gregory robert introduction (18 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Printing. 9.24 X 5.84 X 0.60 inches.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. First Edition. Nashville: Thomas Nelson Inc 1974. Hardcover. 0840764022 . First edition Collects "Threads of Time" and "The Marathon Photograph" and "Riding the Torch". 219 pages. Very good with light dust soiling to page edges, light toning to pages, edge wear, in jacket with very light edge wear. See photos clph.

First Obl. 4to, stiff pictorial wrappers. 76 pp, 14 plates (12 in color) plus 7 text figures and frontispiece, bibliography. An exhibition (April 9 - June 1, 1980, with a subsequent showing in Detroit), of the Leger canvas (owned by the Museum of Modern Art), along with nine related paintings and two drawings. Very good except of a few rubbed spots.

Hardcover. 8vo., Book Club Edition. Very Good in a Very Good dust jacket.

Paperback. Condizione: Brand New. 170 pages. 5.50x0.39x8.50 inches. In Stock.

Paperback. Condizione: Brand New. centennial edition. 239 pages. 9.25x6.00x1.00 inches. In Stock.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. First North American edition ; 208 pages : chiefly illustrations ; 32 cm ; ISBN 9780821221280, 0821221280 ; OCLC 31677506 ;LCCN 94075736 ; LOC No DA951 .S36 1994 ; "A Bulfinch Press book." ; Dewey 941.081 ; green cloth in photographic dustjacket ; tiny watermark on bottom corner textblock ; Carey Schofield OBE is the British principal of Langlands School and College in Pakistan, noted for its academic excellence. She had a previous career as a journalist and writer, particularly on military affairs. ; Contents: Early photography in Ireland -- The Administration -- The Land -- At the Big House -- In the towns -- Revival & revolution -- Notes on the photographic processes ; VG/VG. Book.

Stapled Wrappers. Condizione: Very Good. Sebastian Carter (illustratore). First Edition. 68pp. Inscribed on inside cover by Wilmer for fellow Carcanet poet Peter Jones in 1976. Light bump at head fore corner. Scarce publication constituting their first book appearance whilst studying under Tanner's supervision at King's College, Cambridge. Covers & headpiece vignette's by Carter. Errata slip laid in. Signed by Author(s).

Paperback. Condizione: Brand New. enl exp up edition. 200 pages. 9.00x6.00x0.59 inches. In Stock.

Paperback. Condizione: Fair. Kevin Brown; Gregory Budgett; Gary Dumm; Robert Crumb; Gerry Shamray; Sean Carroll; Sue Cavey; Val Mayerik (illustratore).

Softcover. First Edition. Green Horse Press (Santa Cruz), 1977, yellow & red paperback, stated: First edition, 750 copies, Fine, unpaginated, POETRY; F0846.

Paperback. Condizione: Very Good. First Edition. INSCRIBED by Gregory Hall. Clean very good 1977 first edition paperback. Inscribed by Author(s).

Hardcover. Condizione: Brand New. centennial edition. 239 pages. 9.25x6.25x1.00 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. X, 214 Pp. First Printing, Code 563 At Bottom Of Rear Flap. Fine In Fine Dj, Price Clipped, Name Label On Front Endpaper.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New - In Slipcase. MANCHESS, GREGORY (illustratore). 1st Edition. Hardcover - 1st. Print - Signed & Numbered Limited Edition No. 356 of 1000 - Signed by Gregory Manchess on limitation page - AS NEW/AS NEW in VG Slipcase - Conan of Cimmeria: Volume Three (also published under the title The Conquering Sword of Conan) is the third installment of the Wandering Star and Del Rey collections, which meticulously restore Robert E. Howard's original pulp texts and manuscripts. - The book collects Howard's final, mature Conan stories written between 1935 and 1936, plus extensive historical notes and unused drafts. Includes, "The Servants of Bit-", (Originally Jewels of Gwahlur), "Red Nails", and more. Signed by Illustrator(s).

Hardcover. Condizione: Very Good. Fiore, Joseph (illustratore). First Edition. First Printing. 60 pp. 8vo. Clean, crisp copy. No dust jacket, as issued. Printer error on p. 33 has resulted in a folded corner and separation of two layers of the paper for the coated pages. Otherwise, pristine. An exceedingly scarce volume of the work of the artist Joseph Fiore (1925-2008).

No Binding. Condizione: Near Fine. 1st Edition. Loose sheets of card, film notes done by hand are printed with plates in colour. Fine. These are in a box with a small tear at the fore-edge. Otherwise only minor marks. Included, loosely inserted, is an essay by Markopoulos on Beavers work,"Art Is Not Knowledge", in a limited ed. of 100 copies. It is presented by its author to Lady Casson, on 4th Jan 1975. The covers of 'Art is Not Knowledge' are clean and white, fine. These items would seem to have been produced at different times but may well have been presented to friends together with the original publication of the Film Notes and Plates for Still Light, as I have seen the essay with another copy. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.". Signed by Author(s).

No Binding. Condizione: Fine. No Jacket. 1st Edition. Loose sheets in a printed box. Being card film notes done by hand and photographed here. They are printed with photo-plates in colour. Near fine. The loose sheef of pages with the half-title is signed there by Robert Beaver and dated 14th June 1971. The box has a small closed tear at the fore-edge and at the foot of the spine. Some minor marks. Otherwise box very good indeed. They detail the making of the 25 minute film Still Light which was shot in 35mm. Included, loosely inserted is an essay by Markopoulos "Art Is Not Knowledge" in a limited ed. of 100 copies. It is presented by him to Maude and Nigel Gosling on 28th Dec, 1974. Also enclosed is a postcard to Nigel Gosling from Robert Beaver, dated 14th June 1971 from Firenze saying the book is on its way and he hopes Gosling will be pleased with his own appearance in it. (There are numerous references to 'Nigel' in the notes for the film and one of the plates has a head shot which is very like a rear view of Nigel Gosling, titled as some others are, "The Critical Spectator". Also, a large leaf two page letter, from Gregory Markopoulos in Firenze where both he and Robert Beaver are woking. It is dated 17th June 1971 and signed, "Gregory". It is on two spare leaves from the book - one showing a photo of Robert Beaver and the other the possible shot of Nigel Gosling. The text has been typed around these images. Markopoulos refers to Margot Fonteyn and Nureyev. He discusses film, writers, and their books, good and awful. Also another letter in its airmail envelope, from Robert Beaver, 1pp typed and signed, "Robert", dated 12th July 1971 from Zurich. He discusses a new film project and ICA funding etc. Though produced at different times these items - the boxed Film Notes and Plates and the essay by Markopoulos - were probably issued together, as I have seen both in another boxed set. Loosely inserted is a 'filmpodium' program of film events, for 1971, hosted by Cinéma Radium. of Zurich Three films of Beaver are included for showing during October. Also others by renowned independent film makers. The additional items all indicate that Gosling was intimately connected with both the making, funding and promotion of the film. Finally a Press Release, dated 12th March 1974, by the Royal College of Art, for a showing of two films by Gerald Newman, called, 'Sea-Beach' and 'Air'. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.". Signed by Author(s).