Fraquelli simonetta green christopher (21 risultati)

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Trade Paperback. Condizione: Very Good. Very Good paperback copy in white wraps, some light shelfwear. 4to. - over 9¾ in. - 12 in., 69pp.

paperback. Condizione: Fine. **PAPERBACK** No stamps or inscriptions; clean condition.

paperback. Condizione: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Soft cover. Condizione: Near Fine. Hayward Gallery, London, 1999. Softcover, 69 pp. Illustrated exhibition catalog. The art of Gino Severini (1883-1966), once a star member of the Italian Futurists. His work evolved over time as that movement lost momentum. Near fine.

paperback. Condizione: Very Good. Looks almost new, text is unmarked.

Trade Paperback. Condizione: Used - Good. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. 'Gino Severini: From Futurism to Classicism,' part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. 'Gino Severini' concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. An exciting and provocative collection of works by Gino Severini from the most significant decade (1910-20) of his career, Gino Severini: From Futurism to Classicism traces the evolution of his art from his pre-war Futurist period to his adoption of a vigorous geometric ordering based on classical principles. Book has minor shelf wear.…

Trade Paperback. Condizione: Used - Good. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. 'Gino Severini: From Futurism to Classicism,' part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. 'Gino Severini' concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. An exciting and provocative collection of works by Gino Severini from the most significant decade (1910-20) of his career, Gino Severini: From Futurism to Classicism traces the evolution of his art from his pre-war Futurist period to his adoption of a vigorous geometric ordering based on classical principles. Book has minor shelf wear.…

Paperback. Condizione: Fine. No Jacket. First Edition. original card covers,illustrated,70 pages,fine.We are a real bookshop with real books situated in and shipping from the United Kingdom.Shelf B98.

Soft cover. Condizione: Very Good. 1st Edition. Exhibition catalogue of Hayward Gallery retrospective of the Italian modernist painter. With 38 full colour plates. Superficial scratching on back cover. Gino Severini (illustratore).

paperback. Condizione: Very Good. book plate inside front cover.

Soft cover. Condizione: Fine. 1st Edition. Title - Gino Severini - From Futurism to Classicism Author - Fraquelli, Simonetta; Green, Christopher Publisher - University of California Press Year - 2000 Language - English Binding - Paperback Size - 22 x 22 Pages - 72 ISBN - 1853321990.

Exhibition catalogue. First edition 1999. 70 pages. Illustrated mainly in colour. Paperback. Very good. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. Gino Severini: From Futurism to Classicism, part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. Gino Severini concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. Gino Severini: From Futurism to Classicism, part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. Gino Severini concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. We are specialists in Artists Monographs, Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 37 years experience, you may order with confidence. Other titles by this artist maybe in stock, please ask for our list or link. …

Couverture souple. Condizione: Bon état. Préfacé par Susan Ferleger Brades. In-8 broché 22 cm sur 22. Livre en anglais. 70 pages. Bon état d'occasion. This fully-illustrated catalogue includes colour plates of all the works and essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. in-8°.…

SOFTCOVER. Condizione: As New. 1st Edition. Square 4to in colour printed stiff card covers, 70pp on stiff art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Near Fine in publishers decorated wrappers. 1st edition. Illustrated in colour. ISBN 1853321990.

SOFTCOVER. Condizione: As New. 1st Edition. Square 4to in colour printed stiff card covers, 70pp on stiff art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unread and unmarked copy (hint of tanning to covers) ] . __ To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.