Franzel sean b (26 risultati)

Hardcover. Condizione: Very Good. Hardcover, vi + 378 pages, b&w and colour illustrations in text, NOT ex-library. Mild handling wear, book is clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. Issued without a dust jacket. -- This volume offers a collection of essays exploring how knowledge was publicly performed, validated, and disseminated in the German-speaking world between 1750 and 1850. The work moves beyond traditional theatre studies to analyze a wide range of cultural practices, including scientific demonstrations, public lectures, anatomical dissections, and musical concerts. The contributors argue that these performative events were not merely illustrative but were central to the construction of scientific authority, the shaping of aesthetic sensibilities, and the formation of a modern public sphere.…

Condizione: New.

Hardback. Condizione: New. The volume examines the proliferation of inventorying models and practices as cultural techniques of knowledge organization and production during the long nineteenth century. While inventories are still broadly treated as raw data and unprocessed source materials, the book shows how they function as complex media formats, intersecting and interfering with other material techniques to produce, store, distribute, organize and process cultural information. How do inventories work against and in dialogue with other media of collection, storage and retrieval such as catalogs, indexes, bibliographies, and archives; what new media configurations do techniques of inventorying enable and how, in turn, are such techniques shaped by the media channels and formats they employ; what is at stake in the critical effort of "taking stock", whether as commercial, bureaucratic, literary, historiographical, or scientific operations; finally, what do such operations tell us specifically about the production and circulation of knowledge in the German nineteenth century.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Wie stellte man in verschiedenen kulturellen Kontexten Wissen her? Welche zeitlichen Veraenderungen und raeumlichen Spezifika praegten den Umgang mit Wissen? Wie wurde Information gespeichert, verarbeitet, geordnet, angewandt und aufbereitet, aber auch zers.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Condizione: Neu. Neuware - The volume examines the proliferation of inventorying models and practices as cultural techniques of knowledge organization and production during the long nineteenth century. While inventories are still broadly treated as raw data and unprocessed source materials, the book shows how they function as complex media formats, intersecting and interfering with other material techniques to produce, store, distribute, organize and process cultural information. How do inventories work against and in dialogue with other media of collection, storage and retrieval such as catalogs, indexes, bibliographies, and archives; what new media configurations do techniques of inventorying enable and how, in turn, are such techniques shaped by the media channels and formats they employ; what is at stake in the critical effort of 'taking stock', whether as commercial, bureaucratic, literary, historiographical, or scientific operations; finally, what do such operations tell us specifically about the production and circulation of knowledge in the German nineteenth century. …

Condizione: New.

Condizione: new.

Buch. Condizione: Neu. Taking Stock | Media Inventories in the German Nineteenth Century | Sean B. Franzel (u. a.) | Buch | XV | Englisch | 2024 | Oldenbourg | EAN 9783111059853 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Hardback. Condizione: New. The volume examines the proliferation of inventorying models and practices as cultural techniques of knowledge organization and production during the long nineteenth century. While inventories are still broadly treated as raw data and unprocessed source materials, the book shows how they function as complex media formats, intersecting and interfering with other material techniques to produce, store, distribute, organize and process cultural information. How do inventories work against and in dialogue with other media of collection, storage and retrieval such as catalogs, indexes, bibliographies, and archives; what new media configurations do techniques of inventorying enable and how, in turn, are such techniques shaped by the media channels and formats they employ; what is at stake in the critical effort of "taking stock", whether as commercial, bureaucratic, literary, historiographical, or scientific operations; finally, what do such operations tell us specifically about the production and circulation of knowledge in the German nineteenth century.…

Condizione: As New. Unread book in perfect condition.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 328 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - The period between 1750 and 1850 was a time when knowledge and its modes of transmission were reconsidered and reworked in fundamental ways. Social and political transformations, such as the French Revolution and the Industrial Revolution, went hand in hand with in new ways of viewing, sensing, and experiencing what was perceived to be a rapidly changing world. This volume brings together a range of essays that explore the performance of knowledge in the period from 1750 to 1850, in the broadest possible sense. The essays explore a wide variety of literary, theatrical, and scientific events staged during this period, including scientific demonstrations, philosophical lectures, theatrical performances, stage design, botany primers, musical publications, staged Schiller memorials, acoustic performances, and literary declamations. These events served as vital conduits for the larger process of generating, differentiating, and circulating knowledge. By unpacking the significance of performance and performativity for the creation and circulation of knowledge in Germany during this period, the volume makes an important contribution to interdisciplinary German cultural studies, performance studies, and the history of knowledge.; The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. Shereceived three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.…

Condizione: New. pp. 376.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. digital original edition. 378 pages. 9.21x6.30x1.02 inches. In Stock.

Condizione: New. pp. 376.

Condizione: New. In English.

fester Einband. XII; 313 S. Reg. Kart. *neuwertig*. The volume examines the proliferation of inventorying models and practices as cultural techniques of knowledge organization and production during the long nineteenth century. While inventories are still broadly treated as raw data and unprocessed source materials, the book shows how they function as complex media formats, intersecting and interfering with other material techniques to produce, store, distribute, organize and process cultural information. How do inventories work against and in dialogue with other media of collection, storage and retrieval such as catalogs, indexes, bibliographies, and archives; what new media configurations do techniques of inventorying enable and how, in turn, are such techniques shaped by the media channels and formats they employ; what is at stake in the critical effort of "taking stock", whether as commercial, bureaucratic, literary, historiographical, or scientific operations; finally, what do such operations tell us specifically about the production and circulation of knowledge in the German nineteenth century? Sprache: Englisch.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The period between 1750 and 1850 was a time when knowledge and its modes of transmission were reconsidered and reworked in fundamental ways. Social and political transformations, such as the French Revolution and the Industrial Revolution, went hand in hand with in new ways of viewing, sensing, and experiencing what was perceived to be a rapidly changing world. This volume brings together a range of essays that explore the performance of knowledge in the period from 1750 to 1850, in the broadest possible sense. The essays explore a wide variety of literary, theatrical, and scientific events staged during this period, including scientific demonstrations, philosophical lectures, theatrical performances, stage design, botany primers, musical publications, staged Schiller memorials, acoustic performances, and literary declamations. These events served as vital conduits for the larger process of generating, differentiating, and circulating knowledge. By unpacking the significance of performance and performativity for the creation and circulation of knowledge in Germany during this period, the volume makes an important contribution to interdisciplinary German cultural studies, performance studies, and the history of knowledge.; The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. Shereceived three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association. 384 pp. Englisch.…

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The series publishes monographs and ed.

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The period between 1750 and 1850 was a time when knowledge and its modes of transmission were reconsidered and reworked in fundamental ways. Social and political transformations, such as the French Revolution and the Industrial Revolution, went hand in hand with in new ways of viewing, sensing, and experiencing what was perceived to be a rapidly changing world. This volume brings together a range of essays that explore the performance of knowledge in the period from 1750 to 1850, in the broadest possible sense. The essays explore a wide variety of literary, theatrical, and scientific events staged during this period, including scientific demonstrations, philosophical lectures, theatrical performances, stage design, botany primers, musical publications, staged Schiller memorials, acoustic performances, and literary declamations. These events served as vital conduits for the larger process of generating, differentiating, and circulating knowledge. By unpacking the significance of performance and performativity for the creation and circulation of knowledge in Germany during this period, the volume makes an important contribution to interdisciplinary German cultural studies, performance studies, and the history of knowledge.Walter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin 384 pp. Englisch.…