griggs w h (27 risultati)

Pamphlet. Condizione: Very Good. Vol 71, pp. 45-125, Illus, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, VG.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Good. Black and white pictorial soft cover, solid. Farming.

Ed. North-Holland, Amsterdam - 1988, in-8, broché, 204 pages Bon état, table des matières sur la photo - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Ed. North-Holland, Amsterdam - 1987, in-8, broché, 202 pages Bon état, table des matières sur la photo - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Condizione: New. In.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

(S. A. Phytopath. Vol. 54, No. 11)1964. S. 1346-1351. gr8. m. Abb. br. -2) -Sonderabdruck-.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Poor. Hardback 1940. Clean & tight. No inscriptions. Jacket is poor & is torn & has lost a large section from the front cover: see photo. Dispatched Royal Mail First Class with tracking next working day or sooner securely boxed in cardboard. ref H211. The Photographer Speaks. Edited by Dr Olaf Bloch. Contributors: F.J. Mortimer; Dr Olaf Bloch; J. Dixon Scott; Marcus Adams; Bernard Alfieri; H. N. Blinkhorn; J. E. Saunders; W. L. F. Wastell; Noel Griggs; Dr D. A. Spencer.

Condizione: New.

Hardcover. Condizione: New.

Hardbound. Condizione: As New. New. Contents Vol. I. The Philosophy of Art The Meaning and Relations of Sculpture Painting Poetry and Music/Edward Howard Griggs Introduction. 1. The expression of human life in art. 2. The interpretation of human life in art. 3. Primitive source of art. 4. Defining forces behind art the artist. Vol. II. The Philosophy of Education/Johann Karl Friedrich Rosenkranz Introduction. 1. Education in its general idea. 2. Education in its special elements. 3. Education in its particular systems. Vol. III. The Philosophy of Ethics An Analytical Essay/Simon S. Laurie Introduction. 1. Attempt to separate the essential characteristic of the so called Conscience or Moral Sense. 2. Is the feeling of complacency or displacency a discriminator of rightness in acts. 3. Explanation of the sense in which the phrase Happiness of Man is used in this essay. 4. What is the criterion of the right and wrong in subjective or intransitive acts. Vol. IV The Philosophy of History An Introduction/W.H. Waish Preface. 1. What is philosophy of History. 2. History and the sciences. 3. Historical explanation. 4. Truth and fact in history. Vol. V. Philosophy of Law/Josef Kohler 1. The philosophy of law and its significance. 2. The development of culture. 3. Culture and law. 4. Legal order and peaceable regulation. Vol. VI. Rudolf Eucken's Philosophy of Life/W.R. Boyce Gibson 1. Introductory. 2. Eucken's views on the relation of philosophy to history. 3. Eucken's philosophy of history (continued). 4. Eucken's criticism of naturalism. Vol. VII. The Philosophy of Literature/Conde B. Pallen 1. Thesis the Catholicity of literature. 2. Science theology the light of literature. 3. Art the sensible expression of unity by variety. Vol. VIII. The Philosophy of Language And the Science of Poetry/Hudson Maxim Introduction. 1. Foundation principles. 2. The evolution of analogical speech. 3. What is poetry. 4. What poetry is not. Vol. IX. The Philosophy of Mathematics/James Byrnie Shaw 1. Meaning of the philosophy of mathematics. 2. Number and the Arithmetization of mathematics. 3. Space and the Geometrization of mathematics. 4. Arrangements and mathematics tactic. Vol. X. The Philosophy of the Mind/James Douglas I 1. Speculative opinions. II 1. Perception. 2. Memory and suggestion. 3. The train of thought. 4. Reasoning and logic. Vol. XI. The Philosophy of Music Being the Substance of a Course of Lectures Delivered at the Royal Institution of Great Britain/William Pole 1. Introduction. 2. The Phenomena of sound in general. 3. Special characteristics of musical sounds. Vol. XII. The Philosophy of Mysticism/Edward Ingram Watkin 1. Introduction. 2. The divine immanence. 3. Unity of God. 4. The transcendence of God. Vol. XIII. A Philosophy of Religion/A. Campbell Garnett Introduction. 1. Analysis. 2. Interpretation of practice. 3. Interpretation of theory. Vol. XIV. The Philosophy of Science An Introduction/Stephen Toulmin Preface. 1. Introductory. 2. Discovery. 3. Laws of nature. 4. Theories and maps. Vol. XV. Philosophy of Scientific Method/John Stuart Mill Preface. Introduction. 1. Of names and propositions. 2. Of reasoning. 3. Of induction. 4. Of operations subsidiary to induction. Introductions to Philosophy series presents a set of engrossing accurate and lively introductions to all the core areas of philosophy. Each volume is written by a knowledgeable authority of the area in question. Care has been taken to produce works that while even handed are not mere bland expositions and as such are original pieces of philosophy in their own right. The volumes serve as an essential basis for the courses to which they relate as well as being accessible and absorbing for the general reader. Together they comprise an indispensable library of living philosophy. Introductions to Philosophy is designed to be used as a companion to any philosophy course. Each book provides an authoritative treatise of topics commonly taught at the college level focusing on the major issues that typically ar.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. 1924. First edition. Folio, original cloth-backed blue boards. Stratford-upon-Avon, Shakespeare Head Press. Number 442 of 500 copies. A near fine copy, front endpapers lightly browned.Quarto, vII,47, v pp, 60 colotype plates printed by Emory Walker plus several engravings in the text. Printed on untrimmed handmade paper. Original pale blue paper-covered boards with linen spine with fraying to spine edges and a small hole warn through spine. Ex Libris label, extremities worn, top corner bumped, , errata slip bound in; some pages uncut. Gimson a partner at Ernest & Sidney Barnsley, was profoundly influenced by William Morris, and counted among his clients Morris' daughter, May.

Hardcover. Condizione: Near Fine. 1st Edition. 1924. First edition. Folio, original cloth-backed blue boards. Stratford-upon-Avon, Shakespeare Head Press. Number 442 of 500 copies. A near fine copy, front endpapers lightly browned.Quarto, vII,47, v pp, 60 colotype plates by Emery Walker plus several engravings in the text. Printed on untrimmed handmade paper. Original pale blue paper-covered boards with linen spine. Spine label missing, extremities worn, top corner bumped, free end papers browned, errata slip bound in; some pages uncut. Gimson a partner at Ernest & Sidney Barnsley, was profoundly influenced by William Morris, and counted among his clients Morris' daughter, May.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: Very good +. Condizione sovraccoperta: fair. First and Limited Edition. One of 500 copies, large quarto size, 60 pp. and 60 plates, with original dust jacket and prospectus. Ernest William Gimson (1864-1919) is know as one of the greatest of the English architect-designers. "Today his reputation is securely established as one of the most influential designers of the English Arts and Crafts movement in the late nineteenth and early twentieth centuries" (n.b., info and quote from Wiki). As with William Morris, Gimson believed in working with his hands and making things that fit their purpose with beauty, striving for a merger of the practical and the aesthetic. He obhorred things made by machine; doing one's work well, as best as one could, by hand, was the lodestar of his life. Morris and Gimson became friends, and Gimson designed a cottage for May Morris at Kelmscott. This work is a fitting tribute, with opening essays by his friends, two of whom provided line drawings to accompany the essays, and sixty collotype plates printed by Emery Walker. This particular volume has an interesting association, with the Ex-Libris of Rainforth Armitage Walker (1886-1960), based on a chapter heading illustration by Aubrey Beardsley in "Le Morte D'arthur". Per Mark Samuels Lasner, in "The Bookplates of Aubrey Beardsley" (p. 95), this Ex-Libris was not designed as an original bookplate by Beardsley (only three of these are known), but Walker had this Beardsley illustration printed as his Ex-Libris by Hugh Dent, the printer of "Le Morte D'arthur". Walker was a an early fan and collector of the works of Beardsley, and authored several books on the artist and his works. The subscriber list at the back of the book lists an "R.G. Walker" with an address in Bedford Park, with the "G." crossed out in pencil; Rainforth Armitage Walker did live in Bedford, so it is entirely possible the middle initial was a typo and it is, in fact, his name in the subscriber list. To add interest to this volume, we have the original prospectus (which, as of this writing, no other copies online have), and the dust jacket (see condition statement below), as well as both the Errata slip and the spare paper spine label (see description below). A prior owner (perhaps R.A. Walker?) pasted into the book two reviews: the first from The Times Literary Supplement dated 17 April, 1924 and the second from The London Mercury dated May, 1924. ___DESCRIPTION: Bound in quarter natural linen with paper spine label, fore- and bottom edges uncut, the Ex-Libris of R.A. Walker on the front pastedown, the title page with one of the eight in-text line drawings (see p. 9, "The Cottage at Sapperton: South Side"), the limitation statement on the verso of the title page, this copy no. 21 of 500, the Errata slip bound in between the limitation page and the Contents, the three essays followed by the section of collotype plates "made from drawings by Ernest Gimson and photographs of his completed work" (p. 35), following the plates is a "List of the Original Subscribers" which include, among many others, C.H. St J. Hornby, W.R. Lethaby, May Morris, B.H. Newdigate, A.R. Powys, and Emery Walker, tipped onto the rear pastedown is the spare spine label; Caslon type on Batchelor's Kelmscott Hand-made paper, large quarto size (the binding measures 12" by 8 3/4"), pagination: [i-iv] v-vii [1, blank] 1-46 [1, blank] [60 plates printed on rectos only], i-v (List of Subscribers). The prospectus consists of a single leaf (11 3/8" by 8 1/2"), on one side is a mirror of the title page with a short announcement above ("Ready in March.) and the other side with standard prospectus information including, at the bottom, a short section which could be used to order the book. The dust jacket is quite simple, the front panel with just the book's title and "Four guineas net" at the bottom, the spine again with just the book's title, and the back panel with the press device of the Shakespeare Head Press. ___CONDITION: Volume better than very good, the boards clean (although showing some offs.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1889 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 299 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 299 Volume 3 Language: English.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1889 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 314 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 314 Volume 1 Language: English.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1889 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 292 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 292 Volume 2 Language: English.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1868 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 475 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 475 Language: English.