Editore: The Tate Gallery, London, 1956, 1956
Da: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.
Very close to fine and bright glossy stiff wraps with strong square spine and crisp bright text throughout. Profusely illustrated with full color page paintings in black and white and color.
Lingua: Inglese
Editore: Hodder And the Stoughton, London, 1970
ISBN 10: 0340109920 ISBN 13: 9780340109922
Da: Rareeclectic, Pound ridge, NY, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. First Edition ( 'First Printed 1970'). Jacket illustration of Chelsea Reach by Walter Greaves. As you can see from the photos, the blue covers are very clean and in top-notch condition. I don't see any wear on any of the six edges or four corners. The gilt and red lettering and design on the spine is very bright. The book is square, not slanted, and very solidly bound from cover to cover. The pages are in excellent condition. In scrolling through, I didn't see any soiling at all. There is a little toning at some of the margins of the glossy mapped inside covers and end papers, very minor. I didn't see any creasing on any of the pages. No dogeared corners. There aren't any markings. No attachments. On the half-title page a Katharine Steckley or Stickley has neatly penned her name as well as the date, February 1972. One might have expected that she had something to do with the book. She may have, but I didn't find her name in the index or elsewhere. I didn't try very hard so maybe there's a connection. Or maybe she was simply a previous owner. Either way, there is no other writing to be found anywhere in the book. There is a full-page color frontispiece and there are 25 black and white illustrations. They all appear to be in excellent condition. You can see the dust jacket in the first few photos. It is in very good condition. It is very clean. It has a few tiny scuffs at the corners, one a bit larger at the bottom edge of the spine. The flaps are solid and clean. They do have toning at the top and bottom margins, and the top corner of the front flap is price-clipped. The jacket will be fitted with a protective cover after the photos are scanned. 'Chelsea was the artists' quarter of London for a century. In its climate, boys like Walter and Henry Greaves apprenticed in their father's boatyard, began to draw and paint Riverside scenes, primitive and untaught. To its bohemianism, a refugee from 1860's upper-middle-class stuffiness, came Whistler, an astonishing new influence, whose pupil and friend Walter Greaves became. For years the friendship prospered; then came Whistler's resentment, the rejection of Greaves, and enter Oscar Wilde. Later, amazingly, came sudden fame for Walter Greaves, followed by denunciations and a scandal, caused by a muddle, or was it a plot (?) about the origin of certain pictures: who painted which? It is a fascinating story, told out of a deep knowledge of its background.'.
Editore: The Tate Gallery 1971, 1971
Da: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
Revised Obl. 4to, cloth. 80 pp, 110 illustrations (18 in color), bibliography. Very good in a defective dj.
Lingua: Inglese
Editore: The Tate Gallery,, London, 1961
Da: Philip Gibbons Books, Newcastle Emlyn, Regno Unito
Prima edizione
EUR 9,50
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover/Paperback. Condizione: Very Good. No Jacket. First edition. first printing. Catalogue of an exhibition at the Tate Gallery, 16 December 1960 to 29 January 1961. Quarto-size, unpaginated (about 88 pages), mostly plates alternating with explanatory text: a few plates coloured: publisher's heavy beige cardboard covers with a coloured plate laid on: Very Good, no marks of previous ownership. Pictures show this actual book.
Editore: Tate Gallery London nd (1971), 1971
Da: Bear Bookshop, John Greenberg, Brattleboro, VT, U.S.A.
80pp. Oblong 8vo Illustrated in color and black and white Marroon cloth Revised edition. Introduction by Anthony Blunt; Foreword by John Rothenstein. Clean tight copy: VG+/VG dj (edge tears).
Condizione: Good. Good condition. (art, paintings) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Lingua: Inglese
Editore: Oxford Polytechnic Press, Oxford, 1978
ISBN 10: 0902692151 ISBN 13: 9780902692152
Da: PsychoBabel & Skoob Books, Didcot, Regno Unito
EUR 22,70
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hard cover, with unclipped dust jacket, both in very good condition. General shelf and handling wear, including notable tanning, light creasing and foxing spots to teh jacket. Tanning and light foxing to pageblock, occasional spots of foxing to initial pages (up to 'content' page), light tanning to page edges. Brown cloth boards have gilt 'Carrington' to front board, gilt book details to spine and are in fine condition. Within, pages are tightly bound, and other than aforementioned, content is unmarked. Numerous b/w and colour images throughout, colours vibrant and true. CN.
EUR 32,86
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. # AS PICTURED : FIVE IMAGES # First Edition, First Printing, 1979. The upper board has light offset image from the dustwrapper, which is unclipped (£8.50 net), and a tiny chip to laminate at top leading corner. In all other respects, a Fine copy. Tight, bright and clean, with no markings or inscriptions. Now protected with clear, removable sleeve. FREE POSTAGE WITHIN THE U.K. Buyers outside the U.K. quoted Shipping prior to purchasing. (25% proceeds to the Motor Neurone Disease Association).
Lingua: Inglese
Editore: The Dartington Hall Trust / Kettle's Yard, Dartington / Cambridge, 1979
ISBN 10: 0902386042 ISBN 13: 9780902386044
Da: Bookwood, Melbourne, VIC, Australia
Prima edizione
EUR 3,81
Quantità: 1 disponibili
Aggiungi al carrelloPictorial Wraps. Condizione: Fine. First Edition. Eric Gill: Stone Carver, Wood Engraver, Typographer, Writer - 3 Essays to Accompany an Exhibition of His Life and Work. The exhibition took place at Dartington Cider Press Centre (from 17th July - 27th August 1979) and Kettle's Yard, Cambridge (from 20th October - 18th November 1979). Foreword by David Craddock & John Lane. With essays by David Kindersley, Sir John Rothenstein, & Douglas Cleverdon. Illustrated in b&w. Includes chronology, plus bibliography. Thin staplebound booklet. Printed in Great Britain. A very nice clean softcover copy. Unpaginated (24pp). Uncommon. SB-1.
Lingua: Inglese
Editore: William Collins Sons & Co Ltd, London, 1979
ISBN 10: 0002164787 ISBN 13: 9780002164788
Da: The Print Room, Cockernhoe nr Luton, Regno Unito
Prima edizione
EUR 14,34
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Jacket and illustrations after L. S. Lowry (illustratore). 1st Edition. First edition, first impression. Some slight edge wear to top and bottom of jacket and spine, corners slightly rubbed, some faint scratches to mid front jacket, price clipped and price replaced with publisher's sticker (£8.95), no inscriptions, internally clean tight and square, overall a vg+ copy for its age. 337pp, illustrated, illustrated endpapers. British journalist, tv presenter and biographer Shelley Rohde (1933-2007), moved to Manchester in the 1960s as a reporter for the Daily Mail and a presenter on Granada Television. She began to investigate the local artist L. S. Lowry (Laurence Stephen Lowry, 1877-1976), and was eventually to become an acknowledged expert on him. Her documentary on him, 'L.S. Lowry: A Private View', was made after she had interviewed the artist personally, which she did several times during his later life. This was in itself an achievement, given that Lowry was known to be difficult to pin down to an interview appointment and to any clear content and was inclined to amuse himself by making up stories. He first told Rohde he had given up painting long ago, but it was noticed that the paint on a canvas was wet. It later became the basis for this book.
Editore: The Leicester Galleries., 1957
EUR 11,95
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good-. Card covers stiff, lightly age toned with one or two faint handling marks and a small crease at the lower rear corner; Internally clean, no ownership mark or annotation, illustrated with B+W reproductions of Beerbohm's works; Staples tight. Overall a nice, sturdy copy. ; 14 x 11 x 0.2 cm; 48 pages.
Lingua: Inglese
Editore: Shell-Mex and B.P. Ltd and issued by The Society for Education Through Art,, London, 1960
Da: Your Book Soon, Stroud, GLOS, Regno Unito
Prima edizione
EUR 23,72
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Good. 1st Edition. 45 double pages with tipped in colour plate to one side, printed noted to the other + foreword and contents pages, loose leaf in thin card portfolio. The pages are a little tanned and show some rubbing at corners otherwise clean and sound, portfolio is much worn with tanning tears and loss - Heavy item will need extra postage outside UK.
Editore: Tate Gallery, 1960
Da: Hessay Books, York, Regno Unito
Prima edizione
EUR 6,58
Quantità: 1 disponibili
Aggiungi al carrelloSoft Cover. Condizione: Very Good. First Edition. Large format. Illustrated card covers with a small crease to one corner. Full page colour and b + w illustrations. Internally clean. The catalogue of an exhibition at the Tate Gallery December 1960 to January 1961 of the Whitney collection of impressionist and post impressionist paintings.
Editore: The Leicester Galleries, London, 1957
Da: Kirklee Books, Glasgow, Regno Unito
Prima edizione
EUR 5,97
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. First Edition. Book condition: Good with browning/corner crease to cover; small, soft crease to corner of a few pages; slight browning to page edges. 48 pages; illustrated. A bright copy.
Editore: The Tate Gallery, London, 1962
Da: PsychoBabel & Skoob Books, Didcot, Regno Unito
EUR 25,09
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. Francis Bacon, The Tate Gallery: 24 May to 1 July 1962. Paperback in good condition. Covers, page block and page edges are tanned. Covers are curled at the fore-edges. Binding is sound and pages are clear. LW. Used.
Editore: Tate Gallery London 1957, 1957
Da: Bear Bookshop, John Greenberg, Brattleboro, VT, U.S.A.
Prima edizione
72pp. + 40 plates in black and white and color 8vo Illustrated in color and black and white Red cloth 1st edition. Introduction by Anthony Blunt; Foreword by John Rothenstein. Owner's name on endpaper else clean tight copy: VG/VG dj missing small piece of spine top.
Editore: Tate Gallery, 1961
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Good. 1961 Paperback - light edgewear, small moisture spot on spine, some yellowing - GOOD - some shelfwear/edgewear but still nice - Author: Rothenstein, John - Title: The John Hay Whitney Collection . Publisher: Tate Gallery Standard-sized.
Lingua: Inglese
Editore: Oxford Polytechnic Press, Oxford, 1978
ISBN 10: 0902692151 ISBN 13: 9780902692152
Da: Object Relations IOBA PBFA, London, Regno Unito
Prima edizione
EUR 59,73
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. "Standard Limited Edition" hand-numbered 351/1000 (1978). 95pp. Near Fine/Near FIne copy but for some toning to jacket, now preserved in archival jacket protector.
Lingua: Inglese
Editore: London Lutterworth Press, 1994, 2016
ISBN 10: 0718829204 ISBN 13: 9780718829209
Da: Chaucer Bookshop ABA ILAB, Canterbury, Regno Unito
Prima edizione
EUR 47,78
Quantità: 1 disponibili
Aggiungi al carrelloFIRST PAPERBACK EDITION. Large 8vo. softback with illustrated card covers. 144pp, indexed, illustrated in colour and b/w throughout. A clean copy with no previous owners' markings or inscriptions. One faint mark to rear cover, spine a little faded, otherwise a VG copy. (Shelf 8) ISBN: 0718829204 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.
Editore: Tate Gallery, London, 1956
Da: David Bunnett Books, London, Regno Unito
Prima edizione
EUR 29,87
Quantità: 1 disponibili
Aggiungi al carrelloSOFTCOVER. Condizione: Fine. 1st Edition. 4to in colour printed stiff glossy card covers, 30pp text and catalogue plus 32pp plates in colour and b/w . [CONDITION: A well preserved FINE very clean and tight unmarked copy (pages very slightly tanned, few spots of slight shelf rub to cover edges) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Editore: Produced by Shell-Mex and B.P. Ltd and issued by The Society for Education Through Art, United Kingdom
Da: Ryde Bookshop Ltd, Isle of Wight, Regno Unito
EUR 41,81
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Good. 45 works of art by various artists depicted in colour inside (illustratore). Loose leaved folder depicting 45 works of art from the earliest times up to the date of publication, all are on double loose sheets with the work of art tipped in on one side and a description on the other side, no publication date is printed but it is probably late 1950s (it must be later than 1954 because the life of Matisse is stated 1869-1954), the folder has some chipping and creasing on the spine with a very small amount of loss from the top of the spine, internally very good.
Editore: London: Oxford Univ. Press
Da: Auldfarran Books, IOBA, Decatur, GA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione Copia autografata
Hardcover. Condizione: Good. No Jacket. 1st Edition. 1942 1st ed. INSCRIBED on ffep by Sir William Rothenstein. 134pp. illus. orange cloth sm 4to: Good/no dj [brief ink gift inscription on ffep; fading of orange covers; top corner bump with some front cover creasing owing to thinness of wartime boards; else a clean, complete & tight copy] Some 40 drawings of Royal Air Force personnel done between November 1939 and October 1941 by the English artist Rothenstein (1872-1945), most noted for his pictures from both world wars. Inscribed by Author(s).