Fontana giulio (15 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Fight at the walls of Troy German: Kampf an den Wänden von Troja French: Bats-toi aux murs de Troy Spanish: Lucha en las paredes de Troya High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1553). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condizione: New. Reproduction. Original title: Battle of Cadore German: Schlacht von Cadore French: Bataille de Cadore Spanish: Batalla de Cadore High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1553). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condizione: NEW.

240x170mm, 134pagine, Sovracoperta. Copia nuova condizione. Envoi groupé : les frais de port sont calculés sur le poids total de la commande ; chaque livre supplémentaire coûte donc beaucoup moins cher à expédier. Commandez plusieurs livres et économisez sur le port ! / Combined shipping: postage is charged on the total weight of your order, so each additional book ships at a reduced rate. Order several books from us and save on postage ! / Envois Europe : Droits et taxes inclus - aucun frais à la livraison / Shipments to Europe: Duties and taxes included - no delivery charges.…

paperback. Condizione: Good. Brossura, sovracoperta 134 24x17 cm 9788809210943 Buono (Good) Ordinari segni d'uso e del tempo.

Soft cover. Condizione: New. Paperback. 4to. (29 x 21 cm). In Italian and Turkish. 93 p., color ills. Raimondo d'Aronco in Turchia, (1893-1909). Progetti della Galleria di Arte Moderna di Udine.= Udine Çagdas Sanat Galerisi Koleksiyonundan Raimondo d'Aronco'nun Türkiye yillari, (1893-1909).

Condizione: NEW.

Illustrato con 17 riproduzioni in b/n. Testi introduttivi "Manifesto tecnico dello spazialismo" di Lucio Fontana e "Quinta dimensione" di Giulio Carlo Argan. Formato: 23 p., 21 cm, bross.

Hardcover/Hardback. Condizione: Fine. 2nd Edition. Quas serious ludebat, libri quinque. 1574 Second Edition. In 4to. Pp. [1] f.e., [48], CCCLVII, [1], [1] r.e. Bononiae (Bologna). Apud Societatem Typographiae Bononiensis. Contemporary yapp binding in limp vellum, with a gilt double fillet border and foliate corner pieces to the boards; the smooth spine is divided by five double fillets enclosing four floral rosettes. Some expected rubbing to the edges and spine, particularly at head and foot. The title page bears a circular ink stamp ex-libris of Pasquale Oliva, 1976, and a second armorial ex-libris label of the Lamberti family with the motto "Cosa fatta capo ha"; a third ex-libris appears on the front pastedown, for Malesci, with the motto "Silendo volo", signed by the artist B. Bartoccini, 1990. A fresh, wide-margined, clean copy in excellent condition throughout. Achille Bocchi's Symbolicarum Quaestionum de Universo Genere is one of the most intellectually ambitious emblem books of the sixteenth century. First published in Bologna in 1555 at Bocchi's own Nova Academica Bocchiana press, the work appears here in its second and final edition of 1574 - the first publication issued by the newly founded Società Tipografica Bolognese. The title announces its program through the phrase serio ludere - playing seriously - a humanist ideal in the spirit of Horace's Ars Poetica, placing the work within a tradition that includes Erasmus's Adagia and the emblem literature inaugurated by Alciati's Emblemata of 1531. Bocchi's relation to Alciati was one of intellectual kinship: the Syntagma index records at p. 87 the dedication Ad Andream Alciatum amicorum optimum - to Andrea Alciati, best of friends - an explicit homage to the founder of the genre embedded within the body of the work itself. Symbolic literature is treated here not as light diversion but as a vehicle for theology, philosophy, moral inquiry, and philology, structured across four formal classes as the Syntagma makes clear. The visual program is equally distinguished. The 151 full-page copperplate engravings were executed by Giulio Bonasone after designs principally by Prospero Fontana, with some attributed to Parmigianino. Bonasone, who is believed to have trained with Marcantonio Raimondi, brought to the plates a formal elegance well suited to Bocchi's allegorical register. For this 1574 edition, the plates were retouched throughout by Agostino Carracci - then seventeen years old and at the very beginning of his career as an engraver - who also appears to have newly engraved plate I in copper, replacing the woodcut that had served in the 1555 printing. The occurrence of first and second states varies from copy to copy, making precise collation complex, as noted by Ruth Mortimer. A further biographical thread connects the artists: Prospero Fontana, who provided the majority of the designs, later opened the Bolognese painting school attended by the young Carracci cousins, making the Symbolicarum Quaestionum a small but telling document in the formation of that tradition. Ref. Brunet I, 1021. The work comprises five books and 151 emblems, each furnished with a Latin or Greek title, an individual dedication, a verse epigram, and a full-page copperplate illustration. The complete scholarly apparatus is present in this copy, including the Syntagma - a thematic index distributing all 151 emblems across four classes: theological and metaphysical emblems; natural philosophy; ethics, governance, and exemplary conduct; rhetoric, dialectic, and language. Greek formulae pervade the scholarly apparatus, and the four-class structure draws on Aristotelian categories, while the emblems themselves engage extensively with mythographic and Neoplatonic traditions (the two strands running in productive parallel rather than strict philosophical alignment, in a manner typical of the Bolognese university milieu). Bonasone, Giulio; Carracci, Agostino; Fontana, Prospero; Parmigianino (illustratore).…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1574 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 420 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 420 Bocchi, Achille, 1488-1562,Società Tipografica bolognese, publisher. pbl,Bonasone, Giulio, ca. 1498-ca. 1580, illustrator. ill,Fontana, Prospero, 1512-1597, illustrator. ill,Rocca, Michele, ca. 1670-ca. 1751, illustrator. ill.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1555 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 430 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 430 Language: Latin.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1574 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 429 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 429 Volume plus nos Language: Latin.…

Leather Bound. Condizione: New. Language: lat. Language: lat. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1574. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - lat, Vol:- Volume plus notes, Pages:- 426, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume plus notes 426 426.…

Leather Bound. Condizione: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1574. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: : - 428, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 428 428.…

senza rilegatura. Condizione: in ottime condizioni. Acquaforte e bulino misure: mm 418 x 326 Pittore e incisore, fratello del più noto Giovanni Battista Fontana (1524-1587), entrambi hanno lavorato a Vienna come pittori per l'Imperatore Massimiliano II. Probabilmente Giovanni Battista ha fornito disegni che poi Giulio ha inciso. Giulio ha inciso altri soggetti da Tiziano e ha lavorato come illustratore per l'editoria veneziana. Questa rara stampa è un documento molto significativo poiché traduce un dipinto di Tiziano commissionato dal Duca di Ferrara Alfonso I d'Este e oggi perduto. La vicenda del dipinto è complessa a causa della prematura morte del Duca nel 1534. Giulio Romano ricorda di aver visto il dipinto incompiuto nella bottega di Tiziano nel 1568, la tela raffigurava un giovane nudo che si inchina alla dea Minerva accanto alla quale si trova un'altra figura, sullo sfondo il mare sul quale avanza Nettuno. Nello stesso anno Tiziano modifica il dipinto e lo spedisce all'Imperatore Massimiliano II (1527 - 1576), trasformando il tema mitologico iniziale in una allegoria religiosa. Tra le quinte di un paesaggio una donna inginocchiata e coperta da un drappo è l'allegoria della Religione - riconoscibile per la croce ai suoi piedi - alle sue spalle serpenti velenosi, le eresie, la minacciano scendendo da un tronco per attaccarla ma, in sua difesa, dalla sinistra, arriva con piglio deciso una figura simbolo dell'Imperatore Massimiliano II. Coperta da una tunica svolazzante regge tra le mani l'asta di uno stendardo con la raffigurazione dell'aquila asburgica e afferra con la mano destra una giovane donna seminascosta alle sue spalle la quale regge un ramo di alloro: la Pace. Sullo sfondo al centro di uno specchio d'acqua la moglie di Nettuno, Anfitrite dea dei mari calmi, attraversa le onde su un carro trainato da ippocampi. Quattro righe in latino incise sotto il soggetto spiegano la scena: Caesaris invicti pia Relligionis imago;/Haersis angvicoma, et saeuus quam territat hostis Christigenuam; Passura dolod (ut cernis) utrinque/Virtuti, et Paci commendat amicae. In basso a sinistra inciso sulla roccia: Titianus inventor/Iulius Fontana fecit. L'incisione è ricordata dalle fonti antiche. Il dipinto inciso da Fontana è perduto ma si conserva una versione considerata autografa in cui Tiziano modificò nuovamente il soggetto e gli attributi iconografici, dipinto nel 1571 per Filippo II: LaReligiona salvata dalla Spagna, Museo del Prado. La figura con lo stendardo è un'allegoria della Spagna, si appoggia ad uno scudo con lo stemma di Filippo II, alle sue spalla la donna regge una spada, dietro un uomo con l'elmo in testa e un gruppo di altre figure, nel mare Anfitrite è Nettuno con un turbante e una flotta id navi alle sue spalle. Il riferimento è alla Battaglia di Lepanto.  Splendida impressione omogenea e ben contrastata. Ottimo stato di conservazione, margini di 6mm oltre la battuta del rame, una minima integrazione all'angolo inferiore sinistro. Simile all'esemplare consrvato presso il Rijkmuseum. Filigrana: giglio nel cerchio simile a Briquet 7099 (Italia, 1502 circa). L'esemplare del museo del Prado presenta la medesima filigrana. Bibliografia: M. Falomir, Giulio Fontana. La Religión socorrida por el Imperio' En: Memoria de actividades 2014, Museo Nacional del Prado, Madrid, 2015, pp. 72-74.…