georgine oeri (28 risultati)

Hardcover. Condizione: very good. Very Good Copy. Customer Service Guaranteed.

hardcover. Condizione: Very Good.

hardcover. Condizione: Good. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book in good condition and may show some signs of use or wear .

Hardcover. Condizione: Used - Good. Condizione sovraccoperta: Good. Dust jacket has shelf wear.

Hardcover. Condizione: Very Good. Hardcover in very good condition. All inside pages are in great shape. Minor shelf wear to the dust jacket.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Quarto, hardcover, near fine in lightly edgeworn black pictorial dustjacket. an introduction to art with 112 color plates 155 pages. Not a history of art but an exposition of motives. Shows how man struggles to depict himself and the world around him throughout the centuries. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Hardcover in near fine condition with near fine dust jacket.

vg+/no dj, clean & tight. Illustrated by glossy color. 1st edition. Binding is brown cloth.

Hardcover. Condizione: Good. No Jacket. Copyright 1968. 155 pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. All the usual markings (Stamps, stickers, etc.) of Ex-University-Library-Book. Book from FIT (Fashion Institue of Technology). Dj missing. Pencil notes inside first front end page. Tight binding. Good study copy.

Hardcover. Condizione: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good -. 1st Edition. Book.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 155 pages illustrations (including 112 color). 25 cm. Subjects; Artists Psychology. Imagination. Creation Literary, artistic, etc. Perception. 3 Kg.

Leineneinband. Condizione: Gut. Leinen mit Schutzumschlag, 24x22,5 cm, 155 Seiten. Leichte Gebrauchsspuren am Schutzumschlag, guter Zustand. Mit vielen Abbildungen 850 gr.

Hardcover. Condizione: Very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good copy with clean pages and dust jacket. First edition. Sm4to. 155 pages.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 155 pages illustrations (including 112 color). 25 cm. Subjects; Artists Psychology. Imagination. Creation Literary, artistic, etc. Perception. 1 Kg.

Hardcover. Dust Jacket Included. 8vo. pp. 155. illus. throughout (many colour). cloth. dw. (bit chipped, two short tears). First Edition.

Condizione: Gut. 155 Seiten / pages. Originaleinenband mit Schutzumschlag. Gut. Good condition. Sprache: Englisch Gewicht in Gramm: 758.

Condizione: Buone. tedesco Condizioni dell'esterno: Discrete con difetti, strappi Condizioni dell'interno: Buone.

Condizione: Very Good. First edition hard back binding in publisher's original grey cloth covers, gilt lettering to spine. Quarto 10'' x 9'' 155 pages ISBN 289795621. Colour and monochrome illustrations throughout. Fine condition book in Very Good condition dust wrapper with 20 mm closed tear to spine tip, shallow rubs to corners, not price clipped, Errata slip pasted to upper paste down. Dust wrapper supplied in archival acetate film protection. Member of the P.B.F.A. ART [Technique & Materials].

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 8° - 155pp - Color and B/w reproductions. First German language edition. Original cloth and dust-jacket. Very good condition.

Gr.-8° Groß-Oktav, Leinen. 155 S. Der Su. hat am oberen Kapital ieine Läsur. Die hintere Umschlagklappe des Su. hat eine Knickspur. Das obere Kapital ist bestoßen. Das untere Kapital ist etwas bestoßen. Die Kopfecke des Hinterdeckels ist etwas bestoßen. M 1.3 Sprache: Englisch Gewicht in Gramm: 870.

Condizione: Gut. Leinen, Abbildungen, Schutzumschlag, dieser leicht berieben, sosnt guter Zustand Sprache: Deutsch Gewicht in Gramm: 1100 , Erstauflage, EA, 155 S. S., gr. 8° OU EA.

Condizione: Fair. Original stapled wrappers, softcover, numerous (full page) illustrations in b/w, 8vo. Signed in pencil on title page by LÃ o Maillet, numbered (564) in fountain pen on colophon page.; Dust jacket worn along the edges, edges browned.

Hardcover mit Schutzumschlag. Condizione: Sehr gut. Zustand: SEHR GUTER Zustand! HC1-456-1/8-00101210 Sprache: Deutsch Gewicht in Gramm: 844.

brochure, 8vo 32 pp., 23 ills., titlepage and p. 29 handcoloured small publication with 24 ills.: dry point, woodcut, etching, drawing, painting; titlepage and plate on p. 29 handcoloured and signed by the artist. Signature and number on page 2.

155 S. Voll bebildert, meistens farbig. // Aus dem Vorwort: [.]The human eye is capable of adapting itself to respond to an infinite number of impacts. It is made to encompass and comprehend a wide variety of visual languages that man himself has devised. These languages seem not to be particularly "natural" but "man-mae": inventions of the human wit, matters of personal experience and training. Who is naturally equipped to read the subtleties revealed under a microscopic lens or an etching by Rembrandt? Whoever has learned seeing anything in anything has learned the seeing by himself. It is not any different with what has been accumulated here. Art is not made for experts, and it is not made for laymen; art is made for men. This endeavor started out by pleasing an audience uninvolved with art. In the process it became obvious that what pleased me had the best chance to please an audience at large"./// Umschlag am Rand wenig berieben, mit kleinem Einriss am Umschlag am Rücken oben. Sprache: Deutsch Gewicht in Gramm: 750 25 x 23 cm. Orig.-Leinenbd. mit Goldprägung. In Orig.-Schutzumschlag.

80 pp.; 28.9 x 23.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P.G. Pavia; "Book Review," by John Stephan "Book Review," by May Natalie Tabak. Artists statements by Paul Brach, Kenneth Campbell, Enrico Donati, John Grillo, Hans Hoffman, Landis Lewitin, Robert Motherwell, Theodoros Stamos, and George Sugarman. Cahier leafs by Fritz Bultman, Alfred Duhrssen, Ibram Lassaw, Kyle Morris, Georgine Oeri. Artists reproductions by Stefan Achilles, Peter Agostini, Alice Baber, Paul Brach, Fritz Bultman, Kenneth Campbell, Herbert Crehan, Nasso Daphnis, Enrico Donati, Helen Frankenthaler, John Ferren, Sam Francis, Jane Freilichter, Sidney Geist, Michael Goldberg, Adolph Gottlieb, John Grillo, Philip Guston, Grace Hartigan, Hans Hoffmann, Paul Jenkins, Matsumi Kanemitsu, Fredrick Kiesler, William de Kooning, Landis Lewitin, William Littlefield, Michael Loew, Corrado Marca-Relli, Nicholas Marsicano, Mercedes Matter, George McNeil, Robert Motherwell, Kyle Morris, Felix Pasilis, Ad Reinhardt, Milton Resnick, Ludwig Sander, Abram Schlamowitz, David Smith, Raymond Spillinger, Theodoros Stamos, Joseph Stephanelli, John Stephan, and George Sugarman. Cover: Robert Motherwell. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Good. Rubbing of cover edges. Artist's [likely, Walter De Maria] studio copy with silver paint stains on verso with handprint and silver paint along text block edge, bleeding over slightly onto pages. 1.5 cm. yellow soiling to page 11. Contents otherwise clean and unmarked.

Mit 2 Orig.-Radierungen, eine davon (ca. 100 x 78 mm) 2-farbig auf Bütten, die andere (ca. 98 x 77 mm) schwarz-weiss, beide sowohl auf der Platte wie auf dem Abzug signiert und lose beiliegend. Die Publikation selbst mit zahlreichen Abb. in Schwarz-weiss, eine davon vom Künstler eigenh. koloriert und signiert. Dazu vom Künstler kolorierter und signierter Schriftzug auf dem Titel. 32 SS. Kl.-8vo. Orig.-Fadenheftung, gelber Schutzumschlag. Einzige Ausgabe. Vom Künstler im Impressum eigenh. nummeriert und signiert. Individuell künstlerische bearbeitetes Exemplar dieser seltenen Monographie über den seit 1944 in der Schweiz lebenden Maler, Zeichner und Radierer Léo Maillet (eig. Leopold Mayer, Frankfurt a. M. 19021990 Bellinzona), Schüler Max Beckmanns. Tadellos.