Ginger van den akker (2 risultati)

Autore: 
Perfeziona con la Ricerca avanzata

Perfeziona la tua ricerca

  • Libri (2)

  • Come descritto (2)

a

Fascia di prezzo personalizzata (EUR)

a

  • Lingua: Olandese

    Editore: Museum Het Schip, 2021

    9082921146 / 9789082921144

    • Brossura

    Da: Buchpark, Trebbin, GermaniaBuchpark

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Usato

    EUR 17,77

    EUR 105,00 spedizione 
    Spedito da Germania a U.S.A.

    Quantità: 5 disponibili

    Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

  • Condizione: Usato

    EUR 42,60

    EUR 22,45 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibile

    30 x 23cm. Published on the occasion of an exhibition held at Stedelijk Museum, Amsterdam, Netherlands, May 18th to September 24th 2023. This book sheds new light on nineteenth and early twentieth-century modern artists and designers. At the time European artists who felt that their gains from individual freedom had been paid for with the loss of direct involvement in society turned to "community art" or art for everyone. Committed designers who were inspired by technological and social modernity were not only concerned with beauty, but also with concepts of the "true" and the "good"; well-designed utensils, for instance, could positively influence people and their environments. The relationships between European and extra-European visual art and design from appropriation to interactions are examined through several exemplary objects. The exhibition included works by R.W. Winfield, Michael Thonet, William Morris, Vincent van Gogh, Kawanabe Kyosai, Jozef Israels, George Hendrik Breitner, Suze Robertson, Suzanne Valadon, Jan Toorop, H.P. Berlage, Gerrit Rietveld, Marcel Breuer, Margaret Bourke-White, Fernand Leger and A.M. Cassandre, among others. These works are accompanied by a selection of objects from New Guinea, Suriname, the Democratic Republic of the Congo, Fiji, and Japan, made by unknown artists. Chapters include 'From modern to modernism', ?'Metal is a revolution: a new material in furniture design?', 'Community art and modern society', 'Decolonizing modernism(s)', etc. Fragile die-cut cover slightly shelf-worn, otherwise good condition.…