gulik willem (54 risultati)

PB. Condizione: very good, wraps (softcover). sepia & color illustrations (illustratore). 160pp ISBN 1870076583.

Paperback. Condizione: Fine. Illustrated with black & white and colour photographs and drawings. Fine card covers, no inscriptions or marks. Catalogue of an exhibition held in the Museum for Ethnology, Rotterdam, Sept. 6, 1986 - Jan. 5, 1987.; 4to 11" - 13" tall; 206 pages.

Soft cover. Condizione: Good. Softcover, 11 1/2 by 8 1/2 inches, 84 pages, illustrated, mostly in black white. Front cover has 14 by 1/2 inch skinned spot and some wear at the spine, otherwise only light wear. Pages are clean.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Pictorial card wraps. Condizione: Very good. First Edition. 4to (27.5cm). pp. 207. Excellent illustrations, mainly b&w, w/ some colour plates. A group of people have signed their names to the rear free endpaper, dated Leiden, 18 IV 1988, possibly from an academic conference or such. Minor wear to edges of covers, tips, still a clean, firm copy.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. 1st Edition. Back cover has creased corner and tiny nick along spine. Otherwise a clean and unmarked copy in good condition. 328 pages.

paperbound, 4to oblong 160 pp., 169 ills. Schilling collection of 19th century Japanese photography; LIKE NEW condition.

Condizione: Good. Paperback, numerous (full page) b/w illustrations, 4to.

Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED1982. Very Good. Clean Copy. Illustrated.

Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED1984. Very Good. Clean Copy. Illustrated.

Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good with minor creasing, wear at corners.

Condizione: Good. Paperback, illustraties in kleur en z/w, 8vo. Antiekwijzer.; Rug licht verkleurd.

Condizione: Good. Paperback, illustraties in kleur en z/w, 8vo. Antiekwijzer.; Rug licht verkleurd.

Paperback. Condizione: Fine. First Paperback Edition. CLEAN Fine 1991 First Paper Back Edition.

Original publisher's sewn paperback, pictorial frontcover, oblong shaped large 8vo: 132pp., very richly illustrated, references. Very fine copy., Verhalen over de scheepvaart en binnenscheepvaart.

Soft cover. Condizione: Very Good. 1st Edition. Original stiff wrappers (softcover), 160 p. : illustrations (chiefly in color), 27 cm. Very good, clean, no internal marks, minimal yellowing white margins. Text in English and Dutch.

Gr.8°. Orig.-Karton. 64 S. mit Farbabbildungen. Ordentliches Exemplar (ein Eselsohr, Vorderdeckel etwas lädiert). Sprache: Niederländisch Gewicht in Gramm: 550.

Condizione: Very good.

Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ON 25-7 270624.

Condizione: Very good.

Paperback. Condizione: Very Good. Illustrated card wrappers unmarked and sharp with no damage or notable wear; binding tight and secure; pages unmarked and crisp with no damage or notable wear. A very nice, tight copy. ; 0 X 0 X 0 millimeters; 328 pages.

Condizione: New.

Softcover. Quarto, 328 pages. In Good condition. Spine is brown with orange print. Cover has slight edge wear, light shelf wear. Illustrated: b&w and color. "A selection of the prints in this catalogue will be exhibited in the Van Gogh Museum from 7 June until 22 September 1991 as part of the exhibition Japan, Van Gogh's utopia" Colophon. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. 1400005. FP New Rockville Stock.

Condizione: Very Good. First edition. Paperback. 1991 1st edition. Slight wear to covers and small mark to fore-edge, otherwise an unread, very good indeed copy.

Soft cover. Condizione: Good. No Jacket. 1st Edition. English text.; Paperback.; 0.7 kg.; 25.5 x 22 cm.; 160 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows edge wear and scuffs and scratches on the front cover, spine and back cover. Interior with minor signs of wear. "In December 1989 the Schilling collection of nineteenth-century Japanese photography was acquired by the Dutch bookstore Ukiyo-e Books in Leiden from Lempertz Auction house in Cologne, Germany. When I initially viewed these works with the owners, we were all struck by their exceptional quality, both in the pristine condition and in the diverse imagery. Almost immediately the idea of a publication was born. During my survey of the existing literature in Western language sources dealing with Japanese tourist photography of the late nineteenth century, I was convinced of the need to devote time on what appeared to be a relatively undocumented area. Earlier writers had concentrated only on well-known Western photographers, Felice Beato and Baron von Stillfried, who worked in Japan a number of years. Little attention was paid to the indigenous industry of tourist photography which flourished from c. 1880. It has only been in the last decade that serious interest in the field increased among Japanese scholars. In this book it has been my aim to integrate both Japanese and Western sources and to address some of the relevant questions which have been left unanswered in Western literature. My own training as an anthropologist explains the emphasis of the text on the socio-cultural meaning of the Schilling photographs, although their artistic and historic value no doubt warrants further in depth treatment by art historians and historians alike. Following a brief introduction concerning the provenance of the Schilling collection, I have attempted to outline the cultural and historical setting within which Japanese photography developed in the second half of the nineteenth century. Then I focus upon photography as a technique and as a profession; a description of the early days of photography in Japan serves as an introduction to various aspects of Japanese souvenir photography, the latter being particularly germane to the collection presented in this publication." excerpt from the foreword by Margarita Winkel Leiden, June 1991.

84 pp.; c. 250 b/w illus., 5 colour plates, index of artists, biblio. Exh. catalogue Vincent van Gogh Museum, Amsterdam, 1978. Pbk. KEYWORDS: 026 Japan - Prints/Surimono/Paintings/Calligraphy etc.

Hardcover. Condizione: Good. Dust Jacket Included. English text.; Hardcover (with dust jacket).; 25 x 32 cm.; 1.3 kg.; 180 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, scuffs and scratches on the front cover, spine and back cover. Tear at the top left side of the front cover and also on the top of the spine. Interior with minor signs of wear.; "Dutch people may find the title of this book rather thought-provoking. They will instantly associate the first part of the title, 'Imitation and Inspiration', with the general preconception that Japanese economy and culture evolved during these last decades as a direct result of a successful imitation of Western models. However, from the subtitle it appears that the book is about Western, and in this case, Dutch imitation of and inspiration by Japanese art. This book is not only a token of respect for the cultural and historical links between Japan and Holland, but, at the same time, proof that it is only through continuous contact with each other's cultures that mutual preconceptions based on stereotypes can be avoided. In Europe and North America, Japanese influences on Western art have gradually begun to attract a great deal of popular interest. In general, this interest has mainly focused on Japonism, which made its appearance in various Western art forms after the Japanese ports had been opened to foreign trade in 1854. However the unique position that was occupied by the Dutch in Japan from 1609 onwards, at first as representatives of the Republic of the United Provinces and, after 1813, as representatives of The Kingdom of the Netherlands, justifies a more elaborate treatment of the subject. Many art experts and connoisseurs have indeed devoted their attention to this period. However, they often have concentrated on the influence exerted on Japanese art and culture by the Dutch trading post on Deshima. From the pages that follow it will appear that, conversely, Dutch and other Western arts and crafts were strongly influenced by the Japanese. As early as the beginning of the seventeenth century, contacts between the Republic and Japan led to a great interest in Japanese art and the imitation of that art in the Netherlands. As becomes apparent from the various contributions to this volume, this interest has continued to the present day." foreword by Stefan van Raay.

Leinen. Condizione sovraccoperta: mit Schutzumschlag. Quart. 328 S. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr. farb. und schw.-w. Abb. Umschlag geringf. berieben, sehr gutes Exemplar.

Amsterdam & Uithoorn, J.C. Gieben, 1980. 155 pp. B./w. ills. Orig. softcover (pictorial wrappers). 4to. Introduction by Simon Kooijman.

Zwolle, Waanders / Van Gogh Museum, 2006. Revised edition. 29,5 x 25 cm. Hardcover. Richly illustrated in color and b/w. 324 pag. - Name on first endpaper else AS NEW [Art / Dutch artist [Nederlandse Kunstenaars] ].