Kodera tsukasa (19 risultati)

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 28 (weekend SALE item)* 39 pp., paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Softcover exhibition catalog, 222 pages, in Japanese with titles also in English; as new condition, no internal marks, clean and crisp. There is NO supplement with English text. Foreign shipping may be extra.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardback. Condizione: Very Good-. No Dust Jacket. Boards are stained on front and rear with dark markings, rear upper left corner bumped but all others sharp, spine sunned; binding is tight; pages are unmarked, front endpaper has indentation from where paperclip has been, black and white and colour illustrations throughout. ; OCULI: Studies In The Arts Of The Low Countries; 7 x 1 x 9.75 inches; 295 pages.…

4° Broschur. Condizione: Gut. 39 S. Broschur. Bei dem Buch handelt es sich um ein ehemaliges Bibliotheksexemplar mit Signatur und Stempel. M01795. Sprache: Englisch Gewicht in Gramm: 1050.

Soft cover. Condizione: Good. No Jacket. 2nd Edition. English text.; Paperback.; 25 x 29 cm.; 1.8 kg.; 328 pages with black and white and colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows edge wear, wear marks, scuffs and scratches. Small bumps at the bottom and top of the spine. Interior with an ex-library stamp on the first two pages. Remaining interior with minor signs of wear.; A selection of the prints in this catalogue was exhibited in the Van Gogh Museum from 7 June until 22 September 1991 as part of the exhibition Japan: Van Gogh's Utopia.; "The collection of 474 Japanese prints in the Van Gogh Museum is for the most part owned by the Vincent van Gogh Foundation and hails from the joint estate of Vincent and Theo Van Gogh. Theo's son, Ir Dr Vincent Willem van Gogh (1890-1978), later expanded the collection somewhat. It is no longer possible to find out exactly which prints were added by him to the original group. In 1986 the museum's collection was enlarged with a gift of 35 prints by the Tokyo Shimbun in Japan, whereby Hiroshige's Tokaido series of 1855, of which 20 prints were already in the museum's possession, could be completed. This catalogue is a completely revised and extended edition of the 1978 catalogue Japanese Prints collected by Vincent van Gogh. Its publication will be accompanied by a summer presentation of Japanese prints and of paintings and drawings by Vincent van Gogh in- spired by Japanese art under the title Japan: Van Gogh's Utopia.Charlotte van Rappard-Boon and Keiko van Bremen-Ito adapted the original text of the catalogue according to the latest available information and, advised by Yoriko Yoshida, Machiko Fukae, Tsuneo Kodaira, Lotje van der Peet and Tom Harper, they added a myriad of new facts and details." excerpt from the preface Ronald de Leeuw.…

Hardcover. Condizione: Near Fine. 1st Edition. Cloth bound hardcover with dust jacket, x, 283 p., 8p. pl. : ill. ; 25 cm. Very good/fine in a very good/fine dust wrapper.

Hardcover. Condizione: Good. Dust Jacket Included. English text.; Hardcover (with dust jacket).; 25 x 32 cm.; 1.3 kg.; 180 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, scuffs and scratches on the front cover, spine and back cover. Tear at the top left side of the front cover and also on the top of the spine. Interior with minor signs of wear.; "Dutch people may find the title of this book rather thought-provoking. They will instantly associate the first part of the title, 'Imitation and Inspiration', with the general preconception that Japanese economy and culture evolved during these last decades as a direct result of a successful imitation of Western models. However, from the subtitle it appears that the book is about Western, and in this case, Dutch imitation of and inspiration by Japanese art. This book is not only a token of respect for the cultural and historical links between Japan and Holland, but, at the same time, proof that it is only through continuous contact with each other's cultures that mutual preconceptions based on stereotypes can be avoided. In Europe and North America, Japanese influences on Western art have gradually begun to attract a great deal of popular interest. In general, this interest has mainly focused on Japonism, which made its appearance in various Western art forms after the Japanese ports had been opened to foreign trade in 1854. However the unique position that was occupied by the Dutch in Japan from 1609 onwards, at first as representatives of the Republic of the United Provinces and, after 1813, as representatives of The Kingdom of the Netherlands, justifies a more elaborate treatment of the subject. Many art experts and connoisseurs have indeed devoted their attention to this period. However, they often have concentrated on the influence exerted on Japanese art and culture by the Dutch trading post on Deshima. From the pages that follow it will appear that, conversely, Dutch and other Western arts and crafts were strongly influenced by the Japanese. As early as the beginning of the seventeenth century, contacts between the Republic and Japan led to a great interest in Japanese art and the imitation of that art in the Netherlands. As becomes apparent from the various contributions to this volume, this interest has continued to the present day." foreword by Stefan van Raay.…

Softbound. Condizione: As New. Color illustrated glossy wraps. 284 pp., profusely illustrated in vivid color and crisp bw. Text is in Japanese with substantial English translations at rear. Published to accompany an exhibition held at the Hokkaido Museum of Modern Art (July - August 2002) and the Hyogo Prefectural Museum of Art (September to November 2002).…

Amsterdam / Philadelphia, John Benjamins Publishing Company, 1993. 461 pp. Folio (34,5x27 cm). Illustr. Dustj. good. Book itself in fine condition. Orig. cloth with dustjacket. Spine dustj. slightly discolored. Heavy item. For shipment outside Europe, extra postage might be required. Contributors: Ronald de Leeuw, Shu-ji Takashina, Tsukasa Kodera, Fred Leeman, Nobuo Nakatani, Andrea Gasten, Evert van Uitert, Sjraar van Heugten, Nagahiro Kinoshita, Kees Pinxteren, Paul Hegeman, Griselda Pollock, Walter Feilchenfeld, Roland Dorn, Jan Hulsker, Elmyra van Dooren, Han van Crimpen, Johannes van der Wolk, Kasumi Fujiwara, Tomoko Saito, Fieke Pabst. The Mythology of Vincent van Gogh contains interviews with important film directors and actors; extensive lists of literary works, medical literature, films, dances, operas and music that in one way or another refer to the many myths surrounding Vincent van Gogh and his work. The contribution on forgeries reconsiders the authenticity of several works in private and public collections. Quite exceptionally, many of the forgeries or the so-called doubtful works are reproduced here in colour. The volume includes a bibliography, a chronological table and an index. The wealth of illustration and documentation, combined with its wide scope and the critical assessment of the many aspects of the mythology of Vincent van Gogh make this book an essential source for art historians, libraries, museums, art dealers, and anyone interested in Van Gogh's life and work. …

1990, cloth, xii, 284 pp., removed stamp from titlepage, removed label from first free endpaper, part of dustjacket pasted down on inside first free endpaper, else very good.

Encuadernación de tapa blanda. Condizione: Casi nuevo. 1992. Catálogo de las exposiciones celebradas en el National Museum of Modern Art (Kyoto) en Febrero - Marzo de 1992, y en el Setagaya Art Museum (Tokyo) en Abril - Mayo de 1992. 270 pp.Numerosas reproducciones en color y b/n. Idiomas: Japonés e inglés. LIB 10F.…

Condizione: Very Good.

Condizione: Very Good. First edition. Paperback. Light wear to extremities, otherwise near fine. English and Japanese text.

Amsterdam, John Benjamins, 1990. 283 pp. Col. & b./w. plts. Orig. hardcover, d./j. (OCULI, 3).

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Vincent van Gogh Christianity versus nature Tsukasa Kodera Hardbound - Available ISBN 978 90 272 5333 0 | EUR 285.00 This book analyzes the deeper meaning of recurring themes in van Gogh's uvre, such as the sower, the sun and the sunflower, against the religious background of his time. It traces the conflict between Christianity and nature that underlies the process of substitution of natural for Christian symbols which we find in van Gogh's uvre. The author has made a careful inventory of the principal motifs in van Gogh's uvre and studied the ways in which these have been combined and manipulated. By this method it can be demonstrated, not only that initially van Gogh uses explicitly Christian motifs such as the church spire, but also that their function is later taken over by motifs from nature like the sun and the starry night. Kodera discusses the meaning of these symbols and quotes extensively from contemporary material and from van Gogh's letters to show how this process of naturalization was influenced by specific artistic sources such as French Naturalist novels and Japanese prints. [OCULI: Studies in the Arts of the Low Countries, 3] 1990. xii, 283 pp. 120 bl./wh.ills.,8 color il Publishing status: Available Size: in-8°.…

Erste Ausgabe. Dissertation. 18 x 25,5 cm. Erste Auflage, 251 S. Originalkarton. 119 Abbildungen auf Tafeln. Leichte Lagerspuren (minimale Läsur am Rücken), innen wenige Anstreichungen und Anmerkungen mit Füller, innen sonst sehr gut. Auf Vorsatz Widmung des Autors an Justus Müller Hofstede. Signatur des Verfassers. …

Amsterdam & philidelphia, John Benjamins Publishing Company, 1990. X,[2],283 pp. 8 col. plts & 119 b./w. ills on plts. Orig. hardcover (yellow paper over boards with black lettering), d./j. 8vo. - Dust jacket with light shelfwear (sl. discol. on the spine). ([OCULI. Studies in the Arts of the Low Countries, 3).This book analyzes the deeper meaning of recurring themes in van Gogh's oeuve, such as the sower, the sun and the sunflower, against the religious background of his time. It traces the conflict between Christianity and nature that underlies the process of substitution of natural for Christian symbols which we find in van Gogh's oeuvre. The author has made a careful inventory of the principal motifs in van Gogh's oeuvre and studied the ways in which these have been combined and manipulated. By this method it can be demonstrated, not only that initially van Gogh uses explicitly Christian motifs such as the church spire, but also that their function is later taken over by motifs from nature like the sun and the starry night. Kodera discusses the meaning of these symbols and quotes extensively from contemporary material and from van Gogh's letters to show how this process of naturalization was influenced by specific artistic sources such as French Naturalist novels and Japanese prints.…

Amsterdam & philidelphia, John Benjamins Publishing Company, 1990. X,[2],283 pp. 8 col. plts & 119 b./w. ills on plts. Orig. hardcover (yellow paper over boards with black lettering), d./j. 8vo. - Dust jacket with light shelfwear (sl. discol. on the spine). (OCULI. Studies in the Arts of the Low Countries, 3). - A new copy !This book analyzes the deeper meaning of recurring themes in van Gogh's oeuve, such as the sower, the sun and the sunflower, against the religious background of his time. It traces the conflict between Christianity and nature that underlies the process of substitution of natural for Christian symbols which we find in van Gogh's oeuvre. The author has made a careful inventory of the principal motifs in van Gogh's oeuvre and studied the ways in which these have been combined and manipulated. By this method it can be demonstrated, not only that initially van Gogh uses explicitly Christian motifs such as the church spire, but also that their function is later taken over by motifs from nature like the sun and the starry night. Kodera discusses the meaning of these symbols and quotes extensively from contemporary material and from van Gogh's letters to show how this process of naturalization was influenced by specific artistic sources such as French Naturalist novels and Japanese prints.…