gastaldi sciltian (22 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: New.

Condizione: Buone. italiano Condizioni dell'esterno: Molto buone Condizioni dell'interno: Ottime.

Paperback. Condizione: New. Italian political terrorism of the 1970s has produced in its aftermath a rich body of memorial writing, created not only by victims or perpetrators but also by the secondary victims of violence, often children of the dead, who many years after their loss ask why their parents or relatives were chosen as targets, what it means for them personally and for the history of the Italian anni di piombo. This volume brings together a body of essays that explore this field of «postmemorial» writing, a field that extends the scope of memory studies, particularly in relation to political violence, and especially when those memories are fragile and indirect. The book analyses the work of victims' children such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, exploring how these authors and others have narrated their unique experiences, from their distant memories of their fathers - each assassinated by different Italian terrorist groups - to their more recent struggles to deal with state institutions ill-equipped to respond to, or indifferent to, their plight. It further examines how their «postmemorial» works have contributed to a new relationship between history and personal memory in Italy. All of these writers, impelled by a sense of marginalization, frustration and sometimes anger to become actors and witnesses against their own will, have added their own indispensable tiles to the mosaic of a national and collective memory of the 1970s that is still largely unresolved in Italy today.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Condizione: NEW.

Condizione: New.

Condizione: new.

Paperback. Condizione: new. Paperback. Italian political terrorism of the 1970s has produced in its aftermath a rich body of memorial writing, created not only by victims or perpetrators but also by the secondary victims of violence, often children of the dead, who many years after their loss ask why their parents or relatives were chosen as targets, what it means for them personally and for the history of the Italian anni di piombo. This volume brings together a body of essays that explore this field of postmemorial writing, a field that extends the scope of memory studies, particularly in relation to political violence, and especially when those memories are fragile and indirect. The book analyses the work of victims children such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, exploring how these authors and others have narrated their unique experiences, from their distant memories of their fathers each assassinated by different Italian terrorist groups to their more recent struggles to deal with state institutions ill-equipped to respond to, or indifferent to, their plight. It further examines how their postmemorial works have contributed to a new relationship between history and personal memory in Italy. All of these writers, impelled by a sense of marginalization, frustration and sometimes anger to become actors and witnesses against their own will, have added their own indispensable tiles to the mosaic of a national and collective memory of the 1970s that is still largely unresolved in Italy today. This volume explores the work of authors such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, whose fathers were victims of Italian political terrorism in the 1970s. It examines how they have narrated their unique experience and how their postmemorials contribute to a new relationship between history and personal memory. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Paperback. Condizione: Brand New. Italian language. 8.27x5.59x1.10 inches. In Stock.

Condizione: new.

Condizione: BUONO USATO. IIIED. Pequod ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Dedica firmata presumibilmente dallo stesso autore al frontespizio, leggera onda all'angolo superiore della prima parte del volume. Francesco ("Chicco") ed Emanuele ("Lele") sono due diciannovenni come tanti. E amano. Si amano. Con un'intensità tale da farli sentire come angeli da un'ala soltanto: possono volare solo abbracciati. I due, romani, si conoscono attraverso le asettiche righe di un "messaggio in bottiglia" lasciato nella bacheca di un sito internet. Inizia così un rapporto bello, condito però dalle incertezze che dominano ogni prima relazione omosessuale. Il rapporto tra i due ragazzi entra in una spirale di crisi e rappacificazioni che si conclude nella presa d'atto della fine dell'amore: l'adolescente sognatore lascia spazio a un giovane uomo che ha imparato il senso del disincanto. Numero pagine 254. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Originalbroschur. Condizione: Sehr gut. 269 S. Ein gutes und sauberes Exemplar. - Italian political terrorism of the 1970s has produced in its aftermath a rich body of memorial writing, created not only by victims or perpetrators but also by the secondary victims of violence, often children of the dead, who many years after their loss ask why their parents or relatives were chosen as targets, what it means for them personally and for the history of the Italian anni di piombo. This volume brings together a body of essays that explore this field of «postmemorial» writing, a field that extends the scope of memory studies, particularly in relation to political violence, and especially when those memories are fragile and indirect. The book analyses the work of victims children such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, exploring how these authors and others have narrated their unique experiences, from their distant memories of their fathers each assassinated by different Italian terrorist groups to their more recent struggles to deal with state institutions ill-equipped to respond to, or indifferent to, their plight. It further examines how their «postmemorial» works have contributed to a new relationship between history and personal memory in Italy. All of these writers, impelled by a sense of marginalization, frustration and sometimes anger to become actors and witnesses against their own will, have added their own indispensable tiles to the mosaic of a national and collective memory of the 1970s that is still largely unresolved in Italy today. - Contents: DAVID WARD: The Wider Context of the Writings by Victims of Terrorism and their Relatives -- VASILIKI PETSA: The Stigma that Dare not Speak its Name: Negotiating Pride and Shame in the Discourse of the Relatives of the Victims of Terrorism -- BARBARA ARMANI: II padre assente. Storia e autobiografia nelle memorie di figli delle vittime del terrorismo di sinistra -- ALESSANDRA DIAZZI: La cicatrice dell'evaporazione del padre in "Colpire al cuore" di Gianni Amelio -- SCILTIAN GASTALDI: 'Era mio padre'. Scopi culturali differenti negli scritti di tre familiari delle vittime del terrorismo: Mario Calabresi, Benedetta Tobagi e Luca Tarantelli -- ILARIA FATTA TRABUCCO: 'Il caso Moro non riguardi i Moro'. La dialettica tra personaggio pubblico e personaggio privato nella figura di Aldo Moro attraverso gli scritti della figlia -- MONICA JANSEN: 'Qualunque cosa succeda'. Il testamento spirituale di Giorgio Ambrosoli -- SCILTIAN GASTALDI: L'ergastolo del dolore. Scopi culturali differenti negli scritti di due familiari delle vittime del terrorismo genovese: Sabina Rossa e Massimo Coco -- ALESSANDRA MONTALBANO: La memoria privata degli anni di piombo -- FLAVIA LAVIOSA: Vittime . Giovanna Gagliardo's Cine-history of the Victims of Terrorism -- LUCA TARANTELLI: Discorso tenuto in occasione della presentazione de "II Libro dell'incontro" alla Sala Zuccari, Senato della Repubblica, Roma, 19 gennaio 2017. ISBN 9781788743266 Sprache: Deutsch Gewicht in Gramm: 377.

Paperback. Condizione: New. Italian political terrorism of the 1970s has produced in its aftermath a rich body of memorial writing, created not only by victims or perpetrators but also by the secondary victims of violence, often children of the dead, who many years after their loss ask why their parents or relatives were chosen as targets, what it means for them personally and for the history of the Italian anni di piombo. This volume brings together a body of essays that explore this field of «postmemorial» writing, a field that extends the scope of memory studies, particularly in relation to political violence, and especially when those memories are fragile and indirect. The book analyses the work of victims' children such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, exploring how these authors and others have narrated their unique experiences, from their distant memories of their fathers - each assassinated by different Italian terrorist groups - to their more recent struggles to deal with state institutions ill-equipped to respond to, or indifferent to, their plight. It further examines how their «postmemorial» works have contributed to a new relationship between history and personal memory in Italy. All of these writers, impelled by a sense of marginalization, frustration and sometimes anger to become actors and witnesses against their own will, have added their own indispensable tiles to the mosaic of a national and collective memory of the 1970s that is still largely unresolved in Italy today.

Condizione: Come Nuovo. Rimanenza di magazzino, libro nuovo che presenta difetti di copertina Dettagli LibroSku: PZZLB48846ISBN: 9788864111445Titolo: Tutta Colpa Di Miguel BoseAutore: Sciltian GastaldiEditore: FaziAnno: 2010Pagine: 395Formato: BrossuraRoma, anni Ottanta.Tra cartoni animati, videoclip, film e telefilm, il protagonista di questo romanzo si crea un immaginario confuso e colorato. La televisione commerciale, vera grande babysitter dei nati in quei favolosi anni, scandisce i gusti e le scelte di questo bambino metrosessuale che sente un irresistibile calore dietro alle orecchie e un formicolio bizzarro in fondo allo stomaco in presenza tanto di Heather Parisi che di Miguel Bosé. Le sue spontanee curiosità sul sesso si scontrano però con la consapevolezza di crescere in una famiglia tipicamente italiana, con un fratello maggiore virilmente iscritto al Movimento Sociale, una sorella integralista cattolica, un padre militare di carriera e una madre cantante di piano-bar un po' svampita. L'esilarante racconto dei graduali comi.

Paperback. Condizione: new. Paperback. Italian political terrorism of the 1970s has produced in its aftermath a rich body of memorial writing, created not only by victims or perpetrators but also by the secondary victims of violence, often children of the dead, who many years after their loss ask why their parents or relatives were chosen as targets, what it means for them personally and for the history of the Italian anni di piombo. This volume brings together a body of essays that explore this field of postmemorial writing, a field that extends the scope of memory studies, particularly in relation to political violence, and especially when those memories are fragile and indirect. The book analyses the work of victims children such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, exploring how these authors and others have narrated their unique experiences, from their distant memories of their fathers each assassinated by different Italian terrorist groups to their more recent struggles to deal with state institutions ill-equipped to respond to, or indifferent to, their plight. It further examines how their postmemorial works have contributed to a new relationship between history and personal memory in Italy. All of these writers, impelled by a sense of marginalization, frustration and sometimes anger to become actors and witnesses against their own will, have added their own indispensable tiles to the mosaic of a national and collective memory of the 1970s that is still largely unresolved in Italy today. This volume explores the work of authors such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, whose fathers were victims of Italian political terrorism in the 1970s. It examines how they have narrated their unique experience and how their postmemorials contribute to a new relationship between history and personal memory. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

PeQuod ; 2004; 9788887418736; Copertina flessibile con risvolti; 21 x 14 cm; pp. 254; Prima edizione.; Minimi segni d'uso ai bordi, interno senza scritte; Molto buono, (come da foto). ; Gli angeli bianchi e sgretolati di Ponte Sant'Angelo vegliano e sorvegliano figliolanze gay e paternità tangentiste tra amori, sentimenti e risentimenti. Esistere non sarà la migliore delle cose che sappiamo fare ma è sicuramente la più necessaria. E Sciltian Gastaldi riesce a dimostrarcelo con un linguaggio senza protesi né botulino, pronto a venire in soccorso al lettore sconfortato e sorpreso con un racconto fitto, convincente e persino rallegrante. Il sentire si mescola e si moltiplica e nella storia di un ragazzo obbligato a crescere ritroviamo i tragitti di quegli uomini incerti e volenterosi, ricchi di impulsi e di paure che si ostinano a tener ben fissa nella mente la convinzione che forse possiamo vivere in modo più degno. Daniele Scalise Francesco ed Emanuele sono due ragazzi come tanti. Studiano, vanno al cinema, ascoltano musica, scrivono e-mail. E amano. Si amano. Con un'intensità tale da essere come angeli da un'ala soltanto: possono volare solo abbracciati. I due, adolescenti e omosessuali, maturano insieme la loro romantica crescita sentimentale, fra i timori della rottura delle convenzioni e la passione totalizzante del primo amore. Angeli da un'ala soltanto tratta argomenti d'attualità affrontando esplicitamente temi centrali per gli adolescenti d'ogni epoca e d'ogni identità sessuale: la capacità d'amare e di amarsi, il coraggio delle scelte, il rispetto dei sogni propri e altrui. ;(NarA24) Scheda a cura di Equilibri libreria. L'immagine corrisponde alla copia in vendita. 011.83.90.381 Italiano.

Paperback. Condizione: New.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.