Giulia cenci (12 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Paperback. Condizione: New. Illustrated - Bilingual.

Condizione: new.

Hardback. Condizione: New. Illustrated.

Brossura. Condizione: new. Bergamo, 2014; br., pp. 24, ill., cm 11x15. "'una chiacchierata informale', informale come i progetti che 'The Blank' realizza con gli artisti, e di cui questa serie di conversazioni fa parte, informale come l'Informale che negli Anni Sessanta era in polemica con tutto e tutti, dalla forma alla conoscenza razionale che ne derivava. Più o meno irrazionale quindi; d'altronde qualcosa alla ragione deve sfuggire nel passaggio tra la chiacchierata, ossia la parola, e il testo, ossia questo piccolo libro che condensa i quattro giorni passati a Bergamo da Giulia Cenci, nell'informale tenuta a calzoni optical bianchi e neri, nell' irrazionale residenza anni Sessanta di 'The Blank', ma anche in giro per la città, tra piscine e salotti belli, dove, non fosse altro per gli specchi, i punti di vista si inclinano, le conversation si fanno più nobili, e dalle parole nasce più o meno il testo.". Libro.…

Taschenbuch. Condizione: Neu. Neuware - Like Eliot's 'hollow men' of the poem, Cenci's sculptures are helplessly and hopelessly unmoored from both time and from themselvesPublished with Palazzo Strozzi. Inspired by the T.S. Eliot poem of the same name, The Hollow Men by Italian sculptor Giulia Cenci (born 1988) is a site-specific installation in the Palazzo Strozzi filled with emaciated, anthropomorphic figures alienating the viewer from their own time and probing the contradictions of the human condition.…

Brossura. Condizione: come nuovo. prima edizione. Jacopo Benassi / Giulia Benassi | Pietraia Nero editions, 2025 A cura e testo di Antonio Grulli Direzione creativa di Francesco De Figueiredo Progetto grafico di Marco De Ieso, Nero Traduzione di Anna Martinelli Brossura, cm. 24 x 34, pagine 120 Lingua inglese Pietraia is the result of the encounter between sculptor Giulia Cenci and photographer Jacopo Benassi - their practices merging to create a new body of work, where the hybrid forms of her pieces and his visceral gaze generate a shared language of transformation. Introduced by curator Antonio Grulli, the artists met in Milan and then gathered in Pietraia, a rural village where Cenci set up her studio in the former stables of her family's farm. There, she works with metal to create casts of organic and mechanical bodies - branches and pipes, bones and pistons, human and animal faces - which she assembles and disassembles to shape new, visionary figures. Benassi photographed these creations indoors, in the studio, and outdoors, in the woods. Rejecting conventional modes of documentation, he worked in darkness, using flash and long exposures, fragmenting and multiplying the shapes, turning heavy metal into trails of pure light. Rearranging Cenci's works into unexpected constellations - relating and contrasting with each other and with the surrounding vegetation - his shots reveal their spectral nature and amplify their phantasmatic presence. "A cast is a photographic process, albeit a three-dimensional one" - writes Grulli. At the same time, using the blinding flash of his camera, Benassi sets out to "re-sculpt" Cenci's figures. Pietraia thus becomes the outcome of a collaboration where two distinct practices fuse, giving rise to something entirely new - an uncanny language of light and matter, haunted and alive.…

Paperback. Condizione: New. Illustrated - Bilingual.

Hardback. Condizione: New. Illustrated.

Brossura. Condizione: come nuovo. prima edizione. Pietraia is the result of the encounter between sculptor Giulia Cenci and photographer Jacopo Benassi—their practices merging to create a new body of work, where the hybrid forms of her pieces and his visceral gaze generate a shared language of transformation. Introduced by curator Antonio Grulli, the artists met in Milan and then gathered in Pietraia, a rural village where Cenci set up her studio in the former stables of her family's farm. There, she works with metal to create casts of organic and mechanical bodies—branches and pipes, bones and pistons, human and animal faces—which she assembles and disassembles to shape new, visionary figures. Benassi photographed these creations indoors, in the studio, and outdoors, in the woods. Rejecting conventional modes of documentation, he worked in darkness, using flash and long exposures, fragmenting and multiplying the shapes, turning heavy metal into trails of pure light. Rearranging Cenci's works into unexpected constellations—relating and contrasting with each other and with the surrounding vegetation—his shots reveal their spectral nature and amplify their phantasmatic presence. "A cast is a photographic process, albeit a three-dimensional one"—writes Grulli. At the same time, using the blinding flash of his camera, Benassi sets out to "re-sculpt" Cenci's figures. Pietraia thus becomes the outcome of a collaboration where two distinct practices fuse, giving rise to something entirely new—an uncanny language of light and matter, haunted and alive. BENASSI, Jacopo / CENCI, Giulia (illustratore).…

Paperback. Condizione: new. Paperback. Like Eliot's "hollow men" of the poem, Cenci's sculptures are helplessly and hopelessly unmoored from both time and from themselvesPublished with Palazzo Strozzi. Inspired by the T.S. Eliot poem of the same name, The Hollow Men by Italian sculptor Giulia Cenci (born 1988) is a site-specific installation in the Palazzo Strozzi filled with emaciated, anthropomorphic figures alienating the viewer from their own time and probing the contradictions of the human condition. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…