g khodasevich (15 risultati)

Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: Very Good. Very Good condition. Paperback edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: As New. Like New condition. Map included. Paperback edition. A near perfect copy that may have very minor cosmetic defects.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

unknown_binding. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: good. Signs of wear and consistent use.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Condizione: Very Good. VG++ in glossy illustrated covers. Paperbound. Front cover corners lightly bumped, creased. Spine square, tight, uncreased. Interior bright, clean, unmarked. Heavily illustrated in glossy color photos. Includes separate guide map. Very nice travel/souvenir copy.

Hardcover. Condizione: Very Good. Hardcover and dust jacket. Tears to jacket with loss. Good binding and cover. Shelf wear. Blind stamp on front end page, else unmarked. 379 pages : chiefly color illustrations ; 34 cm. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Condizione: Near Fine. First edition in publisher's original illustrated card wrap covers [softback]. Quarto 10½'' x 8¼''. Contains 28 printed pages of text with colour illustrations and photographs throughout. Light rubs to the cover edges and surface and in near Fine clean unopened condition, no dust wrapper as published. Member of the P.B.F.A. ISBN 5935220024 RUSSIAN & SOVIET HISTORY.

Condizione: new. Pages: 208 Language: Russian. "Ja zhelala by imet proekt antichnogo doma, rasplanirovannogo kak v drevnosti . ja v sostojanii vystroit takuju greko-rimskuju rapsodiju v moem Tsarskoselskom sadu", - pisala Ekaterina II skulptoru Falkone vo Frantsiju. Takoj rapsodiej i stali Agatovye komnaty, sooruzhennye Charlzom Kameronom po lichnomu rasporjazheniju imperatritsy v 1780-egody. Grandioznye formy antichnykh ban byli transformirovany arkhitektorom v raznoobraznye po plastike i razmeram pomeschenija. Zal dlja igr i priemov, kabinety-buduary, biblioteka, oformlennye vo vkuse salonov XVIII veka, raspolagalis na vtorom etazhe Agatovykh komnat; na nizhnem urovne nakhodilis bannyj kompleks s bassejnom, pomeschenija s gorjachej i kholodnoj vodoj, komnaty dlja otdykha i massazha, a takzhe russkaja banja-parnaja.Otdelka vtorogo etazha Agatovykh komnat poludragotsennymi gornymi porodami Urala, Altaja i Karelii okazalas unikalna dlja evropejskogo iskusstva ne tolko XVIII veka, no i nashego vremeni. Dva kabineta - Agatovyj i Jashmovyj - dekorirovany uralskimi samotsvetami. Nazvanie pavilona opredelilo primenenie v dekore bolshogo kolichestva urazovskoj jashmy, imenovavshegosja vo vremena Ekateriny "mjasnym agatom".Ob istorii proektirovanija i sooruzhenija Agatovykh komnat, ikh vnutrennej otdelke i ubranstve, a takzhe sudbe pavilona v nashi dni rasskazyvaet iskusstvoved Galina Khodasevich. Charlzu Kameronu posvjaschena statja istorika arkhitektury Dmitrija Shvidkovskogo. Izdanie illjustriruetsja arkhivnymi materialami iz sobranij Muzeja-zapovednika "Tsarskoe Selo", Gosudarstvennogo Ermitazha, Muzeja arkhitektury im. A. V. Schuseva i blagodarja sovremennoj fotosemke Alekseja Naroditskogo mozhet stat udobnym putevoditelem po zalam odnogo iz krasivejshikh pavilonov Tsarskogo Sela. 9785604232927.

Leningrad: Leningradskoe Oblastnoe Izdatel'stvo, 1931. Quarto (30 × 21 cm). Original embossed cloth; 92, [11] and 104 pp. With four unnumbered plates in color, two of which folded. One full-page photomontage incorporating a photograph of Stalin printed in red and black. Cover design and photomontage by Valentina M. Khodosevich and Andrei R. Diderikhs. Typographic design by Veniamin P. Belkin. As usual with this publication, with condition flaws: front hinge split; general wear and staining; traces of moisture to upper right corner of text; old bookseller description affixed to first leaf; still good or better. This rare album illustrates and promotes the achievements of the first Five-Year Plan (1928-1932) and stylistically captures a transitional moment in Soviet art and culture. Dynamic photographic compositions are accompanied by explanatory texts, which cite recent statistics to demonstrate the resounding success of the first plan. Constructivist design and photomontage are used throughout the album, even as constructivism was getting progressively attacked in the Soviet press, with the anti-formalist campaign and accusations of bourgeois tendencies of constructivism well underway by the mid-1930s. The diagonal and frieze compositions of photographs, texts and graphic material, as well as bold geometric borders printed in two tones, black and red, are reminiscent of avant-garde publications such as LEF. Documentary photography (factography) of the 1920s, as well as complex photomontages are positioned side by side with staged and pavilion shots more typical of the 1930s in this album. The work is divided into seven thematic sections: Tractor Construction of the USSR; Fuel and the Five Year Plan; Ways of Collectivization; Public Catering in the Service of National Construction; Our Achievements on the Cultural Front, and Public Health in the New Phase. As is typical of albums of the period, photographs of Lenin and Stalin introduce the publication. The album was designed by the husband and wife artistic team of Andrei Diderikhs (1884-1942) and Valentina Khodasevich (1894-1970) and is stylistically similar to their previous collaboration, the five-year plan photographic publication "Udarniki" (Shock Workers). Diderikhs and Khodasevich both studied with modernist masters in Germany and France prior to the Revolution. Upon her return to Russia, Khodasevich worked in the studio of the famous Constructivist Vladimir Tatlin and took part in the exhibits of the Mir Iskusstva (World of Art) and Bubnovyi Valet (Jack of Diamonds) art groups. Both Diderikhs and Khodasevich were active in creating the designs for the public festivities in Petrograd in 1918, for the anniversary of the Revolution, subsequently working in theater and book design. The painter and graphic artist Veniamin Belkin (1884-1951) did the typographic design of the album. Other artists included in the publication are Georgii Vereiskii, Evgenii Belukha, and Adrian Kaplun. Rare; as of February 2024, KVK and OCLC show copies at Chicago (complete), Hoover, and the National Gallery (both only the first two issues).