taken root in the industry to provide a growing array of options for lawyers and clients.

Paperback. Condizione: New. Legal services providers today need to innovate in their business models, delivery methods, and moreover in their value propositions in order to compete against competition coming in all shapes and sizes (and from unexpected quarters).New Directions in Legal Services examines the fast pace of change in the legal services sector, driven in part by new technologies, and considers what the future holds. We also look at some examples of new business models and service delivery methods that are disrupting the market, and the new approaches to pricing and profitability that are necessary to support new ways of working and delivering legal services. With research, insight and real world case studies from law firm leaders, NewLaw pioneers, in-house counsels, academics, consultants, and legal futurists New Directions in Legal Services covers:The impact of technology on the traditional law firm business model New business models altering the legal services landscape, driven by AI and emerging technologiesMoving beyond AI and CC, what is the next big thing for legal services?How Design Thinking can be applied to legal service designThe evolving legal talent poolRethinking pricing and profitability to support new ways of delivering legal servicesUmbrella models for law firmsUnbundling legal services and new options for in-house teamsLaw firm-client collaboration through the managed legal networkBusiness model innovation - Implementing and sustaining changeThe message to the legal sector could not be clearer: innovate or die. New Directions in Legal Services clearly outlines how individuals, law firms, and legal departments are accepting the challenge and are innovating alongside the New Law service providers that have taken root in the industry to provide a growing array of options for lawyers and clients.

Condizione: Good. Washington, D.C.: National Resources Board, 1935. Sm 4to. iv,125pp. Figures, maps. Good book. Owner's name stamped on inside front cover and title page. (regional planning, New Hampshire) Inquire if you need further information.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Softcover. Condizione: Very Good. Periodical. Quarto. 120pp. Heavily illustrated. A bit musty. Cover with a split and a bit of loss at the spine, staples somewhat oxidized, modest interior toning, very good. Signed by John Steinbeck, editor Fleur Cowles, and contributor William Ward Beecher. The final issue of this very interesting magazine, sent by editor Fleur Cowles along with a warm Typed Letter Signed to artist William Ward Beecher to commemorate the collaboration. Fleur has Signed the magazine on the first page. Beecher allowed the use of a black and white reproduction of a Steinbeck-themed trompe l'oeil painting to illustrate the article "Tortilla B Flat: A Serenade to John Steinbeck Composed on the Typewriter," by Eddie Condon (also illustrated with a portrait of Steinbeck by Robert Capa). A note in Beecher's hand laid in says: "N.B. this copy autographed by Fleur Cowles is also signed by John and me-," and indeed Steinbeck has Signed above the painting and Beecher beneath it. Also laid in is a Typed Letter Signed from a Flair employee to Beecher, asking him to sign an agreement to reproduce the artwork. A 2001 letter from Steinbeck's son Thom, written to supply details about sitting for a portrait by Beecher, called the artist a family friend and that his father "maintained an abiding fascination for Beecher's work through the years. A half-dozen examples of the artist's best canvases still brighten our house in New York." A nice association.

Fascinating artistic correspondence, sketches and notes preparatory to the Presences of Nature exhibition held in Carlisle in 1982. The correspondence is all addressed to Neil Hanson, then Carlisle Museum Exhibitions' Officer and the exhibition's organiser who describes its aim 'to assemble a substantial body of new work reflecting the beauty and variety of this Cumbrian landscape and the diversity of response it engenders in some of our finest contemporary artists, writers, photographers and craftsmen.' Accompanying the manuscript material is the book that was published to mark the exhibition; some staining to the lower part of the foreedge. The collection comprises the following artists and writers: William Scammell: [4 ALS] A collection of letters by William Scammell, two on University of Newcastle headed notepaper. In his letters Scammell discusses the commission and his proposed submissions, including "The Screes" and "Monday,Monday". He also includes a biographical note and details of his published books. John Hilliard: [3 TLS] Three letters by the conceptual artist John Hilliard, discussing the commission and his reticence in being considered a 'Lakeland' artist. He proposes two submissions, 'Frozen' and 'Double Description-Coniston Water' and gives detailed framing instructions, hand-drawn in pen. Donald Wilkinson: [6 ALS; 1 handwritten biography; 1 lithographic Christmas card] A collection of letters and a signed coloured etching of a Lake District landscape by the printmaker Donald Wilkinson, made in connection with the exhibition in the Lake District in 1982. In his letters, Wilkinson discusses the commission and encloses the Christmas card as an example of his recent work. John A Davies: [5 ALS; 1 pencil sketch; 1 handwritten biography] A collection of letters by the photographer John A Davies. Davies expresses his interest in the commission "I think the show would prove very stimulating and I would be most interested to see how other contemporary artists see the Cumbrian landscape." He lists the 12 photographs to be exhibited along with an A5 page of annotated pencil sketches of each, and discusses their reproduction for the exhibition catalogue. Roger Palmer: [6 ALS; 1 postcard; 1 ANS] A collection of letters by the photographer Roger Palmer. In these succinct letters, Palmer discusses the commission and his proposed submissions. Faith Shannon: [3 ALS; 1 TLS; 1 handmade Christmas card] Letters by the bookbinder Faith Shannon MBE, in which she discusses the commission to produce leather bindings for the deluxe editions of the exhibition catalogue, and includes an estimate of costs. The signed 15x10cm Christmas card features a blind stamped "Happy Christmas" greeting. Geoffrey Key: [5 ALS] Five letters by the artist Geoffrey Key. In these exuberant letters to Hanson, Key discusses names for the mailing list and travel to Carlisle; and thanks Neil Hanson - "Many thanks for your card it goes great with my bus pass, Yours antiquatedly, Geoff". Julia Hills: [2 ALS] A brace of letters by the artist Julia Hills, discussing the commission of her dolls and the time frame of work. Melanie Sproat: [2 ALS, 1 exhibition agreement] A collection of letters by the clockmaker Melanie Sproat. In her neat letters, Sproat describes the essence of her work as exploring "the contrasting colour, structure and tactile qualities of precious and base metals", and proposes a wall clock inspired by the rugged Cumbrian landscape. Her second letter concerns damage sustained by her works while in storage. Mike Davis: [1 ALS, 2 TLS] A trio of letters by Mike Davis on Mimram Stained Glass Studio headed notepaper. Davis discusses his proposed exhibits, including a five light window for St John's Church, Digswell. The artist also thanks Neil Hanson for all the hard work put in and suggests "a quieter occupation, wrestling alligators in the Everglades or something". Glyn Hughes: [1 TLS] A letter by the poet and novelist Glyn Hughes, in which he discusses his proposed submissions, describing how he had started to paint again after a break of 20 years; and suggests some commissioned pictures of Cumberland with poems to go with them. David Wright: [3 ALS] A group of letters by David Wright, ex Gregory Fellow in Poetry at Leeds University. Wright writes about the commission and his proposed submissions, including "Procession" and "Mirehouse". He also suggests other artists for the project including William Scammell of Cockermouth. Jon Silkin: [1 ALS; 1ANS; 1 exhibition agreement ] A small collection comprising one letter, one note on a Stand magazine compliments slip, and an exhibition agreement by the poet Jon Silkin made in connection with the exhibition in 1982. In his letter to Hanson, Silkin discusses the commission and his proposed submissions, including "The Church is getting short of Breath". Roy Fisher: [2 ALS] Two letters by Roy Fisher on University of Keele headed notepaper. Fisher's thoughts on his submissions include "The Running Changes" and a piece on "a quest, among desolate military sites and barbed-wire littered beaches, for the shrimping grounds of Flookburgh, but it seemed likely to have strong negative tourist appeal, so I've desisted". Roger Garfitt: [4 ALS] A collection of letters by Roger Garfitt. In these warm and appreciative letters Garfitt discusses his proposed submissions to the exhibition, including 'The Broken Road' as "it's probably the best landscape poem I've done". Garfitt describes his first experience of the Lake District "at the age of twelve, leaning out of a coach window on a day trip, as rapt and enraptured as any Romantic on a walking tour." Paul Joyce: [7 ALS; 4TLS; 2 postcards] A collection of letters by the photographer Paul Joyce. In his letters Joyce writes about his proposed submissions, including a collaboration with the poet Jonathan Williams. Joyce shows concern for the financial aspects of the commission and includes a list of expenses for attending the opening.