Sandrine colard (81 risultati)

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Wie neu. Ohne Schutzumschlag. 1. Auflage. 128 pages with many illustrations, partly coloured.

Hardcover without dustjacket as issued; 252 pages; in English, French and Dutch; good condition; 2 small hole punches to upper and lower left corner of rear cover; long creases to lower right corner of pages 155-158; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2021. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2021. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Condizione: New. Brand New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783777426327.

Condizione: new.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Condizione: New. pp. 128.

hardcover. Condizione: Very Good. Oversized hardcover in overall very good condition. Cover is clean with canvas texture. 272 pages. Inside, pages are clean and crisp, printed in B&W. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . .…

hardcover. Condizione: fine. First. Illustrated in color and in black and white. 128 pages. Short, slim 4to, printed boards. New York: Columbia University Press, (2016). A fine copy.

Hardback. Condizione: New. Recaptioning Congo places the colonial Congo's photography history in new perspectives. Six writers and everyday Congolese urban voices take an African-centered look at imperial archival images and provide them with creative, contemporary and/or literary 'captions'. The book, linked to an exhibition in the photography museum FOMU Antwerp, is based upon the extensive research of the photographic history of colonial Congo (1885 - 1960), conducted by Dr. Sandrine Colard. It contains a wealth of revealing images that highlight the relationship between past and present, Africa and Europe and Belgium and Congo.Text in English, French and Dutch.…

Hardcover. Condizione: Brand New. 01 edition. 128 pages. French language. 10.25x8.25x0.75 inches. In Stock.

Hardcover. Condizione: New.

Hardcover. Condizione: New. Style Congo: Heritage & Heresy Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Condizione: New. pp. 128.

Condizione: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

hardcover. Condizione: New. **HARDBACK** Text in English, French and Dutch.

Hardcover. Condizione: new. Hardcover. Recaptioning Congo offers a new perspective on Congo's colonial history through a nuanced re-examination of historical photographs. Six writers and a visual artist, led by Sandrine Colard of Rutgers University, contemplate an important collection of historical images and provide them with insightful, contemporary 'captions'. This book, linked to an exhibition at the photo museum FOMU Antwerp, is part of the first large-scale academic study of the photographic history of colonial Congo (1885 - 1960), and contains a wealth of revealing images that highlight the relationship between past and present, Africa and Europe, Belgium and Congo. Text in English, French and Dutch. AUTHOR: Dr. Sandrine Colard (ed.) is an independent curator, a researcher, and a professor of African art history at Rutgers University-Newark (New Jersey, USA). She is a 2021-2022 Getty/ACLS fellow for the completion of her manuscript about the history of photography in colonial Congo. SELLING POINTS: . Writers and artists take a new look at the photo archives of Colonial Congo . With contributions from celebrated writers and artists with Congolese roots such as Fiston Mwanza Mujila, Jean Bofane and Sammy Baloji . Based on the first-ever comprehensive survey of colonial Congo's photographic history, led by Dr. Sandrine Collard 50 colour, 250 b/w illustrations Recaptioning Congo offers a new perspective on Congo's colonial history through a nuanced re-examination of historical photographs, including insightful, contemporary 'captions'. Text in English, French and Dutch. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.