Gogmagog press (37 risultati)
Editore: PINNER: Private Libraries Association. 1991., 1991
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Da: Paul Orssich HISPANIC STUDIES, OKEFORD FITZPAINE, DORSE, Regno UnitoPaul Orssich HISPANIC STUDIES
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Aggiungi al carrello4to. Publishers' cloth; title blocked in black on spine, both covers with vertical lines blocked in black.184 pp; B&W and colour illustrations.LIMITED EDITION of 1650 (of which 500 for sale) Includes full bibliography of the Gogmagog Press. Handsome production.
Morris Cox & The Gogmagog Press. Gogmagog, by David Chambers, Colin Franklin and Alan Tucker.
GOGMAGOG PRESS. CHAMBERS (David), FRANKLIN (Colin) & TUCKER (Alan)
Editore: Pinner: Private Libraries Association, 1991
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- Prima edizione
Da: Forest Books, ABA-ILAB, Grantham, LINCS, Regno UnitoForest Books, ABA-ILAB
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EUR 30,09
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Aggiungi al carrelloFirst Edition, 4to, 184pp., limited edition, bookplate, frontis., illustrs., (some in colour), orig. decorated cloth, a nice copy.
Editore: PLA 1991., 1991
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Da: Adam Mills Rare Books, Cambridge, Regno UnitoAdam Mills Rare Books
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EUR 36,11
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Aggiungi al carrelloRed cloth strikingly stamped in black. Sm.folio, c.pp184, fine. Includes c.40 illustrations + 16 colour plates. Authoritative work on one of the most idiosyncratic English presses. Handsome Limited Edition. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.
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Gogmagog. Morris Cox and the Gogmagog Press.
[The Gogmagog Press] Chambers, David, Franklin, Colin, and Tucker, Alan.
Editore: Pinner: W.S. Maney & Son Ltd for the Private Libraries Association, 1991., 1991
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- Prima edizione
Da: OJ-BOOKS ABA / PBFA, SOLIHULL, Regno UnitoOJ-BOOKS ABA / PBFA
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EUR 54,17
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Aggiungi al carrelloHardcover. Condizione: Very Good. 1st Edition. First Edition, one of 1650 copies, of which 500 were for sale. Original red cloth by Smith Settle, boards with black stripes, spine lettered in black, black endpapers. Clear, removable, archival protective cover fitted to the book. Folio in 8s (271 x 182 mm). Title-vignette after Co…x. Half-tone portrait frontispiece, 16 colour-printed plates, half-tone illustrations in the text. A book in Very Good condition; top-edges of bookblock very lightly spotted.
Editore: Gogmagog Press nd, London
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloSingle sheet folded once vertically, in handmade Japanese paper wraps. Fleuron by Roderick Cave.
Editore: London (Gogmagog Press), n.d.
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.Ars Libri, Ltd. (ABAA)
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Aggiungi al carrello(4)pp. 12mo. Printed on recto only and folded within decorated Japanese paper cover.
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Editore: Pinner: Private Libraries Association, 1991, 1991
- Prima edizione
Da: David Brass Rare Books, Inc., Calabasas, CA, U.S.A.David Brass Rare Books, Inc.
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Aggiungi al carrelloFirst Edition. The Definitive Study of Gogmagog Press [GOGMAGOG PRESS]. CHAMBERS, David. FRANKLIN, Colin. TUCKER, Alan. Gogmagog. Morris Cox & the Gogmagog Press. Pinner: Private Libraries Association, 1991. First edition. Octavo (10 11/16 x 7 1/8 inches; 271 x 181 mm.). 184 pp. Illustrated throughout in color and black & white.… Publisher's original orange cloth with black stripes. A fine copy, clean and well preserved. The definitive study of Gogmagog Press and its founder Morris Cox, one of the most individual and influential figures in postwar British private-press printing. Drawing on close personal knowledge, archival research, and first-hand technical understanding, the authors chart Cox's uncompromising approach to typography, illustration, and book design, as well as the press's deep engagement with folk art, wood engraving, and English vernacular traditions. Lavishly illustrated with examples of Gogmagog books, ephemera, trial proofs, and working materials, the volume documents not only the finished productions but also the creative process behind them. Issued by the Private Libraries Association, it stands as the standard reference on the press and an essential resource for collectors, printers, and historians of twentieth-century private printing. A cornerstone reference for libraries and collections concerned with private presses, fine printing, and the continuing legacy of English book arts in the modern era.
Editore: Gogmagog Press, London, 1988
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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EUR 223,07
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Aggiungi al carrello2 volumes, illustrated with a total of 10 double-page and one single-page collages. Chambers 70. Copy number 34 of 50 copies, numbered and signed in ink by Tucker and Cox. Green cloth boards, printed on Japanese handmade paper. In green cloth slipcase with black paper sides.
Editore: Gogmagog Press, London, 1977
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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EUR 245,38
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Aggiungi al carrelloRed-brown Mingei paper boards with black and white title and designs by Cox and acetate dust jacket. Chambers 29. Copy number 58 of 90 copies numbered and signed in ink by the author on the colophon. Printed on Hodgkinson's and Japanese Mingei handmade papers.
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Editore: Gogmagog Private Press, London, 1967
- Rilegato
- Prima edizione
- Firmato
Da: Michael Pyron, Bookseller, ABAA, Conshohocken, PA, U.S.A.Michael Pyron, Bookseller, ABAA
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EUR 294,45
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Aggiungi al carrelloHard Cover. Condizione: Very Good+ binding. First Edition. Slim octavo. [13] French fold leaves, illus. Limited edition, number 36 of 40 copies "reserved for members of the Society of Private Printers" from a full edition of 100 copies. Signed by Cox on the limitation page. Bound as issued, in Japanese Hana-asa paper over boards…; 3 full page illustrations printed in black on green paper. Printed and bound by the author. Spine is a trifle darkened; some light soiling to the rear cover; binding has a notable forward lean; contents clean. A nice book that truly is a product of its time. Signed.
Editore: 8vo, 30 leaves (joined at the fore-edges), Text printed by John Craig at the Ten Bells Press, London: The Gogmagog Private Press, 1977., 1977
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- Prima edizione
Da: Collinge & Clark, London, Regno UnitoCollinge & Clark
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EUR 300,94
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Aggiungi al carrelloHardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Text set in Bodoni and Bodoni Ultra Bold italic, title-page in French Antique (metal and wood letter) Figaro and Rockwell Bold. One of 90 copies printed in black (the title-page in black and deep turquise blue; the press mark in brown; the prints in variou…s colours) on Hodgkinson's and Japanese Mingei hand-made papers. Red-brown Mingei paper boards, printed in white and black on the front, back and spine with title and designs by Morris Cox. Acetate dust-jacket. A fine copy. 'This group of pecise 'Poems on Victorian Themes with Psychological Implications' is illustrated with three double-page linocuts finely composed and printed with a modulation of colours which suit their Victorian death-themes. Anoth, emblematic, appears a frontisipece and spreads towards the title. They achieve effects of dim snow among the mourners, for example, and sea to which the sailor tumbles from his yard-arm.' (Chambers).
Editore: Gogmagog Press, London, 1967
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 18. One of 60 copies out of a total edition of edition of 100 copies, bound in Rakusuki paper boards, numbered and signed in ink by the author on the colophon. Printed on damped Japanese Hososhi, with illustrations on blue Mingei.
Editore: Gogmagog Press, London, 1967
- Brossura
- Firmato
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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EUR 401,53
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Aggiungi al carrelloNeat and attractive book-label with initials "WP" at the bottom of the front endpaper. Neat and attractive book-label with initials "WP" at the bottom of the front endpaper Chambers 19. Copy number 13 of 65 copies numbered and signed in ink by the author on the colophon. Printed on Barcham Green Dover Castle handmade paper, boun…d in natural felt boards with orange flame pattern at covers. Japanese endpapers, matching paper slipcase with silk draw ribbon. Prospectus laid-in.
Editore: Routledge & Kegan Paul Ltd, London, 1954
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- Prima edizione
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloSpine of dust jacket slightly faded, otherwise a fine copy. Spine of dust jacket slightly faded, otherwise a fine copy First edition of Cox's first commercially published book. Chambers d. The original book with red cloth binding and dust jacket designed by Morris Cox.
Editore: 42 leaves (joined at the fore-edges), 21cm, Gogmagog Press, Designed, hand-printed and bound by [Morris Cox], 1964., 1964
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- Prima edizione
Da: Collinge & Clark, London, Regno UnitoCollinge & Clark
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EUR 601,88
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Aggiungi al carrelloHardcover. Condizione: Fine. 1st Edition. Set in Bodoni Ultra Bold. 50 copies printed in black, red and blue (illustrations in various colours) on Hosho paper. Number 14 of 50 copies. Quarter vellum with boards covered inside and out with heavy Hosho paper, printed in yellow-green; spine printed in Braggadaccio in black and rd.…Grey-blue endpapers. Stone coloured slipcase edged with pale yellow plastic with grey and black monotypes on the sides; orange ribbon pull. A fine copy. Twenty-six expressive and simple abstract colour-prints explore the lines of force which fascinated Morris Cox in the reticulations of a cracked plate when he made A Bird s World (1959). His nature-printing uses fern leaves and cake foil as poetry. This early book is particularly important insofar as it expresses the artist s trust in whatever line of force appears and would lead to greater experiments, most particularly with blind drawing . His purpose was ambitious, "to bring the act of printing as near as possible to the immediacy necessary to the mechanics of true creation". The foreword should be read carefully, because it becomes his creed.
Editore: Crown 4to, 43 leaves (joined at the fore-edges) plus tipped-in note, 29.5cm, Gogmagog Press, London, 1973 (1974)., 1974
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Da: Collinge & Clark, London, Regno UnitoCollinge & Clark
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EUR 902,83
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Aggiungi al carrelloHardcover. Condizione: Fine. Dust Jacket Included. 1st Edition. Text set in Matura; title-page in French Antique and Fat Face wood letter, Bodoni Ultra Bold and Figaro; half-title in Bodoni Ultra Bold. Number 55 of 75 copies, signed by Morris Cox, printed in black and various colours (the prints in black with chiaroscuro backgro…unds in blue; text pages with monotype patterns in white on the yellow paper) on Japanese yellow Mingei and white Hosho handmade paper. Quarter vellum, printed in black, red and brown up the spine, with brown Ingres paper boards printed with a design in black. Black doubled endleaves; blue and brown patterned pastedown. Acetate dust-jacket. A fine copy. 'Magogmagog' is a book that speaks directly from the heart of Cox in its commendation of the clown and self-satire. Signed by Author(s).
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Editore: Distributed by Bertram Rota Ltd, 1965-1966, 1965
- Rilegato
Da: Bertram Rota Ltd, Kintbury, Regno UnitoBertram Rota Ltd
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EUR 3159,89
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Aggiungi al carrelloEach volume with the prints joined into continuous strips and folded to make nine double-page openings Each one of 100 copies signed by Morris Cox on Japanese Hosho hand-made Four volumes A fine set in original acetate dust-wrappers Chambers 14-17 Original pictorial boards, spines with printed labels.
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Editore: Narrow 4to, 28cm, 68 leaves (joined at the fore-edges), Gogmagog Private Press, Dartmouth Park Road, London, 1980., 1980
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- Firmato
Da: Collinge & Clark, London, Regno UnitoCollinge & Clark
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EUR 1504,71
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Aggiungi al carrelloHardcover. Condizione: Fine. 1st Edition. Text set in Rockwell; display in Extended Egyptian wood letter, French Antique, Bodoni Ultra Bold Italic and Figaro, with a linocut of the author's signature; captions in Gill Sans. One of just 35 copies printed in black (the title-page in black and red; the press-marks in brown; the pri…nts in many colours) on Japanese Hosho and Kuso-shi papers. Natural silk boards with designs printed in brown on the front. Cloth label on the spine. Reddish-brown endpapers. Slipcase covered in paste-patterned paper. A fine copy. 'This brilliant performance has the appearance of a retrospective exhibition of work across half a century, showing every technique of colour-printing which we have come to know in his work; but these are, as the sub-title explains, '50 Original Colourprints', and the Introduction mentions they 'were all conceived, made and printed within the course of one year's extensive work'. Morris Cox follows his custom of giviving titles to each print, perhaps from whatever a chance result suggested to him, continuing thus the notion of blind drawings or reticulation of a cracked plate. In his Introduction we have the longest most revealing of all his explanations as to method and discovery, a brief artistic memoir.' (Chambers 33). Signed by Illustrator(s).
Editore: Gogmagog Press, London, 1965
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 13. Copy number 53 of 60 copies numbered and signed in ink by the author on the colophon. Printed on Barcham Green Roger Powell handmade paper, bound in quarter natural linen with paper boards containing actual dried grasses under transparent tissue paper. Prospectus laid-in.
Editore: Gogmagog Press, London, 1966
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- Firmato
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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EUR 2230,70
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Aggiungi al carrello4 volumes, each volume illustrated with 3 embossed reverse/direct offset prints joined in continuous strip. A very fine set of what is generally regarded as one of the artist's masterpieces, with prospectuses laid in. A very fine set of what is generally regarded as one of the artist's masterpieces, with prospectuses laid in Cha…mbers 14, 15, 16, & 17. Winter is copy number 14 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with grey-green Ingres paper boards printed with a monotype in black, dark green, and white, with acetate dust jacket, with 2 copies of the prospectus laid-in. Spring is copy number 14 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with dark brown Ingres paper boards printed with a monotype in black and turquoise, and acetate dust jacket, prospectus laid-in. Summer is copy number 14 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with salmon pink Ingres paper boards printed with a monotype in black and grey, and acetate dust jacket, with two copies of the prospectus laid-in. Autumn is copy number 19 of 100 copies on Japanese "Hosho" paper, numbered and signed in ink on the colophon by the author, with dull purple Ingres paper boards printed with a monotype in black, pale blue, and white, with acetate dust jacket, prospectus laid-in.
Editore: Gogmagog Press, London, 1980
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- Firmato
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 33. Copy number 17 of 35 copies numbered and signed in ink by the author and Colin Franklin on the colophon. Printed on Japanese Hosho and Kuzo-shi papers bound by Morris Cox and Gemma O'Connor in natural silk boards with brown designs, in paste-patterned paper slipcase with orange draw ribbon.
Editore: Gogmagog Press, London, 1975
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- Firmato
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 25. Copy number 2 of 24 copies, numbered and signed by the author on the colophon. Corrie Guyt's copy. Printed on Japanese handmade Yamato-Chiri and Mingei papers, bound in green silk boards with acetate dust jacket. Laid in is a long TLS, 1 page, 4to, 28 November 1975, from the author to "Corrie" who provided some of t…he silk for the bindings: "You will see that I have bound the book in some of your Hong Kong silk and the title-page has utilized one of your lace pieces!".
Editore: Gogmagog Press, London, 1958
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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EUR 669,21
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Aggiungi al carrello8vo, original quarter maroon cloth and board with printed label on spine, mylar dust jacket. First edition of the first book to have the Gogmagog Press imprint. Chambers 2. Copy number 21 of 30 copies on cream wove paper, out of a total edition of 45 copies, bound in quarter maroon cloth, with natural boards, numbered and signed… in ink by the author on the colophon. Regrettably lacking the small label from the front cover, with glue residue in its former place (approximately 1 x 2 inches), otherwise a fine copy.
Editore: Gogmagog Press, London, 1958
- Brossura
- Prima edizione
- Firmato
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 2. First edition of the first book to have the Gogmagog Press imprint, a set of unbound proof sheets laid into a blue paper folder, with a short typed note signed by Cox reading, "The Slumbering Virgin / A set of proofs / presented to Arnold Yates, Esq., / by the author / Morris Cox / August 1960" laid-in.
Editore: Gogmagog Press, London, 1969
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 21. Copy number 34 of 50 copies numbered and signed in ink by the author on the colophon. Text on brown Cha-uke and prints on white Shoji Japanese handmade papers. Bound in brown Sugikawa paper boards with acetate dust jacket. Prospectus laid-in.
Editore: Routledge & Kegan Paul Ltd, London, 1970
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers d. First edition thus, privately issued. These poems were "first published under the title of The Whirligig and Other Poems in 1954 by Routledge & Kegan Paul (London). Cox rebound the original sheets from that edition with an original signed print, and issued the book privately. Copy number 19 of 35 copies, numbered and… signed in pencil by the author on the print, bound in Japanese handmade Kyoseishi paper boards with prospectus laid-in.
Editore: Gogmagog Press, London, 1972
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 22. Copy number 49 of 50 copies numbered and signed in ink by the author on the colophon. Printed on Japanese handmade Kozu-shi, bound in black paper boards covered in Japanese Amime net-mesh handmade paper with a pink Japanese handmade paper spine and acetate dust jacket.
Editore: Gogmagog Press, London, 1964
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloChambers 12. Copy number 27 of 50 copies numbered and signed in ink by the author on the colophon. Printed on Hosho Japanese handmade paper, bound in quarter vellum and heavy Hosho yellow-green paper boards. Stone colored cardboard slipcase with grey and black monotypes at the sides and orange ribbon-pull. Prospectus laid-in.
Editore: Gogmagog Private Press, London, 1978
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- Prima edizione
- Firmato
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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EUR 1338,42
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Aggiungi al carrelloCondizione: A very fine copy. 4to, original full gilt-decorated vellum with ribbon ties. A very fine copy. First edition. One of three copies specially bound in full decorated vellum by Gemma O'Connor out of a total edition of 75 copies; like the other copies in the edition of 75, the book is printed on Hosho and coloured Japane…se paper, with an original blind-drawn frontispiece, and signed by Cox, Franklin and O'Connor. The rest of the edition was bound in quarter vellum and Japanese patterned paper boards. "For many years he [Cox] had practised shutting his eyes, concentrating, drawing. . . . All sorts of effects were achieved in blind drawings, a whirling ballet in line on white. Each was signed, dated and given a BD stamp of affirmation in red". Chambers, Franklin & Tucker 30, p. 156-158. The present book represents some of Cox's finest achievements using this idiosyncratic mode of drawing. Far from a mere curiosity, Cox's blind drawings clearly reflect a spiritual accomplishment of a high order; though the result of an unconventional discipline, the drawings are marked with the elegance of line and subtlety of feeling that come only from long submission to the constraint of technique.
Editore: Gogmagog Private Press (1980), (London), 1980
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Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.James S. Jaffe Rare Books, LLC, ABAA
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Aggiungi al carrelloTall, narrow 8vo, pictorial cloth, patterned slipcase. Spine a little bit sunned, otherwise a fine copy. Spine a little bit sunned, otherwise a fine copy First edition. One of 35 numbered copies "designed, cut, modelled, hand-printed & bound" and signed by Cox. "Plates & text printed on Japanese Hosho & Kuzo-shi papers. Binding…material woven in Hong-Kong, supplied by Mr Corrie Guyt". Chambers 33. Presentation copy from Cox to Guyt, who supplied the binding materials, with Guyt's bookplate on the front paste-down and with an autographed note signed ("Xmas 1980, To Corrie - With best wishes & warm affection, Morris") and a typed note signed ("28 November 1980, My dear Corrie, You will see that this book of Studio samples and its Introduction is only for people who already know something about me and my work. And who better than you to be among the first to receive it! See letter by separate post. Yours ever, Morris") from Cox to Guyt, laid in. "This brilliant performance has the appearance of a retrospective exhibition of work across half a century, showing every technique of colour-printing which we have come to know in his work; but these are, as the sub-title explains, '50 Original Colourprints', and the Introduction mentions they 'were all conceived, made and printed within the course of one year's extensive work'. . In his introduction we have the longest most revealing of all his explanations as to method and discovery, a brief artistic memoir. At the end we accept the final word as to his printing which 'has never ceased to thrill me with its potential for spontaneous artistry'." - Chambers pp. 160-161.
