Gere c m (37 risultati)

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fine. 1st Edition. 204 pp., Maps, Photos, Incl FoldOut Color Map, Blk Illus Paperback, Fine, 1st ed.

Soft cover. Condizione: Very Good. Softcover in VG condition (only mild edge wear, but about 40 pages are slightly rippled along their top edges). Previous owner's telephone number inside the front cover. 204 pages, with photographs throughout. [13oz]. Book.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Very Good. Softcover in VG+ condition (next-to-new). 203 pages, with photographs throughout. [14oz]. Book.

Softcover. Condizione: Very Good. Revised Edition. 14 pages; Farmers' Bulletin no. 1191.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Gere, C. M. (illustratore).

Condizione: New. Gere, C M (illustratore).

Condizione: New. Gere, C M (illustratore).

Hardcover. Condizione: Very Good. Illustrated Edition. Introduction by the Venerable F W Farrar DD. 4th edition in this form. Free front age removed and there are a very few spots to the half-title page, but once in, all is very nice indeed. Gilt design to front. Five designs in text by C. M. Gere. 7 inches by 4 1/2 inches. C. M.Gere (illustratore). …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Gere, C. M. (illustratore).

Paperback. Condizione: Fine. Original covers, 8 1/2 x 11 inches, ix + 101 pp + short appendices, illustrated with black and white drawings and photographs. Softcover, fine: tight, clean, paper crisp, unmarked and apparently never read. Science; disasters; engineering; seismology; history; architecture. …

Condizione: New. Gere, C M (illustratore).

Decorative Cloth. Condizione: Good. No Jacket. First Edition. First edition,size 6.7 "x 9.9" tall,432 pages,green decorative cloth with a black design Book Condition cover is a bit worn & darkened, spine ends rubbed, corners bumped, title page missing, a few loose pages, occasional light spotting. School label on pastedown Leeds school reward 1892, back pastedown small neat inscription by John Hill why he got the book For good conduct, proficiency, and regular attendance at school dated 1892. 432 pages. Walter Paget, Herbert Railton . C M Gere (illustratore). …

Soft Cover. Condizione: Good. Moderate wear. Pages very good, no writing. Fully illustrated w/photos, maps, diagrams. Fold-out color map of major seismic zones of the world. Fascinating account of the causes and effects of earthquakes presents the facts behind the headlines. How to act when an earthquake comes and how to protect yourself and home. For the curious and cautious, renter and property owner, the stay-at-home and traveler whose destination may lie in earthquake country. 204 pages. Size: 8vo - over 7¾" - 9¾" tall. Book.…

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. pp 328-376 + 4pp Index for Volume One. Collection of prose and poetry. Blue covers with white tape binding. Three full page illustrations. Thirteen pages of advertisements. Contributors include Edward Thomas, Gwendolen Darwin (Raverat) and James Stephen. Untrimmed fore edge and top page edge. Clean inside pages. In VG condition. C. M. Gere; Gwendolen Darwin; John Sloan (illustratore).…

Cloth. Condizione: Fine. No Jacket. First Edition. Previous owner's name on the front flyleaf, otherwise a fine 1171 page hardcover first edition copy in tan cloth binding, no DJ. MEDIA SHIPPING ONLY. Special arrangement required for airmail or international shipping.

Hardcover. Condizione: Good Plus. Third Edition. Green cloth stained and worn with water glass marks on front and rear covers, gift inscriptions on front paste down and end paper, 264 pages, wonderful illustrations by C.M. Gere. Gere, C.M. (illustratore).

Condizione: New. KlappentextrnrnThe existence of the Russian Skazki or Marchen was first made generally known to the British Public some twenty years ago by Mr. W. R. S. Ralston in his Russian Folk Tales. That excellent and most engrossing volume was, primarily.. Gere, C. M. (illustratore).

Hardcover. Condizione: Very Good. No Jacket. 3rd Edition. Third edition 1901. Illustrated throughout by C, M. Gere. All edges gilt. Some light foxing in places. Endpapers foxed. Publishers decorated orange cloth. Small mark to the top corner of front cover. Some light rubbing to the edges and with some general light marking. Generally a very good clean solid copy. Illustrated by C. M. Gere. (illustratore).…

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. Tan cloth, 8 1/2 X 11 inches, 1171 pages. Illustrated with drawings, graphs and charts. Shaken else Very good. Heavy, oversized, may require extra postage. (top shelf bkroom).

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar. Gere, C. M. (illustratore).

Hardcover. Condizione: Good. Kempis, Thomas à. The Imitation of Christ. From the Latin of Thomas à Kempis, with an Introduction by the Venerable F. W. Farrar, D.D., and Five Designs by C. M. Gere. London: Methuen and Co., 1896. With five designs by C. M. Gere, all delicately hand-colored in this copy. Extra illustrated with six inserted tissue-covered chromolithographic plates, primarily of saints. Bound in full brown crushed morocco by Ramage with central gilt IHS monogram, spine with raised bands and gilt title. Elaborate gilt-rolled turn-ins with light pastel marbled endpapers; all edges gilt. ("IHS" is the traditional Christogram, derived from the first three letters of the Greek name of Jesus and long used as a devotional emblem.) Bookplate of Henry Fane Haylett Sewell, dated 1906, to front pastedown. Measures approx. 4.5" x 6.5". Some minor rubbing to joints, edges, and corners. Hinges and joints sound. Small chip to upper spine tip. Some sporadic pencil annotations in the text. C.M. Gere (illustratore).…

Soft Cover. Condizione: Very Good. Limited Edition No. 295/300. Soft cover periodical, single issue, in green-grey printed paper wraps, quarto, (7-1/2 x 9-1/2 inches), the cover with engraved decoration to front printed in black. Contains 10 full page black and white illustrations by various artists of the Guild, including Edmund Hort New, Sydney Meteyard, C. M. Gere, Inglis Sheldon Williams, E.H. New, G.T. Tarling and E. G. Treglown, each preceded by a title sheet. Also, three partial page illustrations, two borders, 1 footer and 18 decorative initial caps. An index of the three issues comprising Vol. 2 appears as well. (Numbering is continuous from prior issue.) Thus: [2], [blank], [2], [blank], 95-144pp., [1], [blank], [1], [blank], [1], [blank], [5pp., vol. index and ads].**CONDITION: Very Good. Sound and clean, although with moderate folding which affects the margin of each page. Edges of the yapp-edged wraps have a few some minor (1/4 or less) tears and rumple, as seen. Very light browning at the spine. **Contents: British architect, preservationist, art historian and friend of William Morris, William Lethaby (1857-1931) provides an article entitled "Art, the Crafts, and the Function of Guilds." The onetime Surveyor for Westminster Abbey, Lethaby was responsible for the cleaning and preservation of the fabric of the building in the from 1906- 1928. Additionally, he was principal of London's Central School of Arts and Crafts, Professor of Design at the Royal College of Art and on the Committee for the Preservation of Ancient Buildings. Between 1894 and 1900 he had two building projects in Birmingham, which no doubt brought him into contact with the the work of the Guild. As an early friend of William Morris, he was also involved in the very early meetings of the Kelmscott Press, and later, as a defender of Morris's aims in the period after World War One when his work went somewhat out of favor. ( L. Parry, p. 21; Peterson, History, p. 290)** A portion of Robert Browning's 1852 narrative poem "Childe Roland to the Dark Tower Came" is illustrated here by the English-born artist Inglis Sheldon Williams (1870-1940). The poem has been described as having moody, quest-like theme. Williams emigrated to Saskatchewan, Canada for a time, returning to London to study at the Slade School of Art, later traveling extensively and becoming an official war artist for the Canadians during the First World War. (Nat. Portrait Gallery) **A selection from William Caxton's "The Golden Legend," the Story of Seynt Kenelme, also appears in this issue. The text is presumably taken from William Morris and F.S. Ellis's three-volume Kelmscott edition of 1892, and there is certainly some fun to be had comparing the two sets of texts and noting the minor similarities and differences. However, the significant differences are found in the new illustrations and overall page design provided by the BGH artists, consisting of Meteyard's headpiece, the fancy initial capitals by H.A. Payne, as well as Tarling and Tregown's new full page illustrations of this story of the martyrdom of the ninth century King Kenelme, who was murdered by his sister Quyndrede and her lover Askeberd in an attempt to usurp power in the Welch Marches. Picturesque details of the tale provide ample fodder for the detail of these new drawings. (William Caxton, responsible for the printing of England's earliest books, had famously translated this book of saint's histories known as "The Golden Legend" from the original Latin version compiled by the medieval Bishop of Genoa, Jacobus de Voragine, published by Caxton in 1483.) Following this section are more items relating to the Kenelme story, including W.H. Bidlake's "A Note on Clent Church," and C.M. Gere's illustration of the same. [It is interesting to note that some of the art here was used in later editions of the "Golden Legend," cf. C.M. Gere's illustration in G.V. O'Neill's "The Golden Legend, Lives of the Saints" ( Cambridge, University Press, 1914.)] REFS: DNB, Linda Parry, edit. "William Morris," (New York," Harry N. Abrams, Inc., 1996). pp. 21, 35, 79 etc. W. S. Peterson, Bibliography, A7, pp.19-24. Peterson, History, pp. 290-293. [Please see related Quest issue 5, our no. 9419. The two issues are also available as a set, details upon request--it was thought best to list separately in order to provide differentiated detail.] Scarce. Sydney Meteyard, C.M. Gere, Inglis Sheldon Williams, Oliver Brasket, H. A. Payne, G.T. Tarling and E. G. Treglown (illustratore). Book.…

Soft Cover. Condizione: Fine. Limited edition, Copy 295/300. Soft cover periodical, single issue, in green-grey printed paper wraps, quarto, (7-1/2 x 9-1/2 inches), the cover with engraved decoration to front of wraps printed in black. Contains 5 full page woodblock carved printed illustrations, 11 partial page in-text illustrations, 8 decorated initial capitals, and 4 decorative borders, (including ads and front of wraps, hand printed on Dutch handmade paper. Thus, [2, title and limitation pg.], [blank], [52-53] 54-87pp. , [plus 4pp. advertising], [1]. Numbering is consecutive with that of Quest Issue No. 4, see our listing 9417. **CONDITION: About Fine, with a some very, very minor crease to front of wraps, slight darkening to spine, and some slight offset browning to text, seen opposite plates. Now with tissue inserted. Overall, though, this is clean and has been well cared for. **This issue has decidedly medieval and architectural themes, marking it relevant in the Pre-Raphaelite and William Morris vein of promoting the past as a template for chivalric values, proper, handmade workmanship, and honoring the labor of the craftsperson. Hence, the article" Notes Upon Some of the Differences Between Ancient and Modern Buildings," by the architect and metalworker Arthur Stansfield Dixon (1856-1929), founder of the Birmingham School of Handicraft, and designer of their original premises. Other highlights include Edmund Hort New's wonderful full-page illustration of the medieval French castle at Fougerès. Located in Brittany, this holdfast was destroyed by Henry II in the twelfth century, and later rebuilt as a more durable fortification, sheltering artisans such as tanners, weavers, drapers and, later, glass works. *Following is a selection from the "King's Quair," the 15th-century poem written by the Scottish King James I (1394- 1437), and decorated with illustration by J. Southall and a border by Sydney Meteyard. [The ten-year old King James I sailed from North Berwick, via Bass Rock, in 1403, as his father, King Richard III attempted to keep him safe from the Stewarts. However, James was kidnapped at sea, imprisoned in the Tower of London and, later, Windsor Castle, by agents of the English King Henry IV, and not released until 1424.] The verses are from stanza 42-43 of James's poem, unfortunately "english-afied" from the original Scots. His captivity introduced him to the woman who would become his queen, and this is the section of the poem represented in these pages. (See, Skeat, "The Kingis Quair." (Edinburgh and London: William Blackwood and Son, 1884) pp. vii-ix. Watson 567. C.M. Gere, E.H. New, A.S. Dixon, Sydney Meteyard, H. Payne, F. W. Faux, J. Southall, G.T. Tarling, E.G. Treglown (illustratore). Book.…

Hardcover. Condizione: Very good +. Condizione sovraccoperta: fair. First and Limited Edition. One of 500 copies, large quarto size, 60 pp. and 60 plates, with original dust jacket and prospectus. Ernest William Gimson (1864-1919) is know as one of the greatest of the English architect-designers. "Today his reputation is securely established as one of the most influential designers of the English Arts and Crafts movement in the late nineteenth and early twentieth centuries" (n.b., info and quote from Wiki). As with William Morris, Gimson believed in working with his hands and making things that fit their purpose with beauty, striving for a merger of the practical and the aesthetic. He obhorred things made by machine; doing one's work well, as best as one could, by hand, was the lodestar of his life. Morris and Gimson became friends, and Gimson designed a cottage for May Morris at Kelmscott. This work is a fitting tribute, with opening essays by his friends, two of whom provided line drawings to accompany the essays, and sixty collotype plates printed by Emery Walker. This particular volume has an interesting association, with the Ex-Libris of Rainforth Armitage Walker (1886-1960), based on a chapter heading illustration by Aubrey Beardsley in "Le Morte D'arthur". Per Mark Samuels Lasner, in "The Bookplates of Aubrey Beardsley" (p. 95), this Ex-Libris was not designed as an original bookplate by Beardsley (only three of these are known), but Walker had this Beardsley illustration printed as his Ex-Libris by Hugh Dent, the printer of "Le Morte D'arthur". Walker was a an early fan and collector of the works of Beardsley, and authored several books on the artist and his works. The subscriber list at the back of the book lists an "R.G. Walker" with an address in Bedford Park, with the "G." crossed out in pencil; Rainforth Armitage Walker did live in Bedford, so it is entirely possible the middle initial was a typo and it is, in fact, his name in the subscriber list. To add interest to this volume, we have the original prospectus (which, as of this writing, no other copies online have), and the dust jacket (see condition statement below), as well as both the Errata slip and the spare paper spine label (see description below). A prior owner (perhaps R.A. Walker?) pasted into the book two reviews: the first from The Times Literary Supplement dated 17 April, 1924 and the second from The London Mercury dated May, 1924. ___DESCRIPTION: Bound in quarter natural linen with paper spine label, fore- and bottom edges uncut, the Ex-Libris of R.A. Walker on the front pastedown, the title page with one of the eight in-text line drawings (see p. 9, "The Cottage at Sapperton: South Side"), the limitation statement on the verso of the title page, this copy no. 21 of 500, the Errata slip bound in between the limitation page and the Contents, the three essays followed by the section of collotype plates "made from drawings by Ernest Gimson and photographs of his completed work" (p. 35), following the plates is a "List of the Original Subscribers" which include, among many others, C.H. St J. Hornby, W.R. Lethaby, May Morris, B.H. Newdigate, A.R. Powys, and Emery Walker, tipped onto the rear pastedown is the spare spine label; Caslon type on Batchelor's Kelmscott Hand-made paper, large quarto size (the binding measures 12" by 8 3/4"), pagination: [i-iv] v-vii [1, blank] 1-46 [1, blank] [60 plates printed on rectos only], i-v (List of Subscribers). The prospectus consists of a single leaf (11 3/8" by 8 1/2"), on one side is a mirror of the title page with a short announcement above ("Ready in March.) and the other side with standard prospectus information including, at the bottom, a short section which could be used to order the book. The dust jacket is quite simple, the front panel with just the book's title and "Four guineas net" at the bottom, the spine again with just the book's title, and the back panel with the press device of the Shakespeare Head Press. ___CONDITION: Volume better than very good, the boards clean (although showing some offs. …

Decorative Boards. Condizione: Near Fine. 12 issues bound in 2, published between October 1910 - September 1911. [10], 376, iv, [32] ads ; [10], iv, [30] pp. Elegant half cream buckram over decorative boards with gilt-tooled lettering to spine. Uncut. Light discolouration to top of boards, leaves toned but clean throughout. Bookplates to paste-down of vol. 1 and small inscriptions in ink to rear endpapers. 'The Open Window' was a monthly illustrated magazine published in West & Central London, running for six months from October 1910, and then five months from April 1911. These 2 volumes contain the full 12 issues, the third issue containing Katherine Mansfield's first published work 'A Fairy Story'. Written contributions include: Edward Thomas, E. M. Forster, George Bourne, Katherine Mansfield, Maxwell Armfield, Douglas Goldring, W. H. Davies, Geoffrey Whitworth, Lord Dunsany, John Drinkwater, Walter de la Mare and Vivian Locke Ellis etc. Artworks contributors include: C . J. Holmes, John Sloane, Auguste Rodin, Maxwell Armfield, C. M. Gere, Jack B Yeats. Adverts and a pair of wraps bound in. 16mo.…

Condizione: New. Print on Demand. Gere, C M (illustratore).

312pp, 200 colour and 150 b&w plates. The book covers all aspects of design from Gothic Revival to Art Nouveau and the work of major designers. One of the most well researched and up to date books on the period.