Fosse charles de la (21 risultati)

No Binding. Condizione: Good. Postcard in Good condition, with writing on reverse. Unmailed. Cards are sent in stiff mailers. Photo.

original Kupferstich von ca. 1780 nach einer Zeichnung von Charles Eisen (1720-1778) - Blattmaße: ca. 17 x 10 cm - rückseitig mit Text bedruckt - gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10. …

No Binding. Condizione sovraccoperta: No Jacket issued. Engraving.

No Binding. Condizione: Very Good. A fine copper engraving showing great detail, with name printed underneath. Mounted and ready to frame. This is an excellent opportunity to purchase an attractive portrait of this eminent personage. Attractive and decorative. Sornique (illustratore).

Condizione: Gut. ca. 15x12cm Blatt größer 1 Blatt. Blatt mit leichten Altersspuren, hinten kl. Montagereste. -------- Charles de La Fosse (* 15. Juni 1636 in Paris; gest. 13. Dezember 1716 ebenda), auch Delafosse und seltener deutsch de Lafosse geschrieben, war ein französischer Maler.

Hardcover. Condizione: As New.

Blattgr. 13,5 cm x 9 cm, am Bildrand beschnitten.

Condizione: Ottimo (Fine). Charles de La Fosse Charles de La Fosse. LA maitre des Modernes - Catalogue raisonné. , french, in quarto pp. 299 + 351 2 volumi in cofanetto, I tomo: Les maitre des Modernes. II tomo: Catalogue raisonné. Après dix années de recherches sur le peintre, Clémentine Gustin Gomez a soutenu sa thèse de doctorat en Sorbonne recevant les félicitations du jury décernées à l'unanimité. Cette thèse enrichie de quelques découvertes très récentes donne la matière à la publication de cet ouvrage en deux volumes. L'iconographie comporte la quasi totalité non seulement des peintures répertoriées à ce jour, mais aussi des dessins car La Fosse, qui a mis à la mode la technique des trois crayons, occupe une place de premier plan dans ce domaine. Book.…

Unpaged; collates as [fp], [ffep], [ffly], [ffly], [ffly], [contents leaf], [132 single-sided engraved plates], [rfly], [rfly], [rfly], [rfep], [rp]. Hardcover folio: H 46cm x L 34.5cm. Original speckled full calf leather boards but professionally and subtlety rebacked in dark brown cloth with original leather spine laid on top. Heavily scuffed spine retains five raised bands with dark maroon title label in second compartment from head; strong losses to gilt stamped decoration in compartments and on bands; title label has surface chip causing slight loss to otherwise still reasonably bright gilt stamped lettering; small shelf sticker affixed near spine heel perhaps being a remnant from a personal or architectural firm's collection as there are no institutional/library markings within interior; rebacking cloth visible at spine ends and along joints where slender loss to original leather occurs. Leather boards scuffed with wear at edges particularly at corners; slender lengthwise horizontal surface scratch below front board center. Replacement marbled endpapers and flyleaves now toned and brittle with tears and chipping at margins; such faults indicate those leaves have been with book for a good while so re-backing no later than mid-twentieth century (unfortunately no bindery ticket present). Unknown bookseller's clipped catalog slip likely for this same copy affixed on third front flyleaf verso center opposite original contents page which features badge-shaped ownership blindstamp "Lloyd & Whitney Warren New York" at top right and brief pencil marks beside plate titles verifying their presence. Manhattan architect Whitney Warren (1864-1943) was a partner in the prominent architectural firm Warren and Wetmore with Charles Wetmore (1866-1941). Whitney's younger brother architect Lloyd Warren (1868-1922) founded the Beaux-Arts Institute of Design in New York City. Total of 132 b/w plates with lettered pagination (four plates per letter all on rectos only) as A-I, K-T, V, X-Z, &, AA-II. Dull red colored top edge probably done at time of re-backing; original deckle cut fore-edges and bottom edges. Several small antiquarian dark ink stains at upper fore-edge with a few leaves/plates fractionally affected at margins; moderate foxing to AA-2 plate with other light foxing and some soiling occurring to others. Binding is firm. Aforementioned bookseller's slip summarizes this copy as "A most magnificent collection of 132 French furniture designs of the middle of the century, contemporary with the period of Chippendale, 80 of them by de la Fosse. This third collection of the French master's work appears to have been unknown to Guilmard and M. Hippolite Destailleur [Hippolyte Destailleur], the Paris authority, possessed but the first series and the supplementary second, with additions, both in small folio. Likewise, Lewine seems to have been unacquainted with the collection. The only record we can trace of a set which may have contained most of these plates is the sale at auction in France in 1895 of a collection of 128 plates, 80 of them by de la Fosse, realizing 2500 francs,-then about $500." Same bookseller slip cites book as circa 1775 and cites condition as sounder than it is now and makes no mention re-backing. OCLC does locate one copy at the Los Angeles Getty Research Institute, their copy undated too but likewise collating as [1], [132 plates] so evidently no formal title page by printer/publisher Daumont. The Getty's catalog description adds bibliographical reference "D. Guilmard, Les Maitres Ornemanistes (1880), p. 220-221" and further notes "following plates are by artists other than Delafosse: 4 each in suites M-Q, &, BB, DD, EE, GG, and II, and the last 2 plates in suite XX." OCLC locates only one copy of Volume II "IIe Volume de l'oeuvre de J.Ch. Delafosse" in Denmark. This folio volume has an approximate shipping weight of 10.5 pounds (4.76 kg) and will require additional postage and insurance above AbeBook's preset rate.…

Demi-reliure à coins. Condizione: Très bon. In-folio. 39 pages. deux pages titres, 103 planches. Complet. Reliure habilement restaurée. Publié vers 1778. Édition bilingue, français-néerlandais, de ce classique de l'iconographie publiée originellement sous le titre "Nouvelle iconologie historique". Ces planches de Jean Charles de la Fosse (1734-1789) ont notamment servi comme modèles dans les écoles d'art au XVIIIe siècle. …

en feuille. Condizione: Très bon. Beau portrait. Beau tirage XVIIIè sur vergé. 15 x 11 cm.

0. Schönes Blatt. - Linker Seitenrand etwas beschnitten. Sprache: Deutschu.

Condizione: Good. Gravure by Goupil & Co. on India paper mounted on rag paper for The Gallery of Contemporary Art. One of 1000 India paper proofs before lettering. 18 x 13 inches page size (46 x 33 cm). Also included is a description of the print on the same size sheet with a tissue guard between the two sheets. Charles-Alexandre Coissein de la Fosse (1829-1910) was a French neoclassisist painter.…

Faton, 2006. 2 volumes in-4, cartonnage toile éditeur, jaquettes, étui. Tirage à 2500 exemplaires. Envoi autographe signé de l'auteur. Bon exemplaire. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. …

Condizione: ACEPTABLE. Nouvelle Iconologie Historique ou Atributs Hiéroglyphiques Jean charles de la Fosse fue un famoso arquitecto, diseñador y grabador francés (1734-1789), sus diseños solían tener un contenido iconológico o simbólico. - J C. De la Fosse Inv.et Del. - Meunnié Sculp. Formato (cm): 23x38. …

Condizione: ACEPTABLE. Nouvelle Iconologie Historique ou Atributs Hiéroglyphiques Los atributos de pesca representan los símbolos de la pesca como redes, remos y cestas , así como peces y cangrejos. Jean charles de la Fosse fue un famoso arquitecto, diseñador y grabador francés (1734-1789), sus diseños solían tener un contenido iconológico o simbólico. - J C. De la Fosse inv. - Chereau Exc. - Fessard Sculp. Formato (cm): 23x38.…

Condizione: ACEPTABLE. Nouvelle Iconologie Historique ou Atributs Hiéroglyphiques Los atributos de pesca representan los símbolos de la pesca como redes, remos y cestas , así como peces y cangrejos. Jean charles de la Fosse fue un famoso arquitecto, diseñador y grabador francés (1734-1789), sus diseños solían tener un contenido iconológico o simbólico. - J C. De la Fosse inv. - Chereau Exc. - Fessard Sculp. Formato (cm): 23x38.…

Condizione: ACEPTABLE. Nouvelle Iconologie Historique ou Atributs Hiéroglyphiques Los atributos de caza representan los símbolos del campo. Jean charles de la Fosse fue un famoso arquitecto, diseñador y grabador francés (1734-1789), sus diseños solían tener un contenido iconológico o simbólico. - J C. De la Fosse Inv. - Chereau Exc. - P.F. Tardieu Sculp. Formato (cm): 23x38.…

2 volumes bound as 1. First Netherlands edition (in the original French with a parallel Dutch translation, in 2 columns) of a richly engraved artists' model book offering a fine collection of architectural ornaments and devices by the Paris architect Jean Charles de la Fosse (1734-1789), published at the cost of the Amsterdam art dealer, C.S. de Roos. The letterpress text explains the symbols used in the ornaments and devices. It was first published at Paris in 1768 with the text in French only. Although planned as a publication in two volumes (with plates 1-77 for the first volume and 78-103 for the second), and each volume has an engraved allegorical title-page, the text for volume 2 of the present edition was never published. The text therefore covers only plates 1-77, but the plates and engraved title-pages for both volumes are present and complete. The engraved title-pages read: "Recueil des portes, cheminées . inventées par J.C. de la Fosse, et gravées par Jz. de Witt Jansz. Tome I[-II]", with the publisher's address below: "à Amsterdam chez C.S. de Roos". The series of plates made for the present Amsterdam edition also appeared under the title Algemeen kunstenaars handboek, published by Jan Willem Smit at Amsterdam, also without date, but said to have been published ca. 1790/1800, though the title-page names Fosse as if he were still living. In good condition and with large margins.l Kunst op Schrift 1027; STCN (8 copies); WorldCat (8 copies?); cf. Berlin Kat. 465 (1768 French ed.); Cat. Kunsthist. Bibl. Rijksmuseum Amst. II, p. 592 (J.W. Smit ed.); not in BAL; Bridson & White; Millard, French; Millard, Northern European. 20th-century half parchment, marbled sides (Turkish spot pattern). With 2 finely engraved allegorical part-titles and 103 engraved plates with allegorical ornaments, devices and attributes by J. de Witt Jansz. Pages: [4], 39, [1] pp. plus plates.…

Amsteldam, Jan Willem Smit, (1780), in-folio, 38 x 27 cm, engraved title + typographical title + (2)(preface) + 39 pp + (1)(avis au relieur) + 103 engraved plates (complete). Re-issue of the ''Nouvelle iconologie historique, Amsterdam C.S.Roos'' . Contemporary half leather, the plates printed on strong uncut paper. Rare collection of ornament prints with a bi-lingual (French-Dutch) explanation of the first 77 plates (as issued). Apart from plates with architectural designs there are also 4 pl. with clocks, 9 pl. with chandeliers and goldsmith's work.…

Deux volumes, reliures toile de l'éditeur sous jaquette, réunis dans un étui illustré, 31X23 cm, 2006, 296+349 pages, nombreuses illustrations en noir et en couleurs, éditions Faton. Etui avec de petites marques d'usage, bon exemplaire.