Griffiths frederick t (61 risultati)

Hardcover. Condizione: Very Good. No Dust Jacket. First Edition. Top edge of pages has some foxing.

Paperback. Condizione: Very Good. 236 pp.

Hardbound. Condizione: Very Good. Octavo, red cloth with gold lettering, xii, 184 pp., notes, works cited, index Inscribed by Rabinowitz on the free front endpaper.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukács-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtin's classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogol's Dead Souls-a uniquely problematic work, and one which Bakhtin argued was novelistic rather than epic-Dostoevsky's Brothers Karamazov, Pasternak's Dr. Zhivago, and Tolstoy's War and Peace, this book redefines "epic" and how we understand the sweep of Russian literature as a whole.…

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukacs-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtins classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogols Dead Soulsa uniquely problematic work, and one which Bakhtin argued was novelistic rather than epicDostoevskys Brothers Karamazov, Pasternaks Dr. Zhivago, and Tolstoys War and Peace, this book redefines epic and how we understand the sweep of Russian literature as a whole. Examines the origin of the nineteenth-century Russian novel. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. 8vo. pp 236. Original publisher's grey cloth, lettered gilt at the spine. ISBN: 1936235536 Fine in fine dust wrapper.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. reprint edition. 240 pages. 9.21x6.14x0.51 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover & Dust Jacket. Condizione: Very Good. 236 pp.

Condizione: As New. Unread book in perfect condition.

HC. First Edition xii, 184 pp., With Notes, Wirks Cited, Index. Red cloth with gilt titles and decoration. Fine, new in original shrink wrap.

Condizione: New.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condizione: new. Hardcover. Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukacs-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtins classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogols Dead Soulsa uniquely problematic work, and one which Bakhtin argued was novelistic rather than epicDostoevskys Brothers Karamazov, Pasternaks Dr. Zhivago, and Tolstoys War and Peace, this book redefines epic and how we understand the sweep of Russian literature as a whole. The authors read some of the classics in the Russian novelistic tradition against a critique of the Lukacs-Bakhtin view of epic, all the while demonstrating the modernity of epic as a literary mode and arguing how some key Russian novels challenge or outgrow their generic form to re-imagine or re-invent a new, monumental one. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukacs-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtins classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogols Dead Soulsa uniquely problematic work, and one which Bakhtin argued was novelistic rather than epicDostoevskys Brothers Karamazov, Pasternaks Dr. Zhivago, and Tolstoys War and Peace, this book redefines epic and how we understand the sweep of Russian literature as a whole. Examines the origin of the nineteenth-century Russian novel. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukács-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtin's classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogol's Dead Souls-a uniquely problematic work, and one which Bakhtin argued was novelistic rather than epic-Dostoevsky's Brothers Karamazov, Pasternak's Dr. Zhivago, and Tolstoy's War and Peace, this book redefines "epic" and how we understand the sweep of Russian literature as a whole.…