Gearhart heidi (51 risultati)

Softcover. Condizione: Near Fine. First Edition. [ART HISTORY]. Eds. Susan Boynton, Diane J. Reilly. Contributors: Nicola Camerlenghi, Heidi C. Gearhart, Heather Badamo, Jakub Adamski. "Gesta: International Center of Medieval Art, Volume 58, Number 2, Fall 2019." Chicago, IL: University of Chicago Press, 2019. First edition. English language. Softcover academic journal with spine and pictorial wrappers. Academic articles with black-and-white and full-color illustrations of artwork. 11 x 8 1/2 inches. 14 oz. pp. 103-205. Shelf-wear. Text clean. Near Fine. No ISBN. No ASIN. "The ICMA journal Gesta publishes original research on medieval art and architecture. The journal embraces all facets of artistic production from ca. 300 to ca. 1500 C.E. in every corner of the medieval world. Articles concerning: 'The Millennial Gap in Dome Construction in Rome,' 'Memory, Making, and Duty in the Remaclus Retable of Stavelot,' 'Depicting Religious Combat in the Thirteenth-Century Program at the Monastery of St. Anthony at the Red Sea,' and 'The von der Heyde Chapel at Legnica in Silesia and the Early Phase of the French Flamboyant Style.'".…

hardcover. Condizione: New. 1st.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condizione: Very Good.

Hardback. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Brand New.

Hardcover. Condizione: Brand New. 187 pages. 0.00x0.00x0.00 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. Since its beginnings, art history has turned on the power of artists' names. Exhibitions, galleries, and books revolve around them, and artists' personas continue to captivate audiences. Medieval art, however, has long been cast as an exception-a world thought to lack known makers, where piety eclipsed personality and anonymous craftspeople served God rather than fame.Names to Remember takes a new and nuanced look at this longstanding paradigm. Focusing on Europe from ca. 700 to ca. 1200, Heidi C. Gearhart uncovers a surprising abundance of names, stories, and images of artists and examines how they functioned within their cultural and material contexts. Drawing on inscriptions, saints' lives, chronicles, and artworks, she shows that naming an artist was rarely a neutral act: it could invite contemplation, signal virtue, or shape social and spiritual identities.By revealing how remembrance-and forgetting-helped define artistry itself, Names to Remember reimagines the place of the artist in medieval culture. Gearhart demonstrates how gender, status, and devotion determined whose names endured and whose were lost, offering a new understanding of authorship and artistic value in the Middle Ages. This study will engage art historians, medievalists, and scholars of gender and cultural memory seeking to understand how the very idea of the artist was formed.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2026. hardcover. . . . . .

Hardcover. Condizione: Brand New. 274 pages. 7.00x0.96x10.00 inches. In Stock.

Soft cover. 8vo. pp 184. Original publisher's colour illustrated card covers. Black and white illustrations throughout. Pages slightly toned, covers have a little surface rubbing at rear, corners have small bumps, else content clean. good plus.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Brand New.

Hardcover. Condizione: new. Hardcover. Since its beginnings, art history has turned on the power of artists names. Exhibitions, galleries, and books revolve around them, and artists personas continue to captivate audiences. Medieval art, however, has long been cast as an exceptiona world thought to lack known makers, where piety eclipsed personality and anonymous craftspeople served God rather than fame.Names to Remember takes a new and nuanced look at this longstanding paradigm. Focusing on Europe from ca. 700 to ca. 1200, Heidi C. Gearhart uncovers a surprising abundance of names, stories, and images of artists and examines how they functioned within their cultural and material contexts. Drawing on inscriptions, saints lives, chronicles, and artworks, she shows that naming an artist was rarely a neutral act: it could invite contemplation, signal virtue, or shape social and spiritual identities.By revealing how remembranceand forgettinghelped define artistry itself, Names to Remember reimagines the place of the artist in medieval culture. Gearhart demonstrates how gender, status, and devotion determined whose names endured and whose were lost, offering a new understanding of authorship and artistic value in the Middle Ages. This study will engage art historians, medievalists, and scholars of gender and cultural memory seeking to understand how the very idea of the artist was formed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: NEW.

Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Buch. Condizione: Neu. Neuware - For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to 'read' and 'interpret' images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception.…

Buch. Condizione: Neu. Neuware - Since its beginnings, art history has turned on the power of artists' names. Exhibitions, galleries, and books revolve around them, and artists' personas continue to captivate audiences. Medieval art, however, has long been cast as an exception--a world thought to lack known makers, where piety eclipsed personality and anonymous craftspeople served God rather than fame. Names to Remember takes a new and nuanced look at this longstanding paradigm. Focusing on Europe from ca. 700 to ca. 1200, Heidi C. Gearhart uncovers a surprising abundance of names, stories, and images of artists and examines how they functioned within their cultural and material contexts. Drawing on inscriptions, saints' lives, chronicles, and artworks, she shows that naming an artist was rarely a neutral act: it could invite contemplation, signal virtue, or shape social and spiritual identities.By revealing how remembrance--and forgetting--helped define artistry itself, Names to Remember reimagines the place of the artist in medieval culture. Gearhart demonstrates how gender, status, and devotion determined whose names endured and whose were lost, offering a new understanding of authorship and artistic value in the Middle Ages. This study will engage art historians, medievalists, and scholars of gender and cultural memory seeking to understand how the very idea of the artist was formed.…

Condizione: New.

Condizione: New. In English.

Condizione: New.

Hardcover. Condizione: Brand New. 1st edition. 193 pages. 10.00x8.00x1.00 inches. In Stock.

Hardback. Condizione: New.

Hardcover. Condizione: Brand New. 274 pages. 7.00x0.96x10.00 inches. In Stock.

Hardcover. Condizione: new. Hardcover. In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works.Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of productionfrom thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing.An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearharts book especially edifying and valuable. Explores Theophilus On Diverse Arts, a twelfth-century treatise on artistic techniques. Examines the system of values according to which medieval artists operated and created art objects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…