franciscono marcel (59 risultati)

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Good. Light general wear. May have light notes/highlighting. shelf wear. bumped edges. worn cover Paperback.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Softcover. Condizione: Good. Upper corners bumped. In 1886 Henri de Toulouse-Lautrec established a studio in Montmartre, where the bohemian lifestyle was exactly suited to his personal temperament and his artistic needs. Coming into artistic maturity as the colored lithographic print was gaining credence and as posters were transforming the whole of Paris into an out-of-doors art exhibition, Lautrec regarded these more democratic art forms as seriously as he did his painting. The posters and prints illustrated and discussed here offer a quintessential view of fin-de-si`ecle Montmartre at its height. In these works, Lautrecís own energies are revealed at their peak. As much as these prints and posters capture the spirit of Montmartre, they also describe Lautrec. Brilliant, witty, and acerbic, they mirror the man as well as the place.

Trade Paperback. Condizione: Good. First Edition. Spine is chipped; text clean. 156 p., well illustrated [oto br 15] Size: Oversize.

Hardcover. Condizione: Good. No Jacket. The book accompanies the first exhibition devoted exclusively to the modern Dutch poster Due to age and/or environmental conditions, the pages of this book have darkened. Solid binding. Moderate edgewear on the boards. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Soft cover. Condizione: Very Good +. 1st Edition. Softcover includes numerous color and b/w illustrations and Bibliography,156 pages. The exception to the condition is a dump on the bottom of the text block. Size: 9" x 11 3/4".

Original hardcover, no jacket, 336 pages, index, many historical b + w photographs. Book is solid, bright, and square. Older, book has some foxing to the outer page edges, age-toning to the pages. Light reference wear. Very good. dt.

Paperback. Condizione: Very Good. Grey stiff paper covers, minor wear at edges, inside is clean, binding is tight, ; 11.42 X 8.66 X 0.98 inches.

Paperback. Condizione: Near Fine. Grey stiff paper covers, clean copy in and out, appears never read, almost new except several tiny dents on front cover, ; 11.42 X 8.66 X 0.98 inches; 156 pages.

Hardcover. Condizione: Very Good. [From the library of noted scholar Richard A. Macksey.] Hardcover and dust jacket. Good binding and cover. Shelf wear. Foxing to edges. Pages unmarked. xvi, 336 pages, illustrations, 24 cm. "Richard A. Macksey was a celebrated Johns Hopkins University professor whose affiliation with the university spanned six and a half decades. A legendary figure not only in his own fields of critical theory, comparative literature, and film studies but across all the humanities, Macksey possessed enormous intellectual capacity and a deeply insightful human nature. He was a man who read and wrote in six languages, was instrumental in launching a new era in structuralist thought in America, maintained a personal library containing a staggering collection of books and manuscripts, inspired generations of students to follow him to the thorniest heights of the human intellect, and penned or edited dozens of volumes of scholarly works, fiction, poetry, and translation." - Johns Hopkins University.

Paperback. Condizione: Near Fine. 1st. 156 pages, illustrations (some colour); 30 cm. Exhibition held at the Krannert Art Museum, Urbana-Champaign, November 15 to December 21, 1986, and at 8 other venues. Near fine. Firm binding, clean inside copy. Age toning. Richly illustrated with colour plates. *** "The 102 magnificently reproduced full-color posters in this book illustrate a little-known and individual body of graphic art, ranging from the richly decorative to the purely abstract, informed by art nouveau and symbolism, de Stijl and art deco, and expressing above all the vital connection between commerce and art. The book accompanies the first exhibition devoted exclusively to the modern Dutch poster, and Marcel Franciscono's text provides a detailed and fascinating history of these neglected works. He considers the posters chronologically within the history of the modern movement, pointing out artists and works of special distinction--including some of the major figures of art nouveau (Jan Toorop, Johan Thorn Prikker, R. N. Roland Holst), some of the artists associated with the de Stijl (Bart van der Leck and Piet Zwart), and Jan Sluyters, whose work is among the few fauve posters anywhere. Building on the relationship between text and image, Franciscono trances the changing styles of the posters and the qualities that distinguish them from those of other countries. Each poster is illustrated in color and fully documented, including, when known, the facts of the poster's commission, execution, and printing. The texts of the posters are printed in translation, and a special section provides brief biographies of the designers." - Publisher. *** CONTENTS: Foreword and acknowledgments, by Stephen S. Prokopoff; The modern Dutch poster: the first fifty years, by Marcel Franciscono; Plates; Catalogue; Biographies. Size: 4to. Collectible.

Paperback. Condizione: Good. 156 pages; color and B&W illustrations. 3 inch tear on the bottom of the front spine joint. Light creasing on spine. Some faint smudges on the covers. Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Original Wrappers. Condizione: Good+. Condizione sovraccoperta: No Dust Jacket. Presumed 1st Edition. With colour plates. Slight creasing to covers. Slight chipping to cpine edges. Slight scratching to back cover. Previous owner's name pencilled on front endpaper. Some wear to spine, covers and corners. ; With colour plates. Slight creasing to covers. Slight chipping to cpine edges. Slight scratching to back cover. Previous owner's name pencilled on front endpaper. Some wear to spine, covers and corners. ; Imperial Octavo; 156 pages.

Softcover. Condizione: Very Good. First Edition. well bound, bit of rubbing to spine, tiny closed edge-tear to back panel of cover. no other flaws.; 156pp., 102 full-page color illustrations of posters. 5 b/w figures., edited by stephen s. prokopoff., published for the krannert art museum at the university of illinois at urbana-champaign., illustrations of the posters very well presented, well chosen. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Paperback. Condizione: Very Good. First Edition. 156pp, with 102 full page colour plates. Edited by Stephen S. Prokopoff. Covers have light shelf wear. Size: 4to - over 9¾" - 12" tall.

Soft cover. Condizione: Very Good. 112-page art book.

Trade Paperback. Condizione: Very Good.

Paperback. Condizione: Clean & Unmarked. Slight extremity wear. Otherwise, a very clean and straight copy. Clean text and an uncreased spine.

Soft cover. Condizione: Near Fine. 1st Edition. Edited by Stephen S. Prokopoff. Includes 102 full color reproductions. As new but has crease at lower front cover.

Soft cover. Condizione: Near Fine. Stiff wrappers, 4to., 156 pages, 102 color illustrations. Light edgewear, else a near fine copy.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Good+. Dust jacket is creased and marked from shelving and handling, spine sunned and spotted with notable tears to upper and lower edges, small area of loss to upper spine and rear upper panel, previous seller's barcode sticker on rear, unclipped; boards are clean, silver titling bright, corners sharp; binding is tight; pages are occasionally marked with previous owner's pencilled annotations, previous seller's tickmark on front pastedown. Black and white photographic illustrations. ; 6.25 x 1.25 x 9.25 inches; 336 pages.

HARDBACK GREY. Condizione: GOOD. Art & Art Instruction; Study & Teaching; Gropius, Walter. Light marking to front cover. 4" black mark on top of back cover. Black and white photographs. Silver gilt title on spine. Edges and pages light browning. DATE PUBLISHED: 1971 EDITION: 336.

Condizione: fine. 1987, 156pp, paperback in goede staat.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition.

Broschiert. Quart. 156 S. Broschur. Sprache: Englisch, Mit zahlreichen Farbtafeln. sehr gutes Exemplar.

Condizione: Very good.

Cartoné (tapa dura cartón). Condizione: Aceptable. Condizione sovraccoperta: Aceptable. Tapa dura con sobrecubierta, 396 pp. Marcel Franciscono offers an exhaustive historical and critical study of Klees artistic personality and thought. Drawing extensively on documentation published since 1940, Franciscono highlights the extraordinary range of artistic, literary, and philosophical speculation Klee brought to his work. The portrait that emerges is one of a great comic artist, an ironist whose most characteristic pictures pit beauty of form and color against the dubious nature of things, yet one whose satiric depictions of everyday life extend to the most rarified evocations of nature. LIBRO.

Broschiert. Condizione: Gut. 29,5 x 21 cm 106 S. : zahlr. Ill. ; Broschiert. Zustand: Gut min. gebräunt (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Vorderdeckel ist leicht fleckig u. hat eine knickspur; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.