Giorgio tinazzi (78 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Paperback. Condizione: Good+. 0.9 X 6 X 8.5 inches; 402 pages; Stains to edge of pages due to a spill. Sticker on barcode. Very Good overall condition otherwise. No other noteworthy defects. No writing.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. 1st University of Chicago Press Edition; First Printing.…

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Brossura. Condizione: buono. In-16° carré, pp. 129 (2) cat. edit. Bross. bianca ill. con silhouette di Antonioni al piatto ant. e ritr. fot. b/n di Antonioni al piatto post., tit. nero ai piatti e al ds. Ingialliture diffuse e ingialliture a bordopagina.

Paperback. Condizione: Very Good-. Binding solid. Pages unmarked and only slightly aged. Cover has some wear to edges, mainly at corners, but otherwise glossy. ; 8.5 X 6.1 X 1.1 inches; 402 pages.

Condizione: MOLTO BUONO. Firenze, La Nuova Italia cm.15x16,5, pp.127,(9), brossura, cop.fig. Collana Il Castoro Cinema,1.

cm.21, brossura, pp.138, 31 tavole fotografiche f.t., ottimo. 'Saggi'n. 47. ban4 4690.

Brossura. Condizione: Usato - Ottimo. Giorgio Tinazzi: Il cinema francese attraverso i film. Carocci, 2011pp. 278. A cura di Giorgio Tinazzi.

Brossura. Condizione: Usato - Ottimo. Giorgio Tinazzi: Il cinema francese attraverso i film. Carocci, 2011pp. 278. A cura di Giorgio Tinazzi.

Condizione: New.

Hardcover. Condizione: new. Hardcover. "A filmmaker is a man like any other; and yet his life is not the same. . . . This is, I think, a special way of being in contact with reality." Or so says Michelangelo Antonioni, the legendary filmmaker behind the stark landscapes and social alienation of Blow-Up and L'Avventura, who here reveals his idiosyncratic relationship with reality in The Architecture of Vision. Through autobiographical sketches, theoretical essays, interviews, and conversations with such luminaries as Jean-Luc Godard and Alberto Moravia, this compelling volume explores the director's unique brand of narrative-defying cinema as well as the motivations and anxieties of the man behind the camera. "The Architecture of Vision provides a filmmaker's absorbing reflections and insights on his career. . . . Antonioni's comments . . . deepen and humanize a sometimes cerebral book."--Publishers Weekly "[Antonioni's] erudition is astonishing . . . few of his peers can match his verbal articulateness."--Film Quarterly "This valuable resource offers entree to material difficult to gain access to under other circumstances."--Library Journal "A filmmaker is a man like any other; and yet his life is not the same. . . . This is, I think, a special way of being in contact with reality." Or so says Michelangelo Antonioni, the legendary filmmaker behind the stark landscapes and social alienation of "Blow-Up" and "L'Avventura," who here reveals his idiosyncratic relationship with reality in "The Architecture of Vision," Through autobiographical sketches, theoretical essays, interviews, and conversations with such luminaries as Jean-Luc Godard and Alberto Moravia, this compelling volume explores the director's unique brand of narrative-defying cinema as well as the motivations and anxieties of the man behind the camera. ""The Architecture of Vision" provides a filmmaker's absorbing reflections and insights on his career. . . . Antonioni's comments . . . deepen and humanize a sometimes cerebral book."—"Publishers Weekly" " " "[Antonioni's] erudition is astonishing . . . few of his peers can match his verbal articulateness."—"Film Quarterly" " " "This valuable resource offers entree to material difficult to gain access to under other circumstances."—"Library Journal" Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

216 S., Filmografie, Bibliographie, Register. Broschur. Leichte Gebrauchsspuren.

Small square 8vo. [149pp.] Italian text. Pages slightly browned. Paperback in original white wrapps. lettered in grey and black, slightly rubbed. ISBN 8880330136 US$5.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Near Fine. 1st Edition. First American edition. Very light bump to upper corners. Otherwise a fine hardcover copy with no marks to inside pages. Not ex-library, Not price-clipped. Not ex-library. Binding is square and firm. 402 pages. s254.

Condizione: NEW.

Condizione: NEW.

Soft cover. Condizione: Fine. 1st Edition. Fine copy. [HK13P2].

In brossura, leggeri i segni di usura. Interno in buone condizioni.

Condizione: buono. Cinema e Tv Storia e Critica Entertainment Cinema and TV History and Criticism bross. edit. ill., lievi tracce d'uso - prima edizione - alcune illustrazioni in b.n. nel testo OTTIME CONDIZIONI.

paperback. Condizione: New. Special order direct from the distributor.

Condizione: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condizione: New. 2007. Reprint. paperback. . . . . .

Condizione: buono. Cinema e Tv Storia e Critica Entertainment Cinema and TV History and Criticism Saggi Marsilio 55 bross. edit. ill., rari segni a matita rossa e blu, piccole mancanze e segni di piega al dorso - prima edizione it. - trad. di Antonio Costa - illustrazioni in b.n. fuori testo BUONE CONDIZIONI.…

Condizione: buono. Cinema e Tv Storia e Critica Entertainment Cinema and TV History and Criticism Saggi bross. edit. ill. - prima edizione - illustrazioni in b.n. nel testo OTTIME CONDIZIONI.

Condizione: COME NUOVO. NOTA:Lievissime imperfezioni alla copertina, interno nuovo. / Milano, Silvana Editoriale cm.24,5x29, pp.159, ill.bn. legatura editoriale, copertina fig. Il cinema ha la narratività strettamente avvinta al corpo: la definizione di Christian Metz inquadra in maniera incisiva il rapporto tra le due forme espressive che, dopo aver caratterizzato l'intero Novecento, sembra oggi imporsi con rinnovata intensità. Il volume, oltre a celebrare il 40° anniversario della manifestazione nazionale dedicata al tema, l'Efebo d'oro, offre le riflessioni di alcuni tra i più noti critici e studiosi italiani - Giulia d'Agnolo Vallan, Mauro Gervasini, Nicola Lagioia, Emanuela Martini, Emiliano Morreale, Oscar Iarussi, Alberto Pezzotta e Giorgio Tinazzi - su aspetti che non hanno la pretesa di esaurire il perimetro delle questioni attinenti, ma di attraversarne il vasto territorio, tra le infinite possibilità di approccio. A cura di ALberto BArbera.…