giulia paoletti (97 risultati)

Hardcover. Condizione: Wie neu. Ohne Schutzumschlag. 1. Auflage. 128 pages with many illustrations, partly coloured.

Condizione: good.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New. Brand New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Hardcover. Condizione: new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783777426327.

Condizione: New. pp. 128.

Condizione: New.

Condizione: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . .

hardcover. Condizione: fine. First. Illustrated in color and in black and white. 128 pages. Short, slim 4to, printed boards. New York: Columbia University Press, (2016). A fine copy.

Hardcover. Condizione: Brand New. 01 edition. 128 pages. French language. 10.25x8.25x0.75 inches. In Stock.

Hardcover. Condizione: New.

Condizione: Wie neu. 1. 128 Seiten Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 660 Gebundene Ausgabe, Größe: 20.3 x 1.5 x 25.4 cm.

Condizione: New. pp. 128.

Hardcover. Condizione: Good.

Condizione: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Neuware -Bis in das 20. Jahrhundert stellte die afrikanische Porträt-Fotografie hauptsächlich den Menschen und sein soziales Umfeld in den Mittelpunkt. Das Subjekt der Aufnahme sollte gleichsam als Fenster zur Realität des Kontinents dienen. Die zeitgenössischen afrikanischen Fotografen Sammy Baloji, Mohamed Camara, Saïdou Dicko und George Osodi vereint dagegen die Überzeugung, dass Foto-Porträts als Spiegel des Selbst fungieren. Balojis Montagen verlassen den historischen Kontext, Camara lotet die Grenzen des Genres aus, Dicko spielt mit der Ambivalenz von Darstellungsmöglichkeiten und Osodi betont politische Aussagen. Zusammen zeigen Ihre Bilder die faszinierende Bandbreite der zeitgenössischen afrikanischen Fotografie. 128 pp. Englisch.

Buch. Condizione: Neu. Neuware -Bis in das 20. Jahrhundert stellte die afrikanische Porträt-Fotografie hauptsächlich den Menschen und sein soziales Umfeld in den Mittelpunkt. Das Subjekt der Aufnahme sollte gleichsam als Fenster zur Realität des Kontinents dienen. Die zeitgenössischen afrikanischen Fotografen Sammy Baloji, Mohamed Camara, Saïdou Dicko und George Osodi vereint dagegen die Überzeugung, dass Foto-Porträts als Spiegel des Selbst fungieren. Balojis Montagen verlassen den historischen Kontext, Camara lotet die Grenzen des Genres aus, Dicko spielt mit der Ambivalenz von Darstellungsmöglichkeiten und Osodi betont politische Aussagen. Zusammen zeigen Ihre Bilder die faszinierende Bandbreite der zeitgenössischen afrikanischen Fotografie. 128 pp. Englisch.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Hardcover. Condizione: new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. A richly illustrated history of photography in one of the epicenters of African modernityWhen the daguerreotype first arrived in sub-Saharan Africa in the early nineteenth century, local kingdoms still held power in Senegal and the French presence was limited to trading outposts along the coast. The pioneers of photography in Senegal worked within, across, and beyond the borders of colonial empire, expanding the medium's possibilities and contributing to a global visual language. Portrait and Place explores these unique encounters, providing an in-depth and nuanced look at the images made at the intersection of Black Atlantic, Islamic, and African cultures.Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa's most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like Oumar Ka and once-anonymous figures such as Macky Kane. Paoletti examines both professional and amateur artists in genres ranging from portraiture to landscape and across media such as glass painting and lithography.Featuring a wealth of breathtaking images published here for the first time, Portrait and Place brings to life the important histories of photography on the African continent.